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DigiCat Publishing presents to you this special edition of "The Weird Orient: Nine Mystic Tales" by Henry Iliowizi. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This collection of essays discusses genre fiction and film within the discursive framework of the environmental humanities and analyses the convergent themes of spatiality, climate change, and related anxieties concerning the future of human affairs, as crucial for any understanding of current forms of “weird” and “fantastic” literature and culture. Given their focus on the culturally marginal, unknown, and “other,” these genres figure as diagnostic modes of storytelling, outlining the latent anxieties and social dynamics that define a culture’s “structure of feeling” at a given historical moment. The contributions in this volume map the long and continuous tradition of weird and fantastic fiction as a seismograph for eco-geographical turmoil from the nineteenth to the twenty-first century, offering innovative and insightful ecocritical readings of H. P. Lovecraft, Harriet Prescott Spofford, China Miéville, N. K. Jemisin, Thomas Ligotti, and Jeff VanderMeer, among others.
From the hair color and style, body-type, shape to etiquette and level of femininity of Asian women, Boye de Mente takes the reader into full detail with Women of the Orient chapters including: The women of Japan The women of Korea The women of Taiwan & Hong Kong The women of Thailand The Women of Vietnam And lastly the Women of the Philippines In Women of the Orient, Boye De Mente, reveals Asia's exotic cities and explores the unique character and charms of some of the world's most feminine women. Learn how hot-tempered Korean girls keep warm on cold winter nights, what kind of hot dip is offered in Japan's so-called "Soaplands" and what goes on under the table in "Taiwan Roulette". All of this and more is discussed in a disarmingly frank manner, providing a host of insights for all girl watchers, apprentice and veteran alike.
When yoga studios are ubiquitous and meditation apps are on millions of smart phones, once exotic terms like karma, zen, and nirvana have entered into everyday English, business consultants have appropriated the meditation terms “mindfulness” and “equanimity,” and Buddha statues and Shinto shrines are common in American yards, we forget that things weren’t always this way, and that what is now considered cliché was once unknown. So how did the spirituality of the East come to permeate the culture of the West? Answering that question is what The Orient Express is about. To do so, Harvard scholar Randy Rosenthal explores the four works of fiction he finds most responsible for bringing Eastern religion to the Western mainstream: The Razor’s Edge by W. Somerset Maugham, Siddhartha by Hermann Hesse, Franny and Zooey by J. D. Salinger, and The Dharma Bums by Jack Kerouac. Through the lives of their characters, these authors introduced countless readers to the spiritual practices and philosophies of yoga, Buddhism, Hinduism, Taoism, and the hesychast prayer tradition of Eastern Orthodox Christianity. A compendium of spiritual wisdom in the form of literary criticism, The Orient Express tells the story of these stories, providing illuminating context and clarifying misconceptions along the way.