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Dvora Baron (1887-1956), the first modern Hebrew woman writer, was born in a small Lithuanian town in 1887. Her father, a rabbi, gave his daughter a thorough education, an extraordinary act at the time. Baron immigrated to Palestine in 1910, married a prominent Zionist activist, but defied the implicit ideological demands of the Zionist literary scene by continuing to write of the shtetl life she had left behind. The eighteen stories in this superb collection offer an intimate re-creation of Jewish Eastern Europe from a perspective seldom represented in Hebrew and Yiddish literature of the late nineteenth and early twentieth centuries. Baron brings vividly to life the shtetl experiences of women and other disenfranchised members of the Jewish community. Her stories relate the feelings of a newborn girl, a "Jewish" dog, an impoverished bookkeeper, a young widow who must hire herself out as a wet-nurse, and others who face emotional and physical hardships. Baron's fluid writing style pushes the flexibility of Hebrew and Yiddish syntax to its limits, while her profound knowledge of both biblical and rabbinical literature lends rich subtleties to her stories. A companion to Conversations with Dvora: An Experimental Biography of the First Modern Hebrew Woman Writer, by Amia Lieblich (California, 1997), this collection is drawn from Baron's earlier as well as later works.
Examines a series of parallels between the stories of origins in the Bible and ancient Greek genealogical writings from the 7–5 centuries BCE, as well as other early Eastern Mediterranean (Phoenician and Anatolian) sources from the first millennium BCE, some of which have only been published in recent years.
Do you know what a Vic-wit is? Have you ever had a nibble pie? Now in it's third edition, The Dinkum Dictionary, is even better than ever. This fascinating book describes the origins and usage of words ranging from 'mulga' to 'anzac', from 'furphy' to 'blue', and this edition includes even more words and terms. Butler reveals little-known facts about our ways of communicating with each other. She examines the diverse range of influences that have coloured our language, indigenous & non-indigenous, revealing the richness of Australia's culture.
Vols. 2 and 5 include appendices.
The book of Genesis introduces three similar wife/sister narratives, commonly thought to be originating from different sources because of their repetitive entries. This research explores the wife/sister narratives in Genesis (Gen 12:10–13:1, 20:1–18, and 26:1–11), and it aims to provide an understanding of the three stories as a whole by uncovering its context by textlinguistic and literary type-scene analysis. Textlinguistic analysis helps us to see how each wife/sister narrative functions in its context, while type-scene analysis emphasizes how the three narratives develop and contribute to the patriarchal narratives through their similarities and variations. Although the traditional type-scene analysis studies recurrent fixed motives in texts, this study focuses much more on literary aspects such as characterization, theme, and plot. Through this study, the three wife/sister stories will elaborate that the patriarchal narratives are not results of different authors, but the well-developed products of a single author. The three wife/sister stories work together to highlight God’s faithfulness to his promises (Gen 12:1–3).
Has also occasional unnumbered supplements