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The Watsons is an abandoned novel by Jane Austen, completed by her niece. The story tells about the widowed priest and his six children, four of which are daughters wishing to get married t a rich man. Although one of the daughters, Emma, was raised by their rich childless aunt. As a result, she is better educated than her other three sisters and has different values. The pursuit for love and wealthy admirers and the opposition between sisters lead to mingled affairs, romantic love stories, and exciting adventures.
What happens when the writer loses the plot? Emma Watson is nineteen and new in town. She's been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast. If not, they face poverty, spinsterhood, or worse: an eternity with their boorish brother and his awful wife. Luckily there are plenty of potential suitors to dance with, from flirtatious Tom Musgrave to castle-owning Lord Osborne, who's as awkward as he is rich. So far so familiar. But there's a problem: Jane Austen didn't finish the story. Who will write Emma's happy ending now? Based on her incomplete novel, this sparklingly witty play looks under the bonnet of Jane Austen and asks: what can characters do when their author abandons them?
In a novel that is based on The Watsons, an unfinished Jane Austen novel, Emma Watson, who tends her father's household along with her sister Elizabeth, finds herself caught up in an adventure as two men compete for her attention.
Jane Austen gave life to the fictional Watson family in 1803, but sadly abandoned them five chapters in. Acclaimed author Joan Aiken completed their story in her ingenious novel, Emma Watson. Emma Watson has been brought up by her aunt in a wealthy and refined household, an educated lifestyle far removed from her widowed father and five siblings. So when her aunt enters into an imprudent second marriage, nineteen-year-old Emma is sent back home and must join her sisters in their pursuit of a husband . . . Aiken takes on the fate of Austen’s characters with confidence and skill, flawlessly entwining themes of loss and love together in this stunning regency pastiche. ‘Joan Aiken’s invention seemed inexhaustible, her high spirits a blessing, her sheer storytelling zest a phenomenon. She was a literary treasure, and her books will continue to delight for many years to come’ – Philip Pullman
David Nolan is an award-winning journalist who's authored biographies on subjects ranging from Simon Cowell to the Sex Pistols. He's also written for newspapers, magazines, radio and television.
Reproduction of the original: Kerfol by Edith Wharton
Jane Austen wrote the untitled fragment that was later called The Watsons in 1803-5, and it was published posthumously in 1871. Joan Aiken, well known for her Jane Austen sequels and children's books, finishes the fragment, introducing a new hero and seamlessly continuing where Jane Austen left off to a satisfying ending for all Austen fans. Emma Watson returns home after 14 years spent with a beloved aunt, whose re-marriage has caused a significant change in Emma's circumstances. Used to a life of ease, warmth and intelligence, Emma is thrust back into a home where, with one exception, her sisters are petty and jealous, if not vulgar, her father is ill and weak, and her brothers are not men of fine minds. This is a poignant exploration of a young lady's endurance in the face of reduced circumstances, and in true Jane Austen fashion, there is an admirable hero to make all right in the end.
Voted 'Best Debut Novel 2014' by Austenprose.com 'When a young woman, on whom every comfort in life is bestowed, has the misfortune to inhabit a neighbourhood in which peace and harmony reign, her ability to perceive and understand the world must be diminished and, consequently, in need of adjustment.' Based on 'The Watsons', a novel fragment by Jane Austen, 'Emma and Elizabeth' contrasts the fortunes of the Watsons sisters in a world where the alternative to marriage is poverty. Emma returns to her family home penniless when her widowed guardian remarries. At a local assembly, she is admired by more than one suitor, but her lack of fortune has the potential to ruin her happiness. Elizabeth, a woman on the verge of spinsterhood, has little hope of love. But when duty to the family is tested, one sister is obliged to sacrifice her own happiness for the sake of the other. Set in Surrey in 1795, 'Emma and Elizabeth' blends passages from the original fragment into the narrative, creating a unique story which is faithful to Jane Austen's style and subject matter.
“The most brilliant Austen-adjacent book on the market. . . . Flynn’s style makes this a quick, fun read, and since the story is Jane-related there’s even a romantic subplot.” — Vulture “What lover of literature hasn’t dreamed of going back in time to meet Jane Austen? . . . . Kathleen A. Flynn brings this dream to life, creating a vivid portrait of Regency England in all its glory and squalor.” —Lauren Belfer, author of After the Fire and A Fierce Radiance Perfect for fans of Jane Austen, this engrossing novel offers an unusual twist on the legacy of one of the world's most celebrated and beloved authors: two researchers from the future are sent back in time to meet Jane and recover a suspected unpublished novel. London, 1815: Two travelers—Rachel Katzman and Liam Finucane—arrive in a field in rural England, disheveled and weighed down with hidden money. Turned away at a nearby inn, they are forced to travel by coach all night to London. They are not what they seem, but rather colleagues who have come back in time from a technologically advanced future, posing as wealthy West Indies planters—a doctor and his spinster sister. While Rachel and Liam aren’t the first team from the future to “go back,” their mission is by far the most audacious: meet, befriend, and steal from Jane Austen herself. Carefully selected and rigorously trained by The Royal Institute for Special Topics in Physics, disaster-relief doctor Rachel and actor-turned-scholar Liam have little in common besides the extraordinary circumstances they find themselves in. Circumstances that call for Rachel to stifle her independent nature and let Liam take the lead as they infiltrate Austen’s circle via her favorite brother, Henry. But diagnosing Jane’s fatal illness and obtaining an unpublished novel hinted at in her letters pose enough of a challenge without the continuous convolutions of living a lie. While her friendship with Jane deepens and her relationship with Liam grows complicated, Rachel fights to reconcile the woman she is with the proper lady nineteenth-century society expects her to be. As their portal to the future prepares to close, Rachel and Liam struggle with their directive to leave history intact and exactly as they found it. . . however heartbreaking that may prove.
"A gift for Austen fans everywhere - full of wit, informed imagination and palpable affection for Austen's characters." Natalie Jenner, author of The Jane Austen Society "Very satisfying, sometimes moving and often laugh-out-loud hilarious." The Jane Austen Regency World Magazine Can she honour her family and stay true to herself? Emma Watson returns to her family home after fourteen years with her wealthy and indulgent aunt. Now more refined than her siblings, Emma is shocked by her sisters' flagrant and desperate attempts to ensnare a husband. To the surprise of the neighbourhood, Emma immediately attracts the attention of eligible suitors - notably the socially awkward Lord Osborne, heir to Osborne Castle - who could provide her with a home and high status if she is left with neither after her father's death. Soon Emma finds herself navigating a world of unfamiliar social mores, making missteps that could affect the rest of her life. How can she make amends for the wrongs she is seen to have committed without betraying her own sense of what is right? Jane Austen commenced writing The Watsons over two hundred years ago, putting it aside unfinished, never to return and complete it. Now, Rose Servitova, author of acclaimed humour title, The Longbourn Letters: The Correspondence between Mr Collins and Mr Bennet has finished Austen's manuscript in a manner true to Austen's style and wit.