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With his dark wit and corrosive dialogue, Eric Bogosian tells a powerful and emotionally wrenching tale of two lovers who form a mesmerizing and destructive bond while trying to evade the looming failure of their respective lives. Reba runs away from her shabby and desolate rural community for the lure of New York City. Her tall and awkward frame lands her work modeling, but she is not prepared for the glamorous, drug-fueled life of a celebrated mannequin. After a series of painful relationships, she sees hope and an exit toward stability and sanity in the man who saves her brother's life. This man is Rick, a successful SoHo general practitioner with a warm family and an idyllic life that has left him restless and hollow. He doesn't take Reba seriously until he finds himself so enmeshed in her beauty that he risks losing everything--his home, his children and his beloved wife. Master monologist and author of the acclaimed Mall returns with a sprawling novel of urban desperation and desire that brings to mind the winding narratives of Tom Wolfe salted with the dark urges of Philip Roth. Wasted Beauty is Bogosian's enthralling journey through the high life of drugs and fashion celebrity, middle-class guilt and sexual obsession.
All the Wasted Beauty of the World, a finalist for the 2012 Able Muse Book Award, extols the beautiful as readily as it expounds on the blemished. The reasoned commingles with the rambunctious, as in the case of the speaker who declares that “our lives span diaper to diaper,/ and in between we piss on anyone/ we can.” Little escapes notice in these poems of gutsy realism and formal deftness, which freely highlight the fringes of society-the speaker in “Bellefontaine Cemetery” exhorts teens to “party on people’s graves” and have “a few close shaves with county sheriffs,” the carcass of a Ford truck intrudes on a hiking trail’s gully, the homeless are lullabied to “find rest behind our dumpster/ . . . score a fifth of bourbon/ and find your stomach full.” Richard Newman brings us a collection that prods and soars with the grit and beauty of the real world. PRAISE FOR ALL THE WASTED BEAUTY OF THE WORLD: Richard Newman’s All the Wasted Beauty of the World is masterful and magnetic, from the “galaxy of gnats” hovering in the St. Louis twilight to the way a backwoods junkyard “gnaws on a pile of old Ford bones.” He sees a group of bored high school kids with “nothing to lose/ but stupid summer jobs and innocence,” and captures with perfect acuity how “September rain in streetlight/ silvers the cypress needles, scatters new dimes/ among the nuisance alley mulberry trees.” Newman’s poems, with their formal, lapidary precision, their indelible portraits of life in the cheap bars, back alleys, and rough-hewn edges of the Midwest, surprise a hunger in us for a language larger, wilder, and unabashedly loftier than daily speech. -George Bilgere, author of Imperial The poems in Richard Newman's remarkable third collection, All the Wasted Beauty of the World, are heady explorers. They roam from Lost Man Pass to Benton Park, from downtown St. Louis to Southern Indiana, all the while balancing gorgeous musicality with lyric originality. In the midst of the wandering, there is longing in these poems-for place, for order, for morning. There is urgency, too, and beauty, wasted and otherwise, in places we don't always expect it. Newman is a bold and masterful formalist in a free-verse world, and he uses sonnets, aubades, villanelles, and odes to reconcile the geographies of the interior and exterior. Again and again, this collection makes us recalibrate our true north and forces us to reconsider the world for all of the unpredictable places where we can find beauty. -Adrian Matejka, author of The Big Smoke Newman uses the power of recollection and imagery to craft odes, sonnets, villanelles, ballads, and free verse with titles like “Four Kids Pissing off the Overpass after a Cardinals Game.” Each poem calls our attention to a rough-and-tumble, everyday America we often drive past but overlook. All the Wasted Beauty of the World returns us to the real and, consequently, the new by putting on the brakes and asking us to look, if only briefly, beyond our rear-views. -Dorianne Laux, author of The Book of Men
Poetry. ALL THE WASTED BEAUTY OF THE WORLD, a finalist for the 2012 Able Muse Book Award, extols the beautiful as readily as it expounds on the blemished. The reasoned commingles with the rambunctious, as in the case of the speaker who declares that "our lives span diaper to diaper, / and in between we piss on anyone / we can." Little escapes notice in these poems of gutsy realism and formal deftness, which freely highlight the fringes of society the speaker in "Bellefontaine Cemetery" exhorts teens to "party on people's graves" and have "a few close shaves with county sheriffs," the carcass of a Ford truck intrudes on a hiking trail's gully, the homeless are lullabied to "find rest behind our dumpster / . . . score a fifth of bourbon / and find your stomach full." Richard Newman brings us a collection that prods and soars with the grit and beauty of the real world. "Richard Newman's ALL THE WASTED BEAUTY OF THE WORLD is masterful and magnetic, from the 'galaxy of gnats' hovering in the St. Louis twilight to the way a backwoods junkyard 'gnaws on a pile of old Ford bones.' He sees a group of bored high school kids with 'nothing to lose / but stupid summer jobs and innocence, ' and captures with perfect acuity how 'September rain in streetlight / silvers the cypress needles, scatters new dimes / among the nuisance alley mulberry trees.' Newman's poems, with their formal, lapidary precision, their indelible portraits of life in the cheap bars, back alleys, and rough-hewn edges of the Midwest, surprise a hunger in us for a language larger, wilder, and unabashedly loftier than daily speech." George Bilgere "The poems in Richard Newman's remarkable third collection, ALL THE WASTED BEAUTY OF THE WORLD, are heady explorers. They roam from Lost Man Pass to Benton Park, from downtown St. Louis to Southern Indiana, all the while balancing gorgeous musicality with lyric originality. In the midst of the wandering, there is longing in these poems for place, for order, for morning. There is urgency, too, and beauty, wasted and otherwise, in places we don't always expect it. Newman is a bold and masterful formalist in a free-verse world, and he uses sonnets, aubades, villanelles, and odes to reconcile the geographies of the interior and exterior. Again and again, this collection makes us recalibrate our true north and forces us to reconsider the world for all of the unpredictable places where we can find beauty." Adrian Matejka "Newman uses the power of recollection and imagery to craft odes, sonnets, villanelles, ballads, and free verse with titles like 'Four Kids Pissing off the Overpass after a Cardinals Game.' Each poem calls our attention to a rough-and-tumble, everyday America we often drive past but overlook. ALL THE WASTED BEAUTY OF THE WORLD returns us to the real and, consequently, the new by putting on the brakes and asking us to look, if only briefly, beyond our rear- views." Dorianne Laux"
Charlize "Charlie" Edwards certainly knows, in theory, what it takes to lead a successful and happy life. She owns a nice house in Silverlake, LA's trendiest neighborhood. She has glamorous and loyal friends who accompany her to the hottest clubs in town. And she works as the personal assistant to Drew Stanton, Hollywood's sexiest movie star. But she's also turning 30, chronically single, and faced with serving as maid of honor at her younger sister's wedding. Charlie finds herself struggling to juggle the chaos of wedding planning (while wondering if she'll ever wear the white dress herself), her all-consuming job for lunatic boss Stanton, and a serious crush on Jordan, a photographer on the set of Drew's latest feature--a man who might actually return her feelings. A page-turner from start to finish, A Total Waste of Makeup puts a fresh face on women's fiction.
“A sharp and unconventional book — a swirl of memoir, travelogue and biography of some of history's champion day-dreamers.” —Maureen Corrigan, "Fresh Air" A spirited inquiry into the lost value of leisure and daydream The Art of the Wasted Day is a picaresque travelogue of leisure written from a lifelong enchantment with solitude. Patricia Hampl visits the homes of historic exemplars of ease who made repose a goal, even an art form. She begins with two celebrated eighteenth-century Irish ladies who ran off to live a life of "retirement" in rural Wales. Her search then leads to Moravia to consider the monk-geneticist, Gregor Mendel, and finally to Bordeaux for Michel Montaigne--the hero of this book--who retreated from court life to sit in his chateau tower and write about whatever passed through his mind, thus inventing the personal essay. Hampl's own life winds through these pilgrimages, from childhood days lazing under a neighbor's beechnut tree, to a fascination with monastic life, and then to love--and the loss of that love which forms this book's silver thread of inquiry. Finally, a remembered journey down the Mississippi near home in an old cabin cruiser with her husband turns out, after all her international quests, to be the great adventure of her life. The real job of being human, Hampl finds, is getting lost in thought, something only leisure can provide. The Art of the Wasted Day is a compelling celebration of the purpose and appeal of letting go.
Brutal Beauty: Aesthetics and Aspiration in Urban India follows a postcolonial city as it transforms into a bustling global metropolis after the liberalization of the Indian economy. Taking the once idyllic “garden city” of Bangalore in southern India as its point of departure, the book explores how artists across India and beyond foreground neoliberalism as a “structure of feeling” permeating aesthetics, selfhood, and everyday life. Jisha Menon conveys the affective life of the city through multiple aesthetic projects that express a range of urban feelings, including aspiration, panic, and obsolescence. As developers and policymakers remodel the city through tumultuous construction projects, urban beautification, privatization, and other templated features of “world‐class cities,” urban citizens are also changing—transformed by nostalgia, narcissism, shame, and the spaces where they dwell and work. Sketching out scenes of urban aspiration and its dark underbelly, Menon delineates the creative and destructive potential of India’s lurch into contemporary capitalism, uncovering the interconnectedness of local and global power structures as well as art’s capacity to absorb and critique liberalization’s discontents. She argues that neoliberalism isn’t just an economic, social, and political phenomenon; neoliberalism is also a profoundly aesthetic project.
"Struggling to raise her little brother Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house, until one night her star-gazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold. By the time Wavy is a teenager, her relationship with Kellen is the only tender thing in a brutal world of addicts and debauchery"--
This book is true poetry, not because it is poetry but because it hits new heights in raw poetry. It is new and different, which is refreshing for all readers. Every emotion is capture by the author and brilliantly put into words. This book is easy to read and to understand you dont have to search for meaning it is right there within the books pages.
Thanks to a combination of business savvy, breathtaking chutzpah, and lucky timing, Helena Rubinstein managed to transform herself from a poor Polish emigrant to the world's first self-made female tycoon. She went from selling homemade "Crème Valaze" out of her house in Australia to becoming an international cosmetics magnate. Tiny and plump, wearing extravagant jewels and spiked heels, she was a fixture of upper-crust New York for many years. She was larger than life, and never took no for an answer: when she was refused from a New York City apartment on the grounds that she was Jewish, she went ahead and bought the whole building and promptly moved in. The story of Eugène Schueller and L'Oréal begins in 1907, in a dingy working-class part of Paris, where a young Schueller sat at his family's kitchen table trying to develop the first harmless artificial hair dye. The tale of how L'Oréal went from that point to the world's largest cosmetics company is fascinating and full of intrigue, with a little of everything: fascist assassins, bitter unmaskings, political scandals. In 1988, although Schueller and Rubinstein had long since passed away, their worlds collided when L'Oréal bought Rubinstein's company — leading to a series of scandals that threw a new and sinister light on L'Oréal. For starters, Rubinstein was Jewish, but Schueller and many other top L'Oréal executives had been active Nazi collaborators. What came to light threatened the reputations of some of France's most powerful men - up to and including its president. This is a powerful, dramatic, and largely untold story about the ugly truth behind a beauty empire.