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"The author presents a young boy learning to navigate through the rigid aristocratic society of the day, and he encounters two older, more experienced socialites who give him differing opinions of cultural evolution. Monsieur de Meilcour narrates his past, looking back to his debut, at the age of seventeen, into aristocratic society. Since many decades have passed between the time in which these events took place and the moment in which Meilcour narrates them, he sets the scene for his readers: “Manners have changed so prodigiously since then that I would not be surprised if my story were treated as a fable today. It is hard for us to believe that the vices and virtues that are no longer under our eyes ever existed: however, everything I write is real and I do not exaggerate.” Crébillon’s novel is essentially a moral tale."--Goodreads
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"The author presents a young boy learning to navigate through the rigid aristocratic society of the day, and he encounters two older, more experienced socialites who give him differing opinions of cultural evolution. Monsieur de Meilcour narrates his past, looking back to his debut, at the age of seventeen, into aristocratic society. Since many decades have passed between the time in which these events took place and the moment in which Meilcour narrates them, he sets the scene for his readers: “Manners have changed so prodigiously since then that I would not be surprised if my story were treated as a fable today. It is hard for us to believe that the vices and virtues that are no longer under our eyes ever existed: however, everything I write is real and I do not exaggerate.” Crébillon’s novel is essentially a moral tale."--Goodreads
For the first time experience the first three hardcover volumes of Seanan McGuire's Hugo and Nebula Award-winning Wayward Children series together in a boxset...
French novels such as "Madame Bovary" and "The Stranger" are staples of high school and college literature courses. This work provides coverage of the French novel since its origins in the 16th century, with an emphasis on novels most commonly studied in high school and college courses in world literature and in French culture and civilization.
Winner of the Christian Gauss Award for excellence in literary scholarship from the Phi Beta Kappa Society Having excavated the world's earliest novels in his previous book, literary historian Steven Moore explores in this sequel the remarkable flowering of the novel between the years 1600 and 1800-from Don Quixote to America's first big novel, an homage to Cervantes entitled Modern Chivalry. This is the period of such classic novels as Tom Jones, Candide, and Dangerous Liaisons, but beyond the dozen or so recognized classics there are hundreds of other interesting novels that appeared then, known only to specialists: Spanish picaresques, French heroic romances, massive Chinese novels, Japanese graphic novels, eccentric English novels, and the earliest American novels. These minor novels are not only interesting in their own right, but also provide the context needed to appreciate why the major novels were major breakthroughs. The novel experienced an explosive growth spurt during these centuries as novelists experimented with different forms and genres: epistolary novels, romances, Gothic thrillers, novels in verse, parodies, science fiction, episodic road trips, and family sagas, along with quirky, unclassifiable experiments in fiction that resemble contemporary, avant-garde works. As in his previous volume, Moore privileges the innovators and outriders, those who kept the novel novel. In the most comprehensive history of this period ever written, Moore examines over 400 novels from around the world in a lively style that is as entertaining as it is informative. Though written for a general audience, The Novel, An Alternative History also provides the scholarly apparatus required by the serious student of the period. This sequel, like its predecessor, is a “zestfully encyclopedic, avidly opinionated, and dazzlingly fresh history of the most 'elastic' of literary forms” (Booklist).
Family loyalty, betrayal and the redemptive power of love are at the heart of this poignant and unforgettable novel set in Canada and Jamaica. When Maria Galloway dies, she leaves everything to her spoiled, wayward grandson, Vittorio. Her only granddaughter, Molly, whom she raised from infancy, is left to confront the unyielding bitterness Maria harboured against her. As Molly begins to trace the complex interrelationships in her loving but divided family, she recalls her idyllic childhood, spent in her grandmother’s sky-blue house in Jamaica. There, surrounded by a jungle of coconut, mango and avocado trees and enveloped in the smells of mouth-watering sweet cakes and spicy Jamaican foods, she received her grandmother’s pure and simple generosity, and the return of unconditional love. But as Molly enters adolescence, she grows increasingly aware of her grandmother’s vulnerabilities and disappointments, her human frailties. When Maria decides that things might get better if she leaves Jamaica and joins her adult children in Canada, she takes Molly with her. But it isn’t long before she, a woman who has always lived on her own terms and has never been afraid to speak her mind, clashes with her children. Even Molly falls into disfavour when Maria discovers that she is romantically involved with a woman. From generational saga to tender love story, The Heart Does Not Bend is a vivid and heartfelt portrayal of an indomitable matriarch and the women who must free themselves from her.
THE HOTLY ANTICIPATED SEQUEL TO THE NO. 1 BESTSELLER CARRY ON Simon Snow is back and he's coming to America! The story is supposed to be over. Simon Snow did everything he was supposed to do. He beat the villain. He won the war. He even fell in love. Now comes the good part, right? Now comes the happily ever after... So why can’t Simon Snow get off the couch? What he needs, according to his best friend, is a change of scenery. He just needs to see himself in a new light. That’s how Simon and Penny and Baz end up in a vintage convertible, tearing across the American West. They find trouble, of course. (Dragons, vampires, skunk-headed things with shotguns.) And they get lost. They get so lost, they start to wonder whether they ever knew where they were headed in the first place. With Wayward Son, Rainbow Rowell has written a book for everyone who ever wondered what happened to the Chosen One after he saved the day. And a book for everyone who was ever more curious about the second kiss than the first. It’s another helping of sour cherry scones with an absolutely decadent amount of butter. Come on, Simon Snow. Your hero’s journey might be over – but your life has just begun.