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Biographical sketches of the leading members of the Whig club.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Trinity College Library Watkinson Collection T052418 Anonymous. By Charles Pigott. London: printed for B.Crosby, 1794. iv,220p.; 8°
This book offers a modern edition of three fascinating and important works by Elizabeth Craven (1750-1828), an English author who lived for many years on the Continent. Craven is mainly remembered for her scandalous personal life, but deserves more serious attention. She was influenced by Enlightenment ideas and took a broad interest in the events of her time. The Modern Philosopher (1790) is a satire on the egalitarian theories of the French Revolution. The intellectual Longinius advocates equality in theory as perfectly logical, but is dismayed when his household put it into practice. Its love-plot has a happy ending. Written originally in French, it is here translated for the first time. Letters to Her Son (1784) is a book of advice on marriage that should be regarded as a pioneering feminist text. Craven boldly denounces the tyranny of husbands, the oppressive laws of the institution of marriage, and the fact that women were categorized as “a second sort of beings”. She condemns the law that gave a husband custody of the children after divorce, even if he had been violent or unfaithful. She looks forward to replacing all that with a model of marriage in which the partners are equal companions and seek happiness rather than dominance. Verses on the Siege of Gibraltar (1785) is a satirical poem concerning the battle for Gibraltar which was besieged by the French and Spanish during the American War of Independence. Military vanity, heroic posturing and weird contraptions all serve as targets for her biting wit and artful mockery. Put together, these three works demonstrate Craven’s versatility as a writer and startling modernity.
This thoroughly engaging and richly researched book presents a compelling portrait of Mary Robinson–darling of the London stage, mistress to the most powerful men in England, feminist thinker, and bestselling author, described by Samuel Taylor Coleridge as “a woman of undoubted genius.” One of the most flamboyant free spirits of the late eighteenth century, Mary Robinson led a life that was marked by reversals of fortune. After being abandoned by her merchant father, who left England to establish a fishery among the Canadian Eskimos, Mary was married, at age fifteen, to Thomas Robinson. His dissipation landed the couple and their baby in debtors’ prison, where Mary wrote her first book of poetry, gaining her the patronage of Georgiana, Duchess of Devonshire. On her release, Mary rose to become one of the London theater’s most alluring actresses, famously playing Perdita in The Winter’s Tale for a rapt audience that included the Prince of Wales, who fell madly in love with her. Never one to pass up an opportunity, she later used his ardent and numerous love letters as blackmail. After being struck down by paralysis, apparently following a miscarriage, she remade herself yet again, this time as a popular writer who was also admired by the leading intellectuals of the day. Filled with triumph and despair, and then triumph again, the amazing, multifaceted life of “Perdita” is marvelously captured in this stunning biography.