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From Niagara Falls in the United States to Angel Falls in Venezuela, Victoria Falls in Africa, and Hannoki Falls in Japan, waterfalls provide some of the world’s loveliest panoramas. With their glistening spray and deafening roar, these astonishing natural wonders attract hordes of people each year who seek out, with cameras in hand, these terrifying and sublime examples of natural beauty. While waterfalls have often been considered in terms of their picturesque qualities, their rich cultural background has been neglected. In Waterfall, Brian Hudson portrays these marvels in a new light. He explores the many myths and legends waterfalls have inspired in cultures ranging from Native American to Celtic and Indian, and how they have been depicted in art, literature, film, and music. He also examines their influence on architecture and landscape design, as manmade waterfalls begin to be a staple of parks, gardens, and backyard landscaping. Hudson also discusses the ecology of waterfalls and the conflict that arises from their importance as both a source of hydroelectric power and tourist attractions in many countries. As erosion takes its own toll, the additional environmental impacts of human exploitation could be devastating. A superb addition to the library of any nature lover, this beautifully illustrated book provides a fascinating look at the history and value of these stunning cascades of water.
English industrialist Robert Clayton and his son, Donald, open a branch office of their business in Vienna and pursue their lives and fortunes in the years before World War I
The first English translation of an essential Austrian novel about life in early-twentieth-century Vienna, as seen through a wide and varied cast of characters. The Strudlhof Steps is an unsurpassed portrait of Vienna in the early twentieth century, a vast novel crowded with characters ranging from an elegant, alcoholic Prussian aristocrat to an innocent ingenue to “respectable” shopkeepers and tireless sexual adventurers, bohemians, grifters, and honest working-class folk. The greatest character in the book, however, is Vienna, which Heimito von Doderer renders as distinctly as James Joyce does Dublin or Alfred Döblin does Berlin. Interweaving two time periods, 1908 to 1911 and 1923 to 1925, the novel takes the monumental eponymous outdoor double staircase as a governing metaphor for its characters’ intersecting and diverging fates. The Strudlhof Steps is an experimental tour de force with the suspense and surprise of a soap opera. Here Doderer illuminates the darkness of passing years with the dazzling extravagance that is uniquely his.
Book connoisseur Tom Nissley has combed literary history to capture the stories that make writers' lives perennially fascinating: their epiphanies, embarrassments and achievements. Each handsome page in A Reader's Book of Days is devoted to a day of the year, featuring original accounts of events in the lives of great writers, and fictional events that took place within beloved books.
A varied, vivid view of the literary culture of the often-neglected interwar Austrian republic. The literary flair of fin-de-siècle Vienna lived on after 1918 in the First Austrian Republic even as writers grappled with the consequences of a lost war and the vanished Habsburg Empire. Reacting to historical and political issues often distinct from those in Weimar Germany, Austrian literary culture, though frequently associated with Jewish writers deeply attached to the concept of an independent Austria, reflected the republic's ever-deepening antisemitism and the growing clamor for political union with Germany. Spanning the two momentous decades between the fall of the empire in 1918 and the Nazi Anschluss in 1938, this book explores work by canonical writers suchas Schnitzler, Kraus, Roth, and Werfel and by now-forgotten figures such as the pacifist Andreas Latzko, the arch-Nazi Bruno Brehm, and the fervently Jewish Soma Morgenstern. Also taken into account are Ernst Weiss's "Hitler" novel Der Augenzeuge and 1930s works about First Republic Austria by the German Communist writers Anna Seghers and Friedrich Wolf. Andrew Barker's book paints a varied and vivid picture of one of the most challenging and underresearched periods in twentieth-century cultural history. Andrew Barker is Emeritus Professor of Austrian Studies at the University of Edinburgh, Scotland.
Examines the themes, characters, plots, style, and technique of 347 works by authors from the non-English speaking countries of the world, including Poland, France, Czechoslovakia, Austria, Germany, and Russia.