Download Free The Weekend Novelist Book in PDF and EPUB Free Download. You can read online The Weekend Novelist and write the review.

Who doesn't dream of writing a novel while holding on to a day job? Robert J. Ray and coauthor Bret Norris can help readers do just that, with this proven practical and accessible step-by-step guide to completing a novel in just a year's worth of weekends. The Weekend Novelist shows writers of all levels how to divide their writing time into weekend work sessions, and how to handle character, scene, and plot. This new, revised version is far more skills-based than its predecessor, and includes both classic and contemporary literature models, contains a sample "Novel in Progress," and at the end offers readers the choice to rewrite their novel, draft a memoir, or turn their rough draft into a screenplay. Readers for a decade have been instructed and inspired by The Weekend Novelist. This new edition will help many more strive to realize their writing potential. • Offers a practical, structured approach to finishing a novel • Ray has taught more than 10,000 students over 25 years and continues to teach new classes that attract new readers to his books
Like Agatha Christie and Raymond Chandler, Sara Paretsky and Thomas Harris, you, too, can learn the trade secrets of quality detective fiction. It's true. Just one year from now, you can deliver a completed mystery novel to a publisher--by writing only on weekends. Authors Robert J. Ray and Jack Remick guide you through the entire mystery-writing process, from creating a killer to polishing off the final draft. Each weekend you'll focus on a specific task--learning the basics of novel-writing, the special demands of mystery-writing, and the secrets professionals use to create stories one scene at a time, building to a shivery, satisfying climax. Using Agatha Christie's The Body in the Library as a model for the classical mystery tale and Martin Cruz Smith's Gorky Park for the hard-boiled mystery, this unique step-by-step program gives you all the information you need to reach your ultimate goal: a finished book in just 52 weeks! Let two successful masters of the genre show you how... Discover: Why you must create your killer first The tricks to writing dialogue that does it all--moves your plot, involves your reader, and makes your style sizzle How to "bury" information (and corpses) for your reader to find Why you should NOT build your book around chapters Special techniques for clearing writer's block Plus: examples from Sue Grafton, Dashiell Hammett, Patricia Cornwell, Thomas Harris, Raymond Chandler, and more.
The #1 International Bestseller from the Booker Prize-shortlisted author of Stone Yard Devotional “The Big Chill with a dash of Big Little Lies . . . Knife-sharp and deeply alive.” —The Guardian (London) “An insightful, poignant, and fiercely honest novel about female friendship and female aging.” —Sigrid Nunez, National Book Award–winning author of The Friend “Friendship, ambition, love, sexual politics and death: it’s all here in one sharp, funny, heartbreaking, and gorgeously written package. I loved it.” —Paula Hawkins, author of The Girl on the Train Three women in their seventies reunite for one last, life-changing weekend in the beach house of their late friend. Four older women have a lifelong friendship of the best kind: loving, practical, frank, and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three. They are Jude, a once-famous restaurateur; Wendy, an acclaimed public intellectual; and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they’ve remained close all these years, the grieving women gather at Sylvie’s old beach house—not for festivities this time, but to clean it out before it is sold. Can they survive together without her? Without Sylvie to maintain the group’s delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests, and too much wine collide in a storm that brings long-buried hurts to the surface—and threatens to sweep away their friendship for good. The Weekend explores growing old and growing up, and what happens when we’re forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship from an award-winning writer.
This follow-up to the bestselling The Weekend Novelist will guide writers of all levels through the next phase in crafting their novel: the rewrite. You’ve finished your first draft—congratulations! Think it’s ready for publication? Think again. The next stage is all about revising and reworking your manuscript—fine-tuning the plot, adding or improving subplots, and fleshing out characters; in short, addressing important structural issues that make or break a novel. Robert J. Ray, who helped thousands of writers get from blank page to first draft in The Weekend Novelist, now guides the same audience through a series of seventeen weekend revision exercises designed to fit into any busy lifestyle, focusing on everything from rewriting scenes to developing sound flashbacks to refining characters’ back stories. Throughout the book, Ray illustrates his lessons with examples from such great works of literature as Jane Eyre, Gorky Park, and The Great Gatsby so that writers may more easily identify how and why a certain technique or structural element helps or hinders their own work. Also included are checklists, timed exercises, plot diagrams, and charts—all aimed to get you rewriting and revising your draft with confidence. Whether you’re an amateur novelist, a seasoned writer who’s hit a mental block, or a creative writing teacher looking for proven exercises for better instruction, The Weekend Novelist Rewrites the Novel provides the tools to transform first drafts into successful novels.
