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The Well-Tempered Instrumentalist - Viola - Alto Clef Studies. This method is designed to help the instrumentalist in the following areas: Playing in all keys with equal proficiency. Improvising or composing melodies in all keys, regardless of style. Transposing and Interval recognition. Singing on your instrument like you can with your voice, regardless of keys. Knowing your instrument in terms of keys and tonality. - Being able to "hear your instrument". Sensing in advance where the fingers should move when creating or improvising music. - Playing by ear, freely in keys without having to "think about the notes" or fingerings. - Other benefits: Increasing technique. Increasing range and endurance. Improving sight reading ability. Understanding the diatonic system of tonality. - This method helps the player through progressive exercises, to build the ability to know and hear one's instrument and to be able to improvise, compose, or create melodies. The process involves memorizing small tonal scale fragments, phrases and songs in all keys, around the circle of 4ths & 5ths, (& other cycles) until they are automatized in the brain/ear/fingerings . . just like memorizing words, vocabulary and phrases that can be used for extemporaneous discussion on familiar subjects. The goal is to make your instrument like a part of your body, like your voice box, where you can just "sing" on it. The method helps the player to ingrain keys and tonality in his playing, thus allowing him to intuitively create music. - - See introduction and example graphics of exercises under cover page. - Also see "The Well-Tempered Trombonist", "The Well-Tempered Instrumentalist for Treble Clef Instruments", "The Well-Tempered Instrumentalist - Mid Bass Clef Instruments" and "The Well-Tempered Instrumentalist for Low Bass Clef Instruments" (Tuba & Bass Trombone) by this author on Amazon.
The Big Print String Method Interval Studies A Supplement to Any String Method! Big Print Makes Note-Reading Easy! Visualize Notes on the Keyboard! Learn Fingerings Faster! All on One Page: Fingering Charts for 2 Notes, with Interval Names Staffs with Musical Notation Letter Names for Notes Keyboard with Color-Coded Keys for Easy Reference
The main purpose of the book is to explore basic music theory so thoroughly that the interested student will then be able to easily pick up whatever further theory is wanted. Music history and the physics of sound are included to the extent that they shed light on music theory. The main premise of this course is that a better understanding of where the basics come from will lead to better and faster comprehension of more complex ideas.It also helps to remember, however, that music theory is a bit like grammar. Catherine Schmidt-Hones is a music teacher from Champaign, Illinois and she has been a pioneer in open education since 2004. She is currently a doctoral candidate at the University of Illinois in the Open Online Education program with a focus in Curriculum and Instruction.
As a technique builder for improvisation on the violin, this book is comprehensive. It provides: the arpeggios for 7th chords with useful fingerings, a variety of modal, blues and jazz scales, and rhythm exercises to develop technique. Improvisation is often taught with various scales. In addition, this book teaches the 7th arpeggios of many chords in all keys, and in several positions to help navigate the fingerboard and get to chord tones. A short music theory section describes the reasons that the 7th arpeggio is essential to improvisation. You can use these notes in many sequences and rhythms to improvise. The exercises are appropriate for beginners with good shifting skills. Three octaves are provided, but beginners can start with one or two octaves. Since students of fiddling or jazz violin often do not have a teacher for specific improvisation technique, this book provides useful, wide-ranging suggestions to help a developing violin improviser improve their musical techniques.
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
"For its time the most comprehensive treatment of the subject." — New Grove Dictionary of Music and Musicians. In what is probably the best general book on the subject, a noted English composer describes 57 orchestral instruments, tracing their origins, development, and status at the beginning of World War I.
Bach's masterpieces transcribed for classical guitar.
Tuning, Timbre, Spectrum, Scale focuses on perceptions of consonance and dissonance, and how these are dependent on timbre. This also relates to musical scale: certain timbres sound more consonant in some scales than others. Sensory consonance and the ability to measure it have important implications for the design of audio devices and for musical theory and analysis. Applications include methods of adapting sounds for arbitrary scales, ways to specify scales for nonharmonic sounds, and techniques of sound manipulation based on maximizing (or minimizing) consonance. Special consideration is given here to a new method of adaptive tuning that can automatically adjust the tuning of a piece based its timbral character so as to minimize dissonance. Audio examples illustrating the ideas presented are provided on an accompanying CD. This unique analysis of sound and scale will be of interest to physicists and engineers working in acoustics, as well as to musicians and psychologists.