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Fools have been a feature of virtually every recorded culture in the history of civilization, making significant contributions to the development of early theatre and literary drama. This book offers a reign by reign chronicle of English court fools.
A collection of Jewish stories, set in Europe and America, some presented with magic realism. Subjects include relations with Christians and conflict between religion and the secular.
Promote Christian values through this collection of crafts, activities, stories, and Bible verses. Units include honoring God, respecting others, telling the truth, self-control, being kind, and more!
Events jolting and stirring, historic and whimsical, come to life thick and fast in The Jester's Bells. Filled with irony, satire, and caricature, it is the story of Carol Enid Abraham, a Depression Baby, growing up in Brooklyn during the lean, war-torn 1940s and the A-bomb scare of the 1950s. It reflects the pendulous swing of morals and ethics, gender and racial advances, radical religious thinking, inspired silliness and profound creativity that shaped her life, leaving permanent yet invisible scars. Live in the atmosphere of this vibrant, hard-charging century as her family comes full circle from its origin in the shtetls of Europe to an American generation of assimilation.
In this lively work, Beatrice K. Otto takes us on a journey around the world in search of one of the most colorful characters in history—the court jester. Though not always clad in cap and bells, these witty, quirky characters crop up everywhere, from the courts of ancient China and the Mogul emperors of India to those of medieval Europe, Africa, the Middle East, and the Americas. With a wealth of anecdotes, jokes, quotations, epigraphs, and illustrations (including flip art), Otto brings to light little-known jesters, highlighting their humanizing influence on people with power and position and placing otherwise remote historical figures in a more idiosyncratic, intimate light. Most of the work on the court jester has concentrated on Europe; Otto draws on previously untranslated classical Chinese writings and other sources to correct this bias and also looks at jesters in literature, mythology, and drama. Written with wit and humor, Fools Are Everywhere is the most comprehensive look at these roguish characters who risked their necks not only to mock and entertain but also to fulfill a deep and widespread human and social need.
"In the 25 years since [Stern] published his first book, younger Jewish writers have run with a similar shtick . . . But Stern was there first." —The Toronto Globe and Mail The Book of Mischief triumphantly showcases twenty-five years of outstanding work by one of our true masters of the short story. Steve Stern's stories take us from the unlikely old Jewish quarter of the Pinch in Memphis to a turn-of-thecentury immigrant community in New York; from the market towns of Eastern Europe to a down-at-the-heels Catskills resort. Along the way we meet a motley assortment of characters: Mendy Dreyfus, whose bungee jump goes uncannily awry; Elijah the prophet turned voyeur; and the misfit Zelik Rifkin, who discovers the tree of dreams. Perhaps it's no surprise that Kafka's cockroach also makes an appearance in these pages, animated as they are by instances of bewildering transformation. The earthbound take flight, the meek turn incendiary, the powerless find unwonted fame. Weaving his particular brand of mischief from the wondrous and the macabre, Stern transforms us all through the power of his brilliant imagination.
Jesters and fools have existed as important and consistent figures in nearly all cultures. Sometimes referred to as clowns, they are typological characters who have conventional roles in the arts, often using nonsense to subvert existing order. But fools are also a part of social and religious history, and they frequently play key roles in the rituals that support and shape a society's system of beliefs. This reference book includes alphabetically arranged entries for approximately 60 fools and jesters from a wide range of cultures. Included are entries for performers from American popular culture, such as Woody Allen, Mae West, Charlie Chaplin, and the Marx Brothers; literary characters, such as Shakespeare's Falstaff, Rabelais' Gargantua and Pantagruel, and Singer's Gimpel; and cultural and mythological figures, such as India's Birbal, the American circus clown, the Native American Coyote, Taishu Engeki of Japan, Hephaestus, Loki the Norse fool, schlimiels and schlimazels, and the drag queen. The entries, written by expert contributors, are critical as well as informative. Each begins with a biographical, artistic, religious, or historical background section, which places the subject within a larger cultural and historical context. A description and analysis follow. This section may include a discussion of the fool's appearance, gender role, ethical and moral roles, social function, and relationship to such themes as nature, time, and mortality. The entry then discusses the critical reception of the subject and concludes with an extensive bibliography of general works.
An amazing secret has tumbled off a freight train into Carter, Georgia, and Owen Jester is the only person who knows about it. If he can simply manage to evade his grandfather's snappish housekeeper, organize his two best friends, and keep his nosy neighbor, Viola, at bay, he just might be in for the summer of a lifetime. With her trademark wit and easy charm, Barbara O'Connor spins a fantastic fable of friends, enemies, and superbly slimy bullfrogs. This title has Common Core connections.
It is multi-volume series work. The main pupose of this work is literary criticism, evaluating a great tradition of literature and to present comprehensive study of sanskrit literature. So far 6 volumes have been published. Each volume presents literature itself in successive periods of its development. This second volume in the series on Kavya Literature begins the description of the literature itself. The most original feature of the present study, as compared with other books in English on Indian literature, is that the literature is presented and discussed from the point of view of the Indian tradition itself. The author has first presented the literature from within the Indian tradition, then he has given discussions on the kavyas presented, from the old Indian critics, finally crooss-references are inserted in square brackets to the relevant paragraphs of Volume I. The discussions of the old critics become more frequent and intensive in the later chapters of this volume (especially Chapter XVI), reflecting their tastes and the gradual establishment of classical standards.Among the classics discussed in this volume are the Ramayana, the great novel Brhatkatha of Gunadhya, the epics of Asvaghosa, the lyric anthology of Satavahana and the plays of Bhasa.
In remembrance of the 75th anniversary of the liberation of Auschwitz and the Nazi concentration camps, this award-winning, bestselling work of Holocaust fiction, inspiration for the classic film and “masterful account of the growth of the human soul” (Los Angeles Times Book Review), returns with an all-new introduction by the author. An “extraordinary” (New York Review of Books) novel based on the true story of how German war profiteer and factory director Oskar Schindler came to save more Jews from the gas chambers than any other single person during World War II. In this milestone of Holocaust literature, Thomas Keneally, author of The Book of Science and Antiquities and The Daughter of Mars, uses the actual testimony of the Schindlerjuden—Schindler’s Jews—to brilliantly portray the courage and cunning of a good man in the midst of unspeakable evil. “Astounding…in this case the truth is far more powerful than anything the imagination could invent” (Newsweek).