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The Way Past Winter is a riveting adventure about magic, an eternal winter, and one girl's unbreakable determination to reunite her family. Mila, her sisters, and her brother, Oskar, live in a small forest cabin, surviving in a world gripped by frost and snow. When a mysterious man shows up on her doorstep, Mila and her family grant him shelter for the night. But in the morning, the man is gone—and he's taken Oskar with them. • Written by award-winning and internationally recognized author Kiran Millwood Hargrave • Inspired by European folklore • Middle grade novel that explores deeper topics—grief, inner strength, and the unbreakable bonds of family Determined to save their brother, Mila and her sisters set out on a mission to rescue him. But challenges await them at every turn: wolves with the speed of demons, tempestuous gold, an untrustworthy mage—and always the relentless, stinging freeze of winter. The Way Past Winter is a classic adventure story in the vein of Phillip Pullman, Anne Ursu, and Kelly Barnhill that evokes the best of the middle grade fantasy genre. • A beautifully written, smartly paced tale of riveting adventure with a focus on family • Perfect for children ages 10 and up who love fantasy and magic • You'll love this book if you love books like Greenglass House by Kate Milford, Nevermoor: The Trials of Morrigan Crow by Jessica Townsend, and The Girl Who Drank the Moon by Kelly Barnhill.
Ami lives on Culion, an island for people who have leprosy. Her mother is infected. She loves her home - but then islanders untouched by sickness are forced to leave. Ami's desperate to return before her mother's death. She finds a strange and fragile hope in a colony of butterflies. Can they lead her home before it's too late?
Since a deadly virus and the violence that followed wiped out his parents and most of his community, Finn has lived alone on the rugged coast with only his loyal dog Rowdy for company. He has stayed alive for two winters—hunting and fishing and trading food, and keeping out of sight of the Wilders, an armed and dangerous gang that controls the north, led by a ruthless man named Ramage. But Finn’s isolation is shattered when a girl runs onto the beach. Rose is a Siley—an asylum seeker—and she has escaped from Ramage, who had enslaved her and her younger sister, Kas. Rose is desperate, sick, and needs Finn’s help. Kas is still missing somewhere out in the bush. And Ramage wants the girls back—at any cost. ‘Tense and atmospheric...Mark Smith’s debut is assured, gripping and leaves you wanting more.’ Best Books for Younger Readers 2016, Sydney Morning Herald ‘It’s easy to see why Mark Smith’s dystopian thriller has been compared with John Marsden’s Tomorrow When the War Began. I barely came up for breath as the pages flew. So strap yourself in for a high action ride.’ Kids Book Review ‘A riveting story of survival that questions the prices of freedom and safety as well as the value of an individual life...A breakout new series full of romance, danger, and a surprisingly engaging world.’ STARRED Review, Kirkus Reviews ‘A solid debut.’ Publishers Weekly ‘It’s been suggested more than once that dystopian fiction has had its day...but The Road to Winter is a welcome sign that there’s still life in the genre.’ Armadillo
In Renaissance Siena, a city ravaged by plague, Sofia's mother carves beautiful mementoes for the grieving from the bones of their loved ones. But one day, she doesn't return home. Sofia and her friends follow clues carved in bone until they find the terrible truth ...
A teenage girl treks across a dangerous, frozen nation to reunite with her family in this Philip K. Dick Award–winning apocalyptic thriller. Wylodine comes from a world of paranoia and poverty. Her family grows marijuana illegally in order to survive. But now she’s been left behind in Ohio to tend the crop alone. Then spring doesn’t return for the second year in a row, bringing unprecedented, extreme winter. With grow lights stashed in her truck and a pouch of precious seeds, Wil begins a journey to join her family in California. But the icy roads and strangers hidden in the hills are treacherous. Gathering a small group of exiles on her way, she becomes the target of a volatime cult leader. Because she has the most valuable skill in the climate chaos: she can make things grow. Road Out of Winter offers a glimpse into an all-too-possible near future, with a chosen family forged in the face of dystopian collapse. Alison Stine’s acclaimed debut “blends a rural thriller and speculative realism into what could be called dystopian noir” (Library Journal, starred review).
