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In 1814, Johann Wolfgang von Goethe read the poems of the great fourteenth-century Persian poet Hafiz in a newly published translation by Joseph von Hammer-Purgstall. For Goethe, the book was a revelation. He felt a deep connection with Hafiz and Persian poetic traditions, and was immediately inspired to create his own West-Eastern Divan as a lyrical conversation between the poetry and history of his native Germany and that of Persia. The resulting collection engages with the idea of the other and unearths lyrical connections between cultures. The West-Eastern Divan is one of the world’s great works of literature, an inspired masterpiece, and a poetic linking of European and Persian traditions. This new bilingual edition expertly presents the wit, intelligence, humor, and technical mastery of the poetry in Goethe’s Divan. In order to preserve the work’s original power, Eric Ormsby has created this translation in clear contemporary prose rather than in rhymed verse, which tends to obscure the works sharpness. This edition is also accompanied by explanatory notes of the verse in German and in English and a translation of Goethe’s own commentary, the “Notes and Essays for a Better Understanding of the West-Eastern Divan.” This edition not only bring this classic collection to English-language readers, but also, at a time of renewed Western unease about the other, to open up the rich cultural world of Islam.
"The ageing Goethe finds new inspiration and youthfulness through the love of a young woman and the example of the great Persian poet Hafez.Johann Wolfgang von Goethe (1749-1832), a towering figure in German culture, was remarkably prolific in many literary genres. But much of his work is scarcely known in the English-speaking world. With this new translation, Robert Martin tries to remedy this situation with regard to one of Goethe's most adventurous volumes of verse, the West-Eastern Divan. Here Goethe playfully pretends to be a Middle-Eastern poet, but draws on themes vital to all of humanity - love, creativity, wisdom, richness of life."
Now reaching its 200th anniversary, Johann Wolfgang von Goethe’s sequence of poems, the West-Eastern Divan serves as the inspiration for this new collection poems by twenty-four international poets. Goethe’s original work shows the poet looking east from his homeland of Germany to build a collection of writing inspired by the poetic traditions of Persia. In twelve books, Goethe writes on a variety of great poetic themes, including love, humor, parables, and paradise. Over the years since its original publication in 1819, the Divan has served as inspiration for a variety of literary, theoretical, and musical responses. A New Divan revisits Goethe’s work in a lively celebration of cross-cultural exchange. Works by twelve poets from the East and twelve from the West respond to the themes laid out in Goethe’s Divan and build bridges between cultures, nationalities, and languages. The poets have been paired to write in response to each of the twelve books of the Divan, and here present their multi-lingual works in eleven different languages, each with a poetic interpretation written in English. Three pairs of essays complement and shed further light on the series of poetic exchanges. These writings mirror the original notes that Goethe included in his West-Eastern Divan. ​ Reaching through time, language, and poetic history, A New Divan offers a lyrical conversation and opens paths of connection across cultures.
Translations of Goethe’s poems about Arabia and Persia and his essays on Islamic culture.
Poetry. Written under the spell of a medieval Welsh poetic form, the poems in Anthony Madrid's incantatory second book, TRY NEVER, each offer up their own strange world. They're full of erudition, humor, and rare magnificence. A single poem can contain "bottles and cans," Mount Everest, an upset stomach, Texas rain, a hawk, the evil queen, a "twice- mended lid," and Ralph; as if to say, anything's possible.
A New York Times Book Review Editors’ Choice Selection Named one of the Best Books of the Year by the Economist and Kirkus Reviews This “splendid biography” (Wall Street Journal) of Goethe presents his life and work as an essential touchstone for the modern age. A masterful intellectual portrait, Goethe: Life as a Work of Art is celebrated as the seminal twenty-first-century biography of the writer considered to be the Shakespeare of German literature. Johann Wolfgang von Goethe (1749–1832), a remarkably prolific poet, playwright, novelist, and—as Rüdiger Safranksi emphasizes—a statesman and naturalist, first awakened not only a burgeoning German nation but the European continent with his electrifying novel The Sorrows of Young Werther. Safranski has scoured Goethe’s entire oeuvre, relying exclusively on primary sources, including his correspondence with contemporaries, to produce a “fresh and authentic” (Economist) portrait of the avatar of the Romantic era. Skillfully blending “artistic analysis with swift, sharp renderings” of the great political and intellectual figures Goethe encountered, “[Safranski’s] portrait of the prolific genius leaves the reader with lasting awe, even envy” of a monumental legacy (The New Yorker). As Safranski ultimately shows, Goethe’s greatest creation, even in comparison to his masterpiece Faust, was his own life.
The Spark Is You documents the parallel exhibitions THE SPARK IS YOU: Parasol unit in Venice (9 May - 23 November 2019) at Conservatorio di Musica Benedetto Marcello in Venice, and Nine Iranian Artists in London: THE SPARK IS YOU (22 May - 8 September 2019) at Parasol unit foundation for contemporary art in London.Curated by Ziba Ardalan (Founder, Artistic and Executive Director of Parasol unit), the two exhibitions include works by Morteza Ahmadvand, Nazgol Ansarinia, Siah Armajani, Mitra Farahani, Ghazaleh Hedayat, Sahand Hesamiyan, Y.Z. Kami, Farideh Lashai, Koushna Navabi, Navid Nuur, Sam Samiee, Hadi Tabatabai, and Hossein Valamanesh.This publication includes beautiful full-page colour reproductions of the exhibited works in Venice and London, accompanied by insightful thematic essays by Ziba Ardalan and Narguess Farzad as well as short essays on the individual artists by Oliver Basciano, Maryam Monalisa Gharavi, Mahan Moalemi, Maria Porges, Sarah Thomas, and John Yau.