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A collection of stories that are, by turns, intense, visionary, mysterious and humorous, touching matters as diverse as spontaneous human combustion, dentists mysteriously disappearing from a town that appears on no maps, a former drug dealer searching for her long-lost home and missing dog, a murderer setting in motion The Plan. In the title story, Lynerkim's Dance, a contract assassin plagued by visions of a giant comet striking earth, seeks to unravel his father's disappearance and fiery death, while carrying out a deadly assignment during which he himself becomes the target.
The writer of this book was well-known for his tales of the supernatural and horror. The book begins with a series of diary entries, describing the author's search for accommodation in London. We learn that he is of limited means and sells the occasional piece for a magazine. The rooms are described as ramshackle and dusty. He is the only occupant in the whole house and previous tenants have gone. Without saying so, there is a sense of unease even in the opening pages.
Sable Brennus, Prince of Storms, is not a demon to be trifled with. He's endured far worse than hell in the centuries he's been alive, and combined with his fierce consort, powerful friends, and an unparalleled collection of grimoires, he's a near-unstoppable force.Enemies old and new are out for blood, though, and they'll do anything to get it. That includes challenging not just Sable, but some of the most powerful figures in the paranormal world, from the Prince of Dragons to the son of Death.If Sable and his friends are going to save the day, and possibly the world, it's going to take everything they've got. If they want to survive, it's going to take even more than that...
An exquisitely wrought and truly imaginative conception.
Seventeen-year-old Penny is a lead dancer at the Grande Teatro, a finishing school where she and eleven other young women are training to become the finest ballerinas in Italy. Tucked deep into the woods, the school is overseen by a mysterious and handsome young master who keeps the girls ensconced in the estate. But when flashes of memories of a life very different from the one she thinks she's been leading start to appear, Penny begins to question the world around her. With a kind and attractive kitchen boy, Cricket, at her side, Penny vows to escape the confines of her school and the strict rules she has to follow. But at every turn, the Master finds a way to stop her, and Penny must find a way to escape the school and uncover the secrets of her past before it's too late.
• Winner of the 1997 Drue Heinz Literature Prize This collection is filled with narrative and character grounded in the meaning and value the earth gives to human existence. In one story, a woman sleeps with the village priest, trying to gain back the land the church took from her family; in another, relatives in the Azores fight over a plot of land owned by their expatriate American cousin. Even apparently small images are cast in terms of the earth: Milton, one narrator explains, has made apples the object of a misunderstanding by naming them as Eden's fruit: "In the Bible, no fruit is named in the Garden of Eden - and to this day apples are misunderstood. They were trying to tempt people not into sin but into listening to the earth more closely. . . . their white meal runs wet with the knowledge of the language of the land, but people do not listen."Vaz's beautiful, intensely conscious language often delicately slips her stories into the realm of the fado, the Portuguese song about fate and longing. "Listen for the nightingale that presses its breast against the thorns of the rose," on character sings, "that the song might be more beautiful." Such a verse might describe Vaz's own motive behind her willingness to confront her subject's ambiguities and her characters' conflicts - the simultaneous joy and sorrow of some of life's discoveries, the pain sometimes hidden within passion and pleasure.