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Texas is as well known for its diversity of landscape and culture as it is for its enormity. But West Texas, despite being popularized in film and song, has largely been ignored by historians as a distinct and cultural geographic space. In West Texas: A History of the Giant Side of the State, Paul H. Carlson and Bruce A. Glasrud rectify that oversight. This volume assembles a diverse set of essays covering the grand sweep of West Texas history from the ancient to the contemporary. In four parts—comprehending the place, people, politics and economic life, and society and culture—Carlson and Glasrud and their contributors survey the confluence of life and landscape shaping the West Texas of today. Early chapters define the region. The “giant side of Texas” is a nineteenth-century geographical description of a vast area that includes the Panhandle, Llano Estacado, Permian Basin, and Big Bend–Trans-Pecos country. It is an arid, windblown environment that connects intimately with the history of Texas culture. Carlson and Glasrud take a nonlinear approach to exploring the many cultural influences on West Texas, including the Tejanos, the oil and gas economy, and the major cities. Readers can sample topics in whichever order they please, whether they are interested in learning about ranching, recreation, or turn-of-the-century education. Throughout, familiar western themes arise: the urban growth of El Paso is contrasted with the mid-century decline of small towns and the social shifting that followed. Well-known Texas scholars explore popular perceptions of West Texas as sparsely populated and rife with social contradiction and rugged individualism. West Texas comes into yet clearer view through essays on West Texas women, poets, Native peoples, and musicians. Gathered here is a long overdue consideration of the landscape, culture, and everyday lives of one of America’s most iconic and understudied regions.
Story of the founding of the Houston, East and West Texas Railroad, its symbiotic relationship with forests and the lumber industry and its role in the development of East Texas.
This is the story of Letty, a delicate girl who is forced to move from lush Virginia to desolate West Texas. The numbing blizzards, the howling sand storms, and the loneliness of the prairie all combine to undo her nerves. But it is the wind itself, a demon personified, that eventually drives her over the brink of madness.
This inviting book explores how small-town Marfa, Texas, has become a landmark arts destination and tourist attraction, despite--and because of--its remote location in the immense Chihuahuan desert.
Critical acclaim for The Last Comanche Chief "Truly distinguished. Neeley re-creates the character and achievements of this most significant of all Comanche leaders." -- Robert M. Utley author of The Lance and the Shield: The Life and Times of Sitting Bull "A vivid, eyewitness account of life for settlers and Native Americans in those violent and difficult times." -- Christian Science Monitor "The special merits of Neeley's work include its reliance on primary sources and illuminating descriptions of interactions among Southern Plains people, Native and white." -- Library Journal "He has given us a fuller and clearer portrait of this extraordinary Lord of the South Plains than we've ever had before." -- The Dallas Morning News
Describes growing up in small town West Texas in the early twentieth century focusing on fishing, festivals, and friendships. Also discusses the difficult struggles which many people experienced as well as portraying unusual people in humorous anecdotes.
How one solar power plant might chart a sustainable path forward for enlisting American capitalism in the fight against climate change.
On the southern portion of what was known as the Sibley’s Pezuna del Caballo (Horse’s Hoof) Ranch in West Texas’ Culberson County are two mountains that nearly meet, forming a gap that frames a salt flat where Indians and later, pioneers came to gather salt to preserve foodstuffs. According to the US Geological Survey, the gap that provides this breathtaking and historic view is named “Jane’s Window.” In Jane’s Window: My Spirited Life in West Texas and Austin, Jane Dunn Sibley, the inimitable namesake of that mountain gap, gives readers a similarly enchanting view: she tells the story of a small-town West Texas girl coming into her own in Texas’ capital city, where her commitment to philanthropy and the arts and her flair for fashion—epitomized by her signature buzzard feather—have made her name a society staple. Growing up during the Depression in Fort Stockton, Jane Sibley learned first-hand the value of hard work and determination. In what she describes as “a more innocent age,” she experienced the “pleasant life” of a rural community with good schools, friends and neighbors, and daily dips in the Comanche Springs swimming pool. She arrived as a student at the University of Texas only ninety days before the bombing of Pearl Harbor and studied art under such luminaries as sculptor Charles Umlauf. Her enchanting stories of returning to Fort Stockton, working in the oil industry, marrying local doctor D. J. Sibley, and rearing a family evoke both her love for her origins and her clear-eyed aspirations. The Sibleys never discussed the details of their good fortune, and, to their gratitude, no one ever asked. In Jane’s Window, Sibley narrates travel adventures, shares vignettes of famous visitors, and tells of her favorite causes, among which the Austin Symphony and the preservation of lower Pecos prehistoric rock art are especially prominent. Peopled with vivid characters and told in Sibley’s uniquely down-to-earth and humorous manner, Jane’s Window paints a portrait of a life filled to the brim with events both heartwarming and heartbreaking.