Old friends and lovers reunite for a weekend in a secluded country home after spending decades apart. They excavate old memories and pass clandestine judgments on the wildly divergent paths they’ve taken since their youth. But this isn’t just any reunion, and their conversations about the old days aren’t your typical reminiscences: After twenty-four years, Jörg, a convicted murderer and terrorist, has been released from prison. The announcement of his pardon will send shock waves through the country, but before the announcement, his friends—some of whom were Baader-Meinhof sympathizers or those who clung to them—gather for his first weekend of freedom. They have been summoned by Jörg’s devoted sister, Christiane, whose concern for her brother’s safety is matched only by the unrelenting zeal of Marko, a young man intent on having Jörg continue to fight for the cause. Bernhard Schlink is at his finest as The Weekend unfolds. Passions are pitted against pragmatism, ideas against actions, and hopes against heartbreaking realities.
What does it feel like to try and create something new? How is it possible to find a space for the demands of writing a novel in a world of instant communication? Working on My Novel is about the act of creation and the gap between the different ways we express ourselves today. Exploring the extremes of making art, from satisfaction and even euphoria to those days or nights when nothing will come, it's the story of what it means to be a creative person, and why we keep on trying.
Have you started a novel, only to get part way into the manuscript and find yourself stuck? Or do you have an idea for a novel, but aren't sure where to begin? Have you completed a first draft, but feel it doesn't quite have the luster of professional writing? In this lively and fun-to-read guide, Steve Alcorn shows you the remedies you need to achieve success. Step by step, you'll breathe life into old manuscripts, create new novels that read like bestsellers, and put the spark back into your writing life. Topics include: Story Structure Character Building Viewpoint Tense Voice Setting Conflict Suspense Mystery Dialogue Writing Big Beginnings and Endings Getting Published Whether you're a first time novelist still planning your story, or an experienced author looking for ways to bring your fiction to life, How to Fix Your Novel is the ideal prescription.
KGB operative Paco Araya is a mole who runs a travel agency in Manhattan, where he’s been living for many years. Suddenly, on a secret mission in Paris, he discovers by accident that the man he’s wanted to kill for many years happens to be within reach. Why does Paco want to kill this man, a known international terrorist very much reminiscent of the infamous Carlos the Jackal? Espionage and personal vengeance provide a deadly mix in this masterful Russian version of John Le Carre.
In the spirit of Haruki Murakami and Amelia Gray, Catherine Lacey's Nobody Is Ever Missing is full of mordant humor and uncanny insights, as Elyria waffles between obsession and numbness in the face of love, loss, danger, and self-knowledge. Without telling her family, Elyria takes a one-way flight to New Zealand, abruptly leaving her stable but unfulfilling life in Manhattan. As her husband scrambles to figure out what happened to her, Elyria hurtles into the unknown, testing fate by hitchhiking, tacitly being swept into the lives of strangers, and sleeping in fields, forests, and public parks. Her risky and often surreal encounters with the people and wildlife of New Zealand propel Elyria deeper into her deteriorating mind. Haunted by her sister's death and consumed by an inner violence, her growing rage remains so expertly concealed that those who meet her sense nothing unwell. This discord between her inner and outer reality leads her to another obsession: If her truest self is invisible and unknowable to others, is she even alive? The risks Elyria takes on her journey are paralleled by the risks Catherine Lacey takes on the page. In urgent, spiraling prose she whittles away at the rage within Elyria and exposes the very real, very knowable anxiety of the human condition. And yet somehow Lacey manages to poke fun at her unrelenting self-consciousness, her high-stakes search for the dark heart of the self.
“A brooding meditation on how friendships buckle when we resent other people’s success”—for fans of psychological thrillers by Ruth Ware and Lucy Foley (Washington Post). A riveting locked-room mystery about five college friends whose reunion takes a dark turn—and unearths even darker secrets and grudges. Their reunion just became a crime scene . . . June Moody, a thirty-something English professor, just wants to get away from her recent breakup and reunite with girlfriends over summer break. Her old friend and longtime nemesis, Sadie MacTavish, a mega-successful author, invites June and her college friends to a baby shower at her sprawling estate in the San Juan Islands. June is less than thrilled to spend time with Sadie—and her husband, June's former crush—but agrees to go. The party gets off to a shaky start when old grudges resurface, but when they wake the next morning, they find something worse: Sadie is missing, the house is in shambles, and bloodstains mar the staircase. None of them has any memory of the night before; they wonder if they were drugged. Everyone's a suspect. Since June had a secret rendezvous with Sadie's husband, she has plenty of reason to suspect herself. Apparently, so do the cops. A Celtic knot of suspense and surprise, this brooding, atmospheric novel will keep you guessing as each twist reveals a new possibility. It will remind you of friendships hidden in the depths of your own past, and make you wonder how well you really know the people you've loved the longest.