A beautifully written story of friendship, discovery, myths, and magic that the London Times called "reminiscent of fantasy greats such as Philip Pullman and Neil Gaiman." Legends say that the island of Joya was once a place where songbirds sang in every tree and the islanders were free to come and go as they pleased. That was before the harsh-ruling Governor arrived, and ravens drove out the native birds. Now there are no songbirds, and the people are forbidden to travel beyond the forest that separates them from the rest of the island. But for Isabella, the legends of her island home have always seemed like more than just stories. And when a series of mysterious events shakes the community, it’s Isabella—daughter to the island’s only mapmaker—who will lead a party of explorers into the forest in search of answers. As the group ventures deeper and deeper into the island, dark secrets begin to surface, and the legends Isabella has listened to all these years show signs of coming to life. Debut novelist Kiran Millwood Hargrave draws on the cultural folklore of the Canary Islands in this richly told story of a girl’s quest to map her own place in a world that legends alone have shaped. Advance Praise: "[R]eminiscent of fantasy greats such as Philip Pullman and Neil Gaiman." --The London Times
Can a woman ever really know herself if she doesn't know her mother? From the author of the smash-hit bestseller Firefly Lane and True Colors comes Kristin Hannah's powerful, heartbreaking novel that illuminates the intricate mother-daughter bond and explores the enduring links between the present and the past. Meredith and Nina Whitson are as different as sisters can be. One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist. But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters. As children, the only connection between them was the Russian fairy tale Anya sometimes told the girls at night. On his deathbed, their father extracts a promise from the women in his life: the fairy tale will be told one last time—and all the way to the end. Thus begins an unexpected journey into the truth of Anya's life in war-torn Leningrad, more than five decades ago. Alternating between the past and present, Meredith and Nina will finally hear the singular, harrowing story of their mother's life, and what they learn is a secret so terrible and terrifying that it will shake the very foundation of their family and change who they believe they are.
Nell Crane has never held a boy’s hand. In a city devastated by an epidemic, where survivors are all missing parts—an arm, a leg, an eye—Nell has always been an outsider. Her father is the famed scientist who created the biomechanical limbs that everyone now uses. But she’s the only one with her machinery on the inside: her heart. Since the childhood operation, she has ticked. Like a clock, like a bomb. And as her community rebuilds, everyone is expected to contribute to the society’s good . . . but how can Nell live up to her father’s revolutionary ideas when she has none of her own? Then she finds a lost mannequin’s hand while salvaging on the beach, and inspiration strikes. Can Nell build her own companion in a world that fears advanced technology? The deeper she sinks into this plan, the more she learns about her city—and her father, who is hiding secret experiments of his own. Sarah Maria Griffin’s haunting literary debut will entrance fans of Patrick Ness’s Chaos Walking series, Paolo Bacigalupi’s Ship Breaker, and Emily St. John Mandel’s Station Eleven.
"This book is truly epic. . . . The reader will probably wish there was a thousand more pages." —The Huffington Post Picking up where Fall of Giants, the first novel in the extraordinary Century Trilogy, left off, Winter of the World follows its five interrelated families—American, German, Russian, English, and Welsh—through a time of enormous social, political, and economic turmoil, beginning with the rise of the Third Reich, through the great dramas of World War II, and into the beginning of the long Cold War. Carla von Ulrich, born of German and English parents, finds her life engulfed by the Nazi tide until daring to commit a deed of great courage and heartbreak . . . . American brothers Woody and Chuck Dewar, each with a secret, take separate paths to momentous events, one in Washington, the other in the bloody jungles of the Pacific . . . . English student Lloyd Williams discovers in the crucible of the Spanish Civil War that he must fight Communism just as hard as Fascism . . . . Daisy Peshkov, a driven social climber, cares only for popularity and the fast set until war transforms her life, while her cousin Volodya carves out a position in Soviet intelligence that will affect not only this war but also the war to come.
Instantly reminiscent of the work of Osamu Dazai and Patricia Highsmith, Fuminori Nakamura’s latest novel is a dark and twisting house of mirrors that philosophically explores the violence of aesthetics and the horrors of identity. A young writer arrives at a prison to interview a convict. The writer has been commissioned to write a full account of the case, from the bizarre and grisly details of the crime to the nature of the man behind it. The suspect, a world-renowned photographer named Kiharazaka, has a deeply unsettling portfolio—lurking beneath the surface of each photograph is an acutely obsessive fascination with his subject. He stands accused of murdering two women—both burned alive—and will likely face the death penalty. But something isn’t quite right. As the young writer probes further, his doubts about this man as a killer intensify, and he struggles to maintain his sense of reason and justice. Is Kiharazaka truly guilty, or will he die to protect someone else? Evoking Truman Capote’s In Cold Blood and Ryūnosuke Akutagawa’s “Hell Screen,” Last Winter, We Parted is a twisted tale that asks a deceptively sinister question: Is it possible to truly capture the essence of another human being?