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"The weather has always been a topic of conversation; it is probably the most common dialogue between human beings. We often fear the weather, yet out apparent dread of it is puzzling, since we generally adapt to it remarkably well. The Weather in the Imagination investigates the theories, scenarios and psychoses caused by climate. These fall into three main categories: anthropological and psychological; historical; and catastrophic. The weather has long served as a means of explaining human diversity: other people are different because they live under different skies. Climate has also been used to explain the dynamic of the historical process, the rise of certain civilizations and the stagnation and regression of others. Catastrophe is also invoked in theories of the weather: what could destroy a civilization - or arouse the fear of humanity's total extinction - more effectively than a climatic disaster? The prototype of this kind of upheaval is the pre-biblical Flood, one of the most gripping and influential myths the human imagination has ever produced. Lucian Boia does not take sides in the current debates about climate; he does not exaggerate or play down global warming and its consequences, or try to forecast the weather of the future. What he does tell is a story that runs parallel with the 'true' story of climate and its future: the story of a human imagination that has been stimulated, baffled, infuriated and, from time to time, terrified by the weather." -- Blackwells.
As global temperatures rise under the forcing hand of humanity’s greenhouse gas emissions, new questions are being asked of how societies make sense of their weather, of the cultural values, which are afforded to climate, and of how environmental futures are imagined, feared, predicted, and remade. Weather, Climate, and Geographical Imagination contributes to this conversation by bringing together a range of voices from history of science, historical geography, and environmental history, each speaking to a set of questions about the role of space and place in the production, circulation, reception, and application of knowledges about weather and climate. The volume develops the concept of “geographical imagination” to address the intersecting forces of scientific knowledge, cultural politics, bodily experience, and spatial imaginaries, which shape the history of knowledges about climate.
The author profiles real tornadoes and severe weather patterns over six thousand miles of Oklahoma, Kansas, and Nebraska, known as Tornado Alley.
“This timely novel takes on friendship, desire, fear, and vulnerability in one incisive, witty, and powerful package.” —People “Astonishes with the force of its unexpected beauty.” —The New York Times Book Review The author of the “graceful and compassionate” (People) New York Times bestseller Carry the One presents a new and long-awaited novel exploring what happens when untested people are put to a hard test, and in its aftermath, find themselves in a newly uncertain world. It’s the fall of 2016. Cate, a set designer in her early forties, lives and works in Chicago’s theater community. She has stayed too long at the fair and knows it’s time to get past her prolonged adolescence and stop taking handouts from her parents. She has a firm plan to get solvent and settled in a serious relationship. She has tentatively started something new even as she’s haunted by an old, going-nowhere affair. Her ex-husband, recently booted from his most recent marriage, is currently camped out in Cate’s spare bedroom, in thrall to online conspiracy theories, and she’s not sure how to help him. Her best friend Neale, a yoga instructor, lives nearby with her son and is Cate’s model for what serious adulthood looks like. Only a few blocks away, but in a parallel universe we find Nathan and Irene—casual sociopaths, drug addicts, and small-time criminals. Their world and Cate’s intersect the day she comes into Neale’s kitchen to find these strangers assaulting her friend. Forced to take fast, spontaneous action, Cate does something she’s never even considered. She now also knows the violence she is capable of, as does everyone else in her life, and overnight, their world has changed. Anshaw’s flawed, sympathetic, and uncannily familiar characters grapple with their altered relationships and identities against the backdrop of the new Trump presidency and a country waking to a different understanding of itself. Eloquent, moving, and beautifully observed, Right after the Weather is the work of a master of exquisite prose and a wry and compassionate student of the human condition writing at the height of her considerable powers.
11-year-old Stella has returned home to Shetland to spend the summer with her Grandpa, but it's nothing like she remembers. Grandpa is lost in his grief for Gran, the island is bleak and Stella feels trapped, until she encounters an old woman, Tamar, who can spin rainbows and call hurricanes. With the help of Nimbus, a feisty young storm cloud, Stella begins to learn the craft of weather weaving. But when her cloud brain-fogs Grandpa and The Haken (a sea witch) starts to close in, she realises that magic comes with big responsibilities. It will take all her heart and courage to face the coming storm...
The difference between humidity & clouds; is the hydrogen bond between the water molecules. The hydrogen bond requires the surrounding space to be negatively ionized. Electricity is filling the skies with positively charged electrons, ridding the sky of negative ionization. Electricity is the cause of the drought. In the 1930's, lightning in Northern America tripled & has not increased nor decreased since. Why did it increase? Why did it plateau? What happened in the 1930's? Hint: Tesla... Where does the electron come from? This book is the science of rain & the science of healthy electromagnetics. Why does food taste better when we go camping? What does electricity have to do with this word? What's its influence beyond running our electrical devices? Where do the electrons come from; & where do they go? What is electromagnetic pollution? How does it influence the weather? All this and more is covered in The Science Of Rain.
"From the unique perspective of a U.S. Forest Service elite, a Type 1 Interagency "Hotshot" Crew (the "SEAL Team Six of the firefighting world"), poems weave together memory, urgency, and the passage of time. Features segments from actual incident reports, forcing readers to witness what it's like to stand before an inferno, walking with one foot in the black. An elegy for the self and the damage one sustains fighting wildfires"--
"Join in the rainy-day fun as kids splash through the puddles, affecting another weather enthusiast, a nearby worm. The worm delights in the weather just as much as the kids"--
At the time of her death in after a long battle with cancer, Eve Sedgwick had been working on a book on affect and Proust, and on the psychoanalyst Melanie Klein. This volume, edited by Jonathan Goldberg, brings together a collection of her last work.
A fresh approach to science for young brainiacs, this book on climate and weather includes incredible but true stories, interactive activities, and quirky infographics. What’s the difference between climate and weather? How do we know the climate is changing? The need-to-know answers to these and many other pressing questions are explained in this volume through incredible stories, infographics—including how many farts animals add to the atmosphere each year—and fun activities like engineering a solar oven from a pizza box. Budding brainiacs will love reading “Need- to- Know” stories, diving into interactive “Try This” activities, and building a trove of fascinating facts from a series of infographic “Data Dumps.” Featuring the artwork of Harriet Russell, the illustrator of the bestselling This Book Thinks You’re a . . . series, The Brainiac’s Book of Climate and Weather demonstrates how fun and relevant science is to our everyday lives. This brainiac’s book makes the subject interactive, interesting, and easy to relate to for young readers.