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A one-time lost manuscript upon which the novel Kipps was based. The story is of an orphan who inherits wealth and learns there is more to being a "true gentleman" than having money.
H. G. Wells wrote almost a hundred books, yet he is generally remembered for only a handful of them. He is known above all as a writer who heralded the future, yet throughout his life he clung to fixed attitudes from the Victorian past. He began his career as a draper's apprentice; by the age of forty-five he had secured an international reputation as the author of The Time Machine, The War of the Worlds, Kipps and Tono Bungay; he went on to establish himself as an influential educator, polemicist and sage. In this book John Batchelor offers a readable introduction to Wells's huge and varied output as a writer and thinker. He guides the reader through the whole oeuvre, and argues persuasively that at his best Wells was a great artist: a man with a remarkable, restless imagination (not limited, as many critics have implied, merely to his early romances) and with a coherent and responsible theory of fiction.
Names must act upon character. Every preceding Waddy, save one short-lived Ira, from the first ancestor, the primal Waddy, cook of the Mayflower, had been a type of placid meekness, of mild, humble endurance. During all Boston's material changes, from a petty colony under Winthrop to a great city under General Jackson, and all its spiritual changes from Puritanism to Unitarianism, Boston divines had pointed to the representative Waddy of their epoch as the worthy successor of Moses upon earth—Moses the meekest man, not Moses the stalwart smiter of rocks and irate iconoclast of golden calves. Why, then, was Ira Waddy, with whom this tale is to concern itself, other than his race? Why had he revolutionized the family history? Why was he a captor, not a captive of Fate? Why was the Waddy name no longer hid from the world in the unfragrant imprisonment and musty gloom of a blind court in Boston, but known and seen and heard of all men, wherever tea-chests and clipper-ships are found, or fire-crackers do pop? Why was Ira Waddy, in all senses, the wholesale man, while every other Waddy had been retail? Brief questions—to be answered not so briefly in this history of his return.
British Literature and the Life of Institutions charts a literary prehistory of the welfare state in Britain around 1900, but it also marks a major intervention in current theoretical debates about critique and the dialectical imagination. By placing literary studies in dialogue with political theory, philosophy, and the history of ideas, the book reclaims a substantive reformist language that we have ignored to our own loss. This reformist idiom made it possible to imagine the state as a speculative and aspirational idea—as a fully realized form of life rather than as an uninspiring ensemble of administrative procedures and bureaucratic processes. This volume traces the resonances of this idiom from the Victorian period to modernism, ranging from Mary Augusta Ward, George Gissing, and H. G. Wells, to Edward Carpenter, E. M. Forster, and Virginia Woolf. Compared to this reformist language, the economism that dominates current debates about the welfare state signals an impoverishment that is at once intellectual, cultural, and political. Critiquing the shortcomings of the welfare state comes naturally to us, but we often struggle to offer up convincing defences of its principles and aims. This book intervenes in these debates by urging a richer understanding of critique: if we want to defend the state, Kohlmann argues, we need to learn to think about it again.
This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile
"Tomalin’s The Young H.G. Wells is hard to beat, being friendly, astute and a pleasure to read.” —Michael Dirda, Washington Post “Claire Tomalin’s short, engaging biography The Young H.G. Wells is a welcome addition to the conversation. . . Her book makes a strong case for Wells’s enduring importance.”—Heller McAlpin, The Wall Street Journal From acclaimed literary biographer Claire Tomalin, a complex and fascinating exploration of the early life of the influential writer and public figure H. G. Wells How did the first forty years of H. G. Wells's life shape the father of science fiction? From his impoverished childhood in a working-class English family and determination to educate himself at any cost to his complicated marriages, love affair with socialism, and the serious ill health that dominated his twenties and thirties, H. G. Wells's extraordinary early life would set him on a path to become one of the world's most influential writers. The sudden success of The Time Machine and The War of the Worlds transformed his life and catapulted him to international fame; he became the writer who most inspired Orwell and countless others and predicted men walking on the moon seventy years before it happened. In this remarkable, empathetic biography, Claire Tomalin paints a fascinating portrait of a man like no other, driven by curiosity and desiring reform, a socialist and a futurist whose new and imaginative worlds continue to inspire today.