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Suzhou, near Shanghai, is among the great garden cities of the world. The city's masterpieces of classical Chinese garden design, built from the eleventh through the nineteenth centuries, attract thousands of visitors each year and continue to influence international design. In The Gardens of Suzhou, landscape architect and scholar Ron Henderson guides visitors through seventeen of these gardens. The book explores UNESCO world cultural heritage sites such as the Master of the Nets Garden, Humble Administrator's Garden, Lingering Garden, and Garden of the Peaceful Mind, as well as other lesser-known but equally significant gardens in the Suzhou region. Unlike the acclaimed religious and imperial gardens found elsewhere in Asia, Suzhou's gardens were designed by scholars and intellectuals to be domestic spaces that drew upon China's rich visual and literary tradition, embedding cultural references within the landscapes. The elements of the gardens confront the visitor: rocks, trees, and walls are pushed into the foreground to compress and compact space, as if great hands had gathered a mountainous territory of rocky cliffs, forests, and streams, then squeezed it tightly until the entire region would fit into a small city garden. Henderson's commentary opens Suzhou's gardens, with their literary and musical references, to non-Chinese visitors. Drawing on years of intimate experience and study, he combines the history and spatial organization of each garden with personal insights into their rockeries, architecture, plants, and waters. Fully illustrated with newly drawn plans, maps, and original photographs, The Gardens of Suzhou invites visitors, researchers, and designers to pause and observe astonishing works from one of the world's greatest garden design traditions.
A lyrical portrait of texture, light and the passage of time at the Suzhou gardens, from the author of The Intimacy of Making In the classical gardens of Suzhou in China, surface transforms into space and walls become landscapes. In her journey through this UNESCO World Heritage Site, London-based Swiss French photographer Hélène Binet (born 1959) captures the traces of environmental influences on built structures. Her impressive series of photography shows how weather and time have turned blank walls into vivid depictions of nature. In Binet's images, architecture becomes the frame for imaginary landscapes. By interweaving foreground and background, the artist tells stories that shift between the two dimensions of the plane and the three dimensions of space. In an accompanying essay, architect and writer Juhani Pallasmaa captures the dreamlike quality of the photographs and emphasizes Binet's skill of balancing precision and vagueness to create images that stimulate the viewer's imagination.
You will gain deep insight not only into the art of gardening in China, but into its historical significance within the context of gardening and landscape design worldwide.".
Gardens take many forms, and have a variety of functions. They can serve as spaces of peace and tranquilty, a way to cultivate wildlife, or as places to develop agricultural resources. Globally, gardens have inspired, comforted, and sustained people from all walks of life, and since the Garden of Eden many iconic gardens have inspired great artists, poets, musicians, and writers. In this Very Short Introduction, Gordon Campbell embraces gardens in all their splendour, from parks, and fruit and vegetable gardens to ornamental gardens, and takes the reader on a globe-trotting historical journey through iconic and cultural signposts of gardens from different regions and traditions. Ranging from the gardens of ancient Persia to modern day allotments, he concludes by looking to the future of the garden in the age of global warming, and the adaptive spirit of human innovation. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Cities in China are extremely dynamic and experience high pressure to grow, transform and adapt. But in what directions, on what basis and to which goals? The authors and their team have researched the intensive transformation processes of about twenty-five neighborhood communities that were created in Beijing, Shanghai, Shenzhen, and Suzhou in the last 30 years, ranging from inner-city to peripheral areas, starting from planning and leading up to user satisfaction studies. This in-depth overview on neighborhood typology and development in China follows the book Emergent Architectural Territories in East Asian Cities by Peter Rowe, who is among the world’s best scholars on urban transformation in East Asia, together with his colleagues Ann Forsyth and Har Ye Kan.
In 'The Intimacy of Making' the Swiss photographer Hélène Binet takes us on a visual journey through a world of stone, walls and gardens that define and celebrate the Korean art of making. In pure and calm black-and-white photographs we discover traditional Korean architecture through a Western lens. The purity of the motifs sharpens one?s eye for the often-overlooked beauty and harmony in our own environment and history, as well as for the care of craft and composition. This book is a reminder against our often fleeting and careless perceptions.0In her photographs, which were taken over the course of the last three years, Binet looks at three typologies of traditional architecture in Korea: the Confucian school and sacred place Byeongsan Sewon; garden and tea house Soswaewon; and the Jongmyo Shrine. Her camera combines both the nature and the built structures and reveals the soul of the three sites. 0The photographic essays are accompanied by two texts: Korean architect, Byoung Cho, offers insight into the cultural and architectural history, while art and design critic and teacher, Eugenie Shinkle, focuses on the ?making.?
This is an entirely different garden book: a pattern book in which a score of landscapes and gardens are drawn, described, and analyzed not just as a bouquet of pleasures but as sources, lodes to be mined for materials, shapes and relationships, and ideas for transforming our own backyards. There is a universality about the creation of gardens across time and in diverse cultures that has inspired this entirely different garden book: a playful and affectionate typology of gardens; a pattern book in which a score of landscapes and gardens are drawn, described, and analyzed not just as a bouquet of pleasures but as sources, lodes to be mined for materials, shapes and relationships, and ideas for transforming our own backyards. The Poetics of Gardens is a celebration of places and the gardens they can become. Most of the 500 sketches, axonometric drawings, and photographs were created especially for this book. They explore the special qualities of places and the acts that can transform them into gardens. The authors discuss the qualities that create the promise of a garden the shapes of land and water, the established plants, the light and wind, the climate and show how these can be organized to give a place a special meaning. And they pay particular attention to the "rituals of habitation" by which we imaginatively take possession of places on the surface of the earth. The Poetics of Gardens examines great gardens made in other places, with other climates, at other times from ancient Rome to modem England, from Ball to Botany Bay, from the court of Ch'ien Lung to the magic kingdom of Walt Disney to explore their devices and record their images, scents, and sounds. The authors discuss the adaptation of the great garden traditions of the past to North American soil and call together the creators of these gardens to speculate about how their patterns and ideas can be appropriated, transformed, and composed into places that come alive for us.
From the Lake of Reflected Fragrance to the Pavilion for Washing Away Thoughts to the Isle of Alighting Geese, this gorgeously illustrated volume explores the Huntington's Chinese Garden—Liu Fang Yuan, or the Garden of Flowing Fragrance—one of the largest such gardens outside China. With the first phase of construction completed, the garden opened to visitors in early 2008. It resembles those created in seventeenth-century Suzhou, offering awe-inspiring views and architecture and evoking an era when scholars sought quiet, intimate gardens in which to retreat, write poetry, and practice calligraphy, among many other pursuits. The contributors to Another World Lies Beyond discuss the challenges of constructing the garden in Southern California as well as the cultural traditions and aesthetics of Chinese garden design, especially the ways in which the plants and structures engage the imagination of visitors. Inscribed poetic couplets, literary allusions, botanical motifs, and evocative names for structures reveal layers of symbolism for exploration and interpretation. The volume's final essay describes how plants that originated in China—such as the chrysanthemum, the plum, and the camellia—have shaped that country's ancient botanical heritage and have enriched the gardens of both East and West.
This book presents a study into the art of Jiangnan classical garden. Jiangnan (“