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DIVA queer literary and cultural studies examination of the wedding ceremony (rather than the resulting marriages) which finds it to be a space of more open possibilities than might normally be supposed./div
In The Wedding Complex Elizabeth Freeman explores the significance of the wedding ceremony by asking what the wedding becomes when you separate it from the idea of marriage. Freeman finds that weddings—as performances, fantasies, and rituals of transformation—are sites for imagining and enacting forms of social intimacy other than monogamous heterosexuality. Looking at the history of Anglo-American weddings and their depictions in American literature and popular culture from the antebellum era to the present, she reveals the cluster of queer desires at the heart of the "wedding complex"—longings not for marriage necessarily but for public forms of attachment, ceremony, pageantry, and celebration. Freeman draws on queer theory and social history to focus on a range of texts where weddings do not necessarily lead to legal marriage but instead reflect yearnings for intimate arrangements other than long-term, state-sanctioned, domestic couplehood. Beginning with a look at the debates over gay marriage, she proceeds to consider literary works by Nathaniel Hawthorne, William Faulkner, Carson McCullers, Vladimir Nabokov, and Edgar Allan Poe, along with such Hollywood films as Father of the Bride, The Graduate, and The Godfather. She also discusses less well-known texts such as Su Friedrich’s experimental film First Comes Love and the off-Broadway, interactive dinner play Tony ‘n’ Tina’s Wedding. Offering bold new ways to imagine attachment and belonging, and the public performance and recognition of social intimacy, The Wedding Complex is a major contribution to American studies, queer theory, and cultural studies.
Astutely observed and deftly witty, One Perfect Day masterfully mixes investigative journalism and social commentary to explore the workings of the wedding industry-an industry that claims to be worth $160 billion to the U.S. economy and which has every interest in ensuring that the American wedding becomes ever more lavish and complex. Taking us inside the workings of the wedding industry-including the swelling ranks of professional event planners, department stores with their online registries, the retailers and manufacturers of bridal gowns, and the Walt Disney Company and its Fairy Tale Weddings program-New Yorker writer Rebecca Mead skillfully holds the mirror up to the bride's deepest hopes and fears about her wedding day, revealing that for better or worse, the way we marry is who we are.
Peering behind the veil to question the meaning of weddings in American popular culture, Ingraham finds nothing less than a wedding industrial complex with annual revenues in excess of 30 billion dollars. 20 photos.
The definitive anthology of wisdom and wit about one of life’s most complex, intriguing, and personal subjects. When and whom do you marry? How do you keep a spouse content? Do all engaged couples get cold feet? How cold is so cold that you should pivot and flee? Where and how do children fit in? Is infidelity always wrong? In this volume, you won’t find a single answer to your questions about marriage; you will find hundreds. Spanning centuries and cultures, sources and genres, The Marriage Book offers entries from ancient history and modern politics, poetry and pamphlets, plays and songs, newspaper ads and postcards. It is an A to Z compendium, exploring topics from Adam and Eve to Anniversaries, Fidelity to Freedom, Separations to Sex. In this volume, you’ll hear from novelists, clergymen, sex experts, and presidents, with guest appearances by the likes of Liz and Dick, Ralph and Alice, Louis CK, and Neil Patrick Harris. Casanova calls marriage the tomb of love, and Stephen King calls it his greatest accomplishment. With humor, perspective, breadth, and warmth, The Marriage Book is sure to become a classic.
A guide for believers who want their wedding to portray the relationship of Christ with the church and to reflect the gospel to all in attendance.
A novel that became an award-winning play and a major film, and that has charmed generations of readers, The Member of the Wedding is a story of the inimitable twelve-year-old Frankie, who is utterly bored with her life until she hears about her older brother’s wedding. Bolstered by lively conversations with her house servant, Berenice, and her six-year-old cousin—and her own unbridled imagination—Frankie takes on an overly active role in the wedding, even hoping to go (uninvited) on the honeymoon. This story is a marvelous study of the agony of adolescence and of wanting to be part of something larger and more accepting than yourself. The Member of the Wedding showcases Carson McCullers at her most sensitive, astute, and lasting best. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.
I'm not, at heart, a jumper; it's not my sort of thing . . . I think I knew all the time I was sizing up the bridge that the strong possibility was I'd go home, attend my sister's wedding as invited, help hook-and-zip her into whatever she wore, take the bouquet while she received the ring, through the nose or on the finger, wherever she chose to receive it, and hold my peace when it became a question of speaking now of forever holding it.' It is the hottest June on record and the longest day of the year. Cassandra Edwards -tormented, intelligent, mordantly witty - leaves her graduate studies and her Berkeley flat to drive through the scorching heat to her family's ranch. There they are all assembled: her philosopher father, smelling sweetly of five-star Hennessy; her kind, fussy grandmother; her beloved, identical twin sister Judith, who is about to be married - unless Cassandra can help it.
“One of the best books for brides . . . Her satirical, tongue-in-cheek take on making your wedding all about yourself will offer some much-needed laughs.” —Real Simple In this bridal gag gift, Upright Citizens Brigade comedian Laura Willcox writes in the voice of an overbearing, outrageous wedding planner, covering all aspects of a wedding—from the moment of engagement (hopefully with the ring you’ve been not so subtly emailing him about for months), all the way through the final minutes of the big day. Accompanied by Jason O’Malley’s humorous illustrations, Willcox offers tongue-in-cheek advice for every wedding-planning moment, whether it’s dreaming up the perfect wedding-weekend hashtag, planning a gift registry to make everyone jealous of your fabulous lifestyle, or figuring out how to distance yourself from the poor, unfortunate souls who didn’t make the cut for your guest list. Laura Willcox’s refreshing take on all things bride will turn tradition on its head, and have you rolling your eyes and reading passages out loud to your engaged (and married) friends. This funny book is a perfect gift for the friend who can’t stop pinning to her dream wedding board, bridezilla-to-be, or any bride who would benefit from a much-needed break from the stress and madness of wedding planning. “Perfectly mocks the absurd wedding-planning industry. Whether you’re having a big wedding to prove something to your ex, or a small wedding to make your loved ones feel excluded, this book will make you laugh through the overwhelming planning process.” —Lauren Lapkus, actor and comedian
This collection of studies uses the processes of analysis and self-analysis to examine the social, political and spiritual forces at work in the post-Soviet world. The text includes discussions of ethnohistory, political anthropology and ethnic conflict, and symbolic anthropology.