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Thom Wheeler is not a man to be put off by the prospect of an uncharted, impractical or downright dangerous journey. Having accidentally introduced his old school friend Vicky to Dmitry, the Russian love of her life, at the Hermitage Museum in St. Petersburg, Thom decides to travel to their wedding in Astrakhan in the most obvious and straightforward way: by following the Volga river, from its source over 1,000 miles inland, all the way to the Caspian Sea and a party to remember..
Nira Stone (1938-2013) was a scholar of Armenian and Byzantine Art. Her broad and close acquaintance with the field of Armenian art history covered many fields of Armenian artistic creativity. Nira Stone made notable contributions to the study of Armenian manuscript painting, mosaics, and other forms of artistic expression. Of particular interests are her researches on this art in its historical and religious contexts, such as the study of apocryphal elements in Armenian Gospel iconography, the place of the mosaics of Jerusalem in the context of mosaics in Byzantine Palestine, and of the interplay between religious movements, such as hesychasm, and Armenian manuscript painting.
Where the River Flows is an honest, poetic, heartbreaking account of how my divorce catapulted me down a yearlong obsession to find the answer to the burning question I had every single day after my husband asked me for a divorce:"Why?"Was it my inability to show him love like he'd told me? Was it an old attachment wound, still unhealed and bubbling at the surface? Was it the sexual trauma I'd never resolved and carried into our marriage? Was it my very real and frequent urge to end my life? Or was it him? Was it his lack of understanding for my mental illness? His lost patience for me as I tirelessly worked through old wounds in therapy? Stress from the yearlong motorcycle trip of his dreams that I vowed to go on, and did just after our wedding day?As I spiraled myself around this question and fell deeper and deeper into a depression, as the binges became more intense and the purges returned for the first time in years, as the urges to die grew stronger and when I curled myself in a ball on the shower floor, banging my fists against my belly like I'd first done seventeen years before, I started to believe that what my husband said to me in our last few days together might be true: "It's like there are three people in our marriage. You, me, and your Eating Disorder. And sometimes I think you love her more than me."If you or someone you know has struggled with an Eating Disorder, sexual or developmental trauma, depression, anxiety, suicidal thinking, divorce, grief, then it is my hope you will find yourself and your loved ones in the pages of this memoir.You are not alone.
The New York Times–bestselling classic set amid the mountains and streams of early twentieth-century Montana, “as beautiful as anything in Thoreau or Hemingway” (Chicago Tribune). When Norman Maclean sent the manuscript of A River Runs Through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Today, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs Through It has established itself as a classic of the American West filled with beautiful prose and understated emotional insights. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.” “Maclean’s book—acerbic, laconic, deadpan—rings out of a rich American tradition that includes Mark Twain, Kin Hubbard, Richard Bissell, Jean Shepherd, and Nelson Algren.” —New York Times Book Review Includes a new foreword by Robert Redford, director of the Academy Award–winning film adaptation
Fifteen-year-old Jessie and the other rebellious teenage members of a wilderness survival school team abandon their adult leader, hijack his boats, and try to run the dangerous white water at the bottom of the Grand Canyon.
A story that could come true tomorrow When Ishmael Jacobson creates a virus that stops the ageing process in humans and animals alike, chaos could be the only result. Striving towards a dream of eternal life, everybody do what they can to get infected with the virus, even if it means breaking the law. It is up to detective Lindique to try to stop the spread of the virus, but is it too late? Soon the world is filled with people, and every day more and more are born. The ground turns barren, too tired to keep on giving life to billions upon billions of humans who are trying to scrape another morsel of food out of the dust. When there is no more food to eat, there is always the neighbour… In the end, there is only one person who can start the ageing process in humans again, and it is the person who started the whole problem to begin with, coming full circle.
Super fans. Groupies. Stalkers.These people will give anything for the idols they worship, be they rock stars, actor, or authors. Or even serial killers.Lori's obsession is with Edmund Cox, who was convicted of butchering more than twenty women. She will do anything to get close to him, so when he gives her a task, she accepts.She has no idea of the horror that awaits her.Edmund says she must go to his cabin in the woods and retrieve a key to deliver to a mysterious figure known only as The River Man.She brings along her sister, and the trip becomes a surreal nightmare, one that digs up Lori's personal demons, the ones she feels bonds her to Edmund. Soon she will learn The River Man is not quite fact or folklore, and definitely not human . . . at least not anymore.