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There’s “western,” and then there’s “Western”—and where history becomes myth is an evocative question, one of several questions posed by Josh Garrett-Davis in What Is a Western? Region, Genre, Imagination. Part cultural criticism, part history, and wholly entertaining, this series of essays on specific films, books, music, and other cultural texts brings a fresh perspective to long-studied topics. Under Garrett-Davis’s careful observation, cultural objects such as films and literature, art and artifacts, and icons and oddities occupy the terrain of where the West as region meets the Western genre. One crucial through line in the collection is the relationship of regional “western” works to genre “Western” works, and the ways those two categories cannot be cleanly distinguished—most work about the West is tinted by the Western genre, and Westerns depend on the region for their status and power. Garrett-Davis also seeks to answer the question “What is a Western now?” To do so, he brings the Western into dialogue with other frameworks of the “imagined West” such as Indigenous perspectives, the borderlands, and environmental thinking. The book’s mosaic of subject matter includes new perspectives on the classic musical film Oklahoma!, a consideration of Native activism at Standing Rock, and surprises like Pee-wee’s Big Adventure and Dr. Seuss’s The Lorax. The book is influenced by the borderlands theory of Gloria Anzaldúa and the work of the indie rock band Calexico, as well as the author’s own discipline of western cultural history. Richly illustrated, primarily from the collection of the Autry Museum of the American West, Josh Garrett-Davis’s work is as visually interesting as it is enlightening, asking readers to consider the American West in new ways.
Difficult philosophy made easy. The universe and our place in it, the meaning of life, the nature of justice and the good society, and the powers of reason. All these topics explored, questioned, and explained. Plato, Aristotle, Socrates, Stoicism, Skepticism, Cynicism, Continental philosophy, ethics, government and governing, virtue, love, life, and death. Heidegger, Husserl, Merleau-Ponty, Derrida, Bertrand Russell, and Michel Foucault.... From famous figures in the history of philosophy to the deepest questions of religion to the relationship between knowledge and power, The Handy Western Philosophy Answer Book: The Ancient Greek Influence on Modern Understanding makes esoteric ideas and the jumble of names easy to understand, enriching readers’ lives and answering the question, What does philosophy have to teach us about life and society? Today many people experience a loss of trust in government and organized religion. There's increased social isolation and a rise in insult politics. Seeking an alternative, some have experimented with new forms of politics, social organization, and spirituality. All these developments have led to a great deal of confusion and puzzlement. Who and what can we believe, and how can we know it is correct? From its beginning, philosophy was conceived as a conversation or dialogue, and The Handy Western Philosophy Answer Book raises and offers answers to questions like these ... What is philosophy? What is metaphysics? What is logic? How is ethics different than morality? How did Pre-Socratic philosophy get started? What is the arrow paradox? Who was Pythagoras? How did Stoicism inspire modern cognitive psychotherapy? Who was the founder of Western philosophy? What is a harmonic sequence in music? What are the four cardinal virtues? Was pederasty condoned in ancient Greece? How, according to Plato, is philosophy like making love? What are the three parts of the soul? How does democracy degenerate into tyranny? What is the history of Alexander the Great’s military campaigns? How did Alexander the Great change the course of the history of philosophy? What did Aristotle say about the social nature of human beings? What is Aristotle’s conception of the soul? What is the soul of a plant? What is virtue? What is an emotion? Why do we need friends? Why did Aristotle believe that the state has a responsibility to educate its citizens? What did Aristotle think about money? What is the meaning and origin of the Serenity Prayer? What impact did the Epicureans have on the modern world? What was the museum of Alexandria? How did Stoicism inspire modern cognitive psychotherapy? What is the problem with the sentence “The present king of France is bald”? What is the postmodern condition? Philosophy is the pursuit of answers to big questions about the purpose of life, death, and existence. Philosophy is about how to reason and find the answers for yourself. Philosophy is a puzzle. You collect clues. You make connections. The Handy Western Philosophy Answer Book is a perfect companion for anyone seeking wider truths and happiness. It is an informative, accessible, easy-to-understand guide to the big questions about living. With more than 120 photos and graphics, it is richly illustrated. Plus, its helpful bibliography, glossary of terms, and extensive index add to its usefulness.
