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In seinem neuen Buch stellt der bekannte Biologe und Erkenntnistheoretiker Prof. Dr. Hans Mohr die Bedeutung des Wissens für die moderne Welt in den Brennpunkt seiner Betrachtungen. Von den Formen des Wissens - das handlungsrelevante und das Verfügungs-Wissen - geht er über auf den Sonderstatus des wissenschaftlichen Wissens und dessen Eigenschaft als Kulturgut und Produktionsfaktor, die Verwandlung von Information in Wissen und Innovation bis hin zu den ethischen, technischen und politischen Dimensionen.
A critical analysis of C.S. Lewis' classics--the Chronicles of Narnia.
C. S. Lewis was a British author, lay theologian, and contemporary of J.R.R. Tolkien. The Lion, the Witch, and the Wardrobe is the first book in The Chronicles of Narnia.
This book is a powerful tool for understanding fiction and for transforming creative writing and taking it to new levels of clarity, energy and effectiveness. Learn what a story really is and what it is actually doing to and for readers, how all successful fiction follows universal patterns to attract and grip readers, the magnetic power that draws readers into a work of fiction even before the introduction of any character, what the thing called a 'character' actually is, and the secrets of how to rapidly build a convincing one that attracts readers, the things called 'plots', what they are and how they are actually made (rather than how you might suppose they are made). Find out about the writing model which, if followed, will create a machine generating unimaginable numbers of readers and heightened reader satisfaction for you, based on some of the most successful pieces of literature in the English-speaking world.
All seven Chronicles are bound together in this one magnificent volume with a personal introduction by Douglas Gresham, stepson of C. S. Lewis.
** Now available for pre-order (title will be released on April 29th) **As a little girl of nine, Katherine Langrish fell deeply in love with The Chronicles of Narnia - she was even inspired to write a book of stories set in that world, complete with poster-paint picture of Aslan on the homemade dust jacket. Although she loved the Narnia books to bursting, others took their place as she grew up. For years they sat unopened on her shelves. She began to wonder why. Had they simply become too familiar? Had the charm faded? What might they mean to her as an adult?From Spare Oom to War Drobe is a love letter to that early passion, as well as a reappraisal of The Chronicles of Narnia in the light of maturity and changing tastes. It brilliantly evokes her initial sense of childish wonder, and in a close reading of the novels, including analysis of the context in which other critics have placed them, she gives us a superbly rich, enlightening, and immensely readable guide to the world of these evergreen stories.
For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaître knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.
Enchanted by Narnia's fantastic world as a child, prominent critic Laura Miller returns to the series as an adult to uncover the source of these small books' mysterious power by looking at their creator, Clive Staples Lewis. What she discovers is not the familiar, idealized image of the author, but a more interesting and ambiguous truth: Lewis's tragic and troubled childhood, his unconventional love life, and his intense but ultimately doomed friendship with J.R.R. Tolkien. Finally reclaiming Narnia "for the rest of us," Miller casts the Chronicles as a profoundly literary creation, and the portal to a lifelong adventure in books, art, and the imagination.
"By hook or by bishop's crook, Ventianus will see him dead by nightfall." While Cuthbert and Eadmund pursue a thief through the deserted streets of an enemy city, others plot to turn their help into harm and their honour into shame. Outwitted and outnumbered, they stumble into a nest of conspiracies that may send Britain crashing back into the bloodshed and chaos from which it just emerged. But Eadmund has more in the game than Cuthbert knows, and deciding who to trust may become the most dangerous choice of all.Every treasure has a secret, every saint has a past.
Just in time for the live-action movie THE LION, THE WITCH AND THE WARDROBE in fall 2005, this companion book is perfect for children too young to read the original. It's packed with fun facts about characters, places, and magic, and has interactive sections such as a bravery test and mix and match columns.