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The?Ice?Shelf:?an?eco-comedyOn the eve of flying to Antarctica to take up an arts fellowship, thirty-something Janice, recently separated, has a long night of remembrance, regret and realisation as she goes about the city looking for a friend to take care of her fridge while she's away. En route she discards section after section of her manuscript in the spirit of editing The Ice Shelf into a stronger, sleeker work of literature.The Ice Shelf is an electrifying allegory for the dangers of wasting love and other non-renewable resources.
Wellington the elephant cannot wait to grow up, but when he receives a jacket that is too big for him on his birthday, Wellington is worried he is too small.
The Battle of Waterloo has been studied and dissected so extensively that one might assume little more on the subject could be discovered. Now historian Peter Hofschröer brings forward a long-repressed commentary written by Carl von Clausewitz, the author of On War. Clausewitz, the Western world’s most renowned military theorist, participated in the Waterloo campaign as a senior staff officer in the Prussian army. His appraisal, offered here in an up-to-date and readable translation, criticized the Duke of Wellington’s actions. Lord Liverpool sent his translation of the manuscript to Wellington, who pronounced it a “lying work.” The translated commentary was quickly buried in Wellington’s private papers, where it languished for a century and a half. Now published for the first time in English, Hofschröer brings Clausewitz’s critique back into view with thorough annotation and contextual explanation. Peter Hofschröer, long recognized as a leading scholar of the Napoleonic Wars, shows how the Duke prevented the account’s publication during his lifetime—a manipulation of history so successful that almost two centuries passed before Clausewitz’s work reemerged, finally permitting a reappraisal of key events in the campaign. In addition to translating and annotating Clausewitz’s critique, Hofschröer also includes an order of battle and an extensive bibliography.
An Instant New York Times Bestseller! A BuzzFeed Best Young Adult Book of 2020 Perfect for fans of The Last Magician and Serpent & Dove, this heart-stopping debut is an imaginative Romeo and Juliet retelling set in 1920s Shanghai, with rival gangs and a monster in the depths of the Huangpu River. The year is 1926, and Shanghai hums to the tune of debauchery. A blood feud between two gangs runs the streets red, leaving the city helpless in the grip of chaos. At the heart of it all is eighteen-year-old Juliette Cai, a former flapper who has returned to assume her role as the proud heir of the Scarlet Gang—a network of criminals far above the law. Their only rivals in power are the White Flowers, who have fought the Scarlets for generations. And behind every move is their heir, Roma Montagov, Juliette’s first love…and first betrayal. But when gangsters on both sides show signs of instability culminating in clawing their own throats out, the people start to whisper. Of a contagion, a madness. Of a monster in the shadows. As the deaths stack up, Juliette and Roma must set their guns—and grudges—aside and work together, for if they can’t stop this mayhem, then there will be no city left for either to rule.
An anthology of new New Zealand verse, which first appeared in the popular Friday Poem slot in The Spinoff website. It features some of the most well-known and established names in New Zealand poetry as well as new, exciting writers. It is a showcase of New Zealand poetry.
In 2001 the Royal Library in Copenhagen launched a digital facsimile on the Internet of the unique manuscript Nuevá corónica from 1616 by the ethnic Andean Felipe Guaman Poma. These new technical studies supplement the facsimile with a description and analysis of the manuscript's features, and posits that the Copenhagen manuscript was the work of a single author, writing and drawing in his own hand.
Irene Wellington is considered one of the truly original figures in the development of calligraphy in the 20th century. She influenced the transformation of calligraphy from a medieval craft to a modern art form in which personal expression played a key role helping to make it a vibrant art form. This reissue of the 1987 publication contains around 100 examples of Irene Wellington's writing and illumination reproduced in colour along with a discussion of her methods and techniques.
Three distinct stories about three distinct men, but with one thing in common - they all paid the price for standing up for what they believed. From a great writer, three great stories about conscience and consequence. This is the story of three men - a doctor, a soldier and a judge. They are men of rare achievement. The doctor has the gift of saving others but not himself. The soldier disobeys orders and abandons his command post in a bid to die with his men. The judge cares more to uphold a principle than save himself from ruin. All three defy convention in a way that exacts a price. The first two, Dr John Saxby and Brigadier Reginald Miles, destroy themselves. The death of the judge, Peter Mahon, is hastened by his stand for truth and justice on behalf of the victims of New Zealand's worst air disaster. "New Zealand seems to have the knack of neutralising those who try to foist moral greatness on their countrymen," James McNeish writes. In Breaking Ranks, the author celebrates three brave men whose guiding spirit - subversion? anarchy? - challenges our assumptions of what it is to be a good New Zealander.
The first book in the Laura Caxton Vampire series from the author of the Monster Island trilogy. All the official reports say that vampires are dead--extinct since the late ’80s, when FBI agent Arkeley defeated the last vampire in a fight that nearly killed him. But when state trooper Laura Caxton calls the FBI looking for help in the middle of the night, Arkeley is unsurprised to hear that it sounds like a vampire attack. He’s been expecting such a call to come eventually. Sure, it has been years since any signs of an attack, but Arkeley knows what most people don’t: there is one left. In an abandoned asylum she is rotting, plotting, and biding her time in a way that only the undead can. Laura Caxton is out of her league on this case and more than a little afraid. Arkeley made it clear there is only one way out. The worst thing is the feeling that the vampires want more than just her blood. They want her for a reason, one she can’t guess; a reason her sphinxlike partner knows but won’t say; a reason she has to find out-or die trying.
This volume showcases dynamic developments in the field of manuscript research that go beyond traditional textual, iconographic, or codicological studies. Using state-of-the-art conservation technologies, scholars investigate how four manuscripts—the Galvin Murúa, the Getty Murúa, the Florentine Codex, and the Relación de Michoacán—were created and demonstrate why these objects must be studied in a comparative context. The forensic study of manuscripts provides art historians, anthropologists, curators, and conservators with effective methods for determining authorship, identifying technical innovations, and contextualizing illustrated histories. This information, in turn, allows for more nuanced arguments that transcend the information that the written texts and painted images themselves provide. The book encourages scholars to think broadly about the manuscripts of colonial Mexico and Peru in the sixteenth and seventeenth centuries and employ new techniques and methods of research.