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Rhyming verses tell many of the places you shouldn't put a frog, such as your daddy's shoe, your granny's purse, and the hamster's cage. Two wiggling eyeballs show through die cut holes on each page.
A wonderfully original and vivid portrait captures the soul of the Southwest and demonstrates why Tom Miller is among America's wittiest and most graceful writers. This extraordinary book leads readers deep inside the uniqueness of the region and reflects on the mounting tension between its eroding physical splendor and the diverse inhabitants who crisscross its bleached deserts, cracked pavement--and 18-hole golf courses.
If the Allies cannot send the German U-boats to the bottom of the Atlantic, all hope of winning WWII will be lost. Sixteen-year-old Bill O'Connell is a new recruit in the Royal Canadian Navy, assigned to a ship that hunts for Germany's feared U-boats. With the European mainland under Nazi occupation, safe ocean passage is critical -- but the Germans are building U-boats faster than the Allies can sink them, and Britain is starved of supplies. Every gallon of aviation fuel, every explosive shell, and every can of peas sent to the British Isles from North America has to be shipped by sea, so Bill and the rest of the Allied forces have the fate of the free world resting on their shoulders. If the Allies cannot keep their merchant ships from the attacks of Germany's U-boats, the odds of winning WWII will tip in favour of Hitler.
The plays of Tennessee Williams' post-1961 period have often been misunderstood and dismissed. In light of Williams' centennial in 2011, which was marked internationally by productions and world premieres of his late plays, Annette J. Saddik's new reading of these works illuminates them in the context of what she terms a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter. Saddik explains why they are now gaining increasing acclaim, and analyzes recent productions that successfully captured elements central to Williams' late aesthetic, particularly a delicate balance of laughter and horror with a self-consciously ironic acting style. Grounding the plays through the work of Bakhtin, Artaud, and Kristeva, as well as through the carnivalesque, the grotesque, and psychoanalytic, feminist, and queer theory, Saddik demonstrates how Williams engaged the freedom of exaggeration and excess in celebration of what he called 'the strange, the crazed, the queer'.
With a new foreword by Roy Dicks and Val Biro’s charming drawings, the Timber Press edition of Down the Kitchen Sink, in which Nicholls describes his forays into the realm of cooking, deservedly takes its place among Beverley’s classics on gardens, homes, cats, and other friends.
This book, the first full-length study of Guare's theater, will make his plays more accessible through an examination of the often unnerving type of black comedy that makes his plays work.".
A comprehensive study of an award-winning playwright known for unconventional blending of genres John Guare, one of the most innovative and influential contemporary American playwrights of the last sixty years, is best known for such works as House of Blue Leaves, winner of an Obie Award, the New York Drama Critics Circle Award for Best American Play, and four Tony Awards, and Six Degrees of Separation, recipient of the New York Drama Critics Circle Award for Best American Play and the Olivier Best Play Award and a finalist for the Pulitzer Prize in Drama. In Understanding John Guare, William W. Demastes provides a concise biography and analyzes the playwright's career from his earliest works produced off-off Broadway in the 1960s to his most recent Broadway play, A Free Man of Color, a finalist for the 2011 Pulitzer Prize in Drama. Often compared to his contemporaries Sam Shepard and David Mamet, who have distinctive voices tied to their mastery of realistic, idiomatic American English, Guare has a style that is perhaps more varied, Demastes speculates, the result of his formal training in theater. After earning a bachelor's degree from Georgetown University, Guare earned an M.F.A. from the Yale School of Drama. He then polished his theater craft in New York City during the exciting and turbulent 1960s, breaking from realist conventions and creating an unlikely blend of comedy, burlesque, stand-up comedy, and absurdly incongruous plotlines. The result has been a theater of surprise that is rich in stage action and experimentally invigorating. Demastes examines Guare's tools and techniques such as mixing serious with comic, creating characters who break into song and dance, inserting stand-up comedy routines, and drawing from the most absurd incongruities of everyday life. In doing so, Guare has created plays about the best and worst of humanity, about lost souls, and about delusional ideals.
A beguiling picture of the ups and downs of backwoods living - now in paperback!