Winner of the Staunch Book Prize. “A beautifully written and expertly structured medieval mystery packed with intrigue, drama and shock revelations.” —Minneapolis Star-Tribune An extraordinary new novel by Samantha Harvey—whose books have been nominated for the Man Booker Prize, the Women’s Prize for Fiction (formerly the Orange Prize), and the Guardian First Book Award—The Western Wind is a riveting story of faith, guilt, and the freedom of confession. It’s 1491. In the small village of Oakham, its wealthiest and most industrious resident, Tom Newman, is swept away by the river during the early hours of Shrove Saturday. Was it murder, suicide, or an accident? Narrated from the perspective of local priest John Reve—patient shepherd to his wayward flock—a shadowy portrait of the community comes to light through its residents’ tortured revelations. As some of their darkest secrets are revealed, the intrigue of the unexplained death ripples through the congregation. But will Reve, a man with secrets of his own, discover what happened to Newman? And what will happen if he can’t? Written with timeless eloquence, steeped in the spiritual traditions of the Middle Ages, and brimming with propulsive suspense, The Western Wind finds Samantha Harvey at the pinnacle of her outstanding novelistic power. “Beautifully rendered, deeply affecting, thoroughly thoughtful and surprisingly prescient . . . a story of a community crowded with shadows and secrets.” —The New York Times Book Review “Ms. Harvey has summoned this remote world with writing of the highest quality, conjuring its pungencies and peculiarities.” —The Wall Street Journal “Brings medieval England back to life.” —The Washington Post
FINALIST FOR THE PULITZER PRIZE FINALIST FOR THE PEN/FAULKNER AWARD WINNER OF THE WHITING AWARD WINNER OF THE SAROYAN INTERNATIONAL PRIZE FOR WRITING WINNTER OF THE VCU CABELL FIRST NOVELIST AWARD WINNER OF THE NEW AMERICAN VOICES AWARD A PUBLISHERS WEEKLY TOP 10 BOOK OF THE YEAR The first novel by the Pulitzer Prize–winning author of Trust, an exquisite and blisteringly intelligent story of a young Swedish boy, separated from his brother, who becomes a legend and an outlaw A young Swedish immigrant finds himself penniless and alone in California. The boy travels east in search of his brother, moving on foot against the great current of emigrants pushing west. Driven back again and again, he meets criminals, naturalists, religious fanatics, swindlers, American Indians, and lawmen, and his exploits turn him into a legend. Diaz defies the conventions of historical fiction and genre, offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.
This classic Pulitzer Prize-winning book depicts the various ways the Old and the New Worlds responded to the intrinsic contradictions of slavery from antiquity to the early 1770s, and considers the religious, literary, and philosophical justifications and condemnations current in the abolition controversy.
In recent years debates about the nature and future of the West have been high on the political agenda. Prognoses of the West’s imminent demise have been countered by those arguing for its continued relevance, or those arguing that while the West will survive its nature, and the balance of power between its constituent units, is transforming. This book argues that understanding contemporary developments requires subjecting the very idea of the West to critical scrutiny and in particular asking what kind of concept it actually is. Locating the West as a discursive concept the book argues attempts to save, fix or reclaim the meaning of the West are illustrative of political agendas rather than indicative of accurate claims about the essential nature of the West. In contrast, the book argues that as a concept the West is impregnated with various discursive legacies, the most embedded of which are those of a civilisational, modern and political West. However, while attempts to define the West’s essence are therefore doomed to fail, given the concept’s historical and discursive flexibility, such attempts reaffirm the legitimising role which claims to the West continue to perform. Beyond this, the book challenges traditional genealogies of the West, which overwhelmingly depict the West as an inside-out concept. In contrast, the book argues that historically outsiders have played an important role in defining the nature of the West and constituting it as a political subject; processes that remain evident today. This book will particularly interest students of critical security studies, critical geopolitics, European politics, American politics and IR theory.
Why and how do contemporary questions of culture so readily become highly charged questions of identity? The question of cultural identity lies at the heart of current debates in cultural studies and social theory. At issue is whether those identities which defined the social and cultural world of modern societies for so long - distinctive identities of gender, sexuality, race, class and nationality - are in decline, giving rise to new forms of identification and fragmenting the modern individual as a unified subject. Questions of Cultural Identity offers a wide-ranging exploration of this issue. Stuart Hall firstly outlines the reasons why the question of identity is so compelling and yet so problematic. The cast of outstanding contributors then interrogate different dimensions of the crisis of identity; in so doing, they provide both theoretical and substantive insights into different approaches to understanding identity.