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The Waste Land is a long poem by T. S. Eliot, widely regarded as one of the most important poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line poem first appeared in the United Kingdom in the October issue of The Criterion and in the United States in the November issue of The Dial. It was published in book form in December 1922. Among its famous phrases are "April is the cruellest month," "I will show you fear in a handful of dust," and the mantra in the Sanskrit language "Shantih shantih shantih." Eliot's poem loosely follows the legend of the Holy Grail and the Fisher King combined with vignettes of contemporary British society. Eliot employs many literary and cultural allusions from the Western canon, Buddhism and the Hindu Upanishads. Because of this, critics and scholars regard the poem as obscure. The poem shifts between voices of satire and prophecy featuring abrupt and unannounced changes of speaker, location, and time and conjuring of a vast and dissonant range of cultures and literatures. The poem's structure is divided into five sections. The first section, "The Burial of the Dead," introduces the diverse themes of disillusionment and despair. The second, "A Game of Chess," employs vignettes of several characters-alternating narrations-that address those themes experientially. "The Fire Sermon," the third section, offers a philosophical meditation in relation to the imagery of death and views of self-denial in juxtaposition influenced by Augustine of Hippo and eastern religions. After a fourth section, "Death by Water," which includes a brief lyrical petition, the culminating fifth section, "What the Thunder Said," concludes with an image of judgment. Eliot probably worked on the text that became The Waste Land for several years preceding its first publication in 1922. In a May 1921 letter to New York lawyer and patron of modernism John Quinn, Eliot wrote that he had "a long poem in mind and partly on paper which I am wishful to finish."[5] Richard Aldington, in his memoirs, relates that "a year or so" before Eliot read him the manuscript draft of The Waste Land in London, Eliot visited him in the country.[6] While walking through a graveyard, they discussed Thomas Gray's Elegy Written in a Country Churchyard. Aldington writes: "I was surprised to find that Eliot admired something so popular, and then went on to say that if a contemporary poet, conscious of his limitations as Gray evidently was, would concentrate all his gifts on one such poem he might achieve a similar success."[6] Eliot, having been diagnosed with some form of nervous disorder, had been recommended rest, and applied for three months' leave from the bank where he was employed; the reason stated on his staff card was "nervous breakdown." He and his first wife, Vivienne Haigh-Wood Eliot, travelled to the coastal resort of Margate, Kent, for a period of convalescence. While there, Eliot worked on the poem, and possibly showed an early version to Ezra Pound when, after a brief return to London, the Eliots travelled to Paris in November 1921 and stayed with him. Eliot was en route to Lausanne, Switzerland, for treatment by Doctor Roger Vittoz, who had been recommended to him by Ottoline Morrell; Vivienne was to stay at a sanatorium just outside Paris. In Hotel Ste. Luce (where Hotel Elite stands since 1938) in Lausanne, Eliot produced a 19-page version of the poem.[7] He returned from Lausanne in early January 1922. Pound then made detailed editorial comments and significant cuts to the manuscript. Eliot later dedicated the poem to Pound.
Let Us Go Then, You and I is a new edition of T. S. Eliot's selected poems, published to celebrate his nomination as the 'Nation's Favourite Poet' in a BBC poll for National Poetry Day 2009.
This superb collection of 26 works features the poet's masterpiece "The Waste Land"; the complete Prufrock and Other Observations, “The Hollow Men,” and the collection Poems.
A collection of T.S. Eliot’s most important poems, including “The Waste Land” and “The Love Song of J. Alfred Prufrock.” T. S. Eliot is one of the most important and influential poets of the twentieth century. His unique and innovative evocations of the folly and poetry of humanity helped reshape modern literature, with poems such as “The Love Song of J. Alfred Prufrock,” included here, and most notable, the title poem, “The Waste Land,” his groundbreaking masterpiece of postwar decay and redemption. Since its publication in 1922, “The Waste Land” has become one of the most widely studied modernist texts in English literature. Gathering together many of Eliot's major early poems, distinguished Harvard scholar and literary critic Helen Vendler presents an invaluable portrait of T. S. Eliot as a young poet and examines the artistry and craft that made him a Nobel laureate and one of the most significant voices in modern verse.
"The poems, . . . some of the poetic drama (particularly Sweeney Agonistes), and relevant sections of prose criticism, are discussed in detail and placed in relation to the development of Eliot's oeuvre, and more briefly to his life and a wider context of philosophical and religious enquiry" --Introduction.
A collection of poems, some of which had first appeared in Poetry, Blas, Others, The Little Review, and Arts and Letters.
A selection of the most significant and enduring poems from one of the twentieth century’s major writers, chosen and introduced by Vijay Seshadri T.S. Eliot was a towering figure in twentieth century literature, a renowned poet, playwright, and critic whose work—including “The Love Song of J. Alfred Prufrock” (1915), The Waste Land (1922), Four Quartets (1943), and Murder in the Cathedral (1935)—continues to be among the most-read and influential in the canon of American literature. The Essential T.S. Eliot collects Eliot’s most lasting and important poetry in one career-spanning volume, now with an introduction from Vijay Seshadri, one of our foremost poets.
Thomas Stearns Eliot (1888-1965) was an Anglo-American poet, essayist, publisher, playwright, literary critic and editor. Although considered a seminal modernist poet, he is best known today as the author of the poems used as the basis for the Andrew Lloyd Webber musical, "Cats." Eliot won the Nobel Prize for Literature in 1948. We provide here a compilation of three slim, early volumes of Eliot's poetry. Among the poems included are two of his most famous works, "The Love Song of J. Alfred Prufrock" and "The Waste Land," complete with Eliot's own, somewhat notorious, notes on the latter. This book is in the Deseret Alphabet, a phonetic alphabet for writing English developed in the mid-19th century at the University of Deseret (now the University of Utah).
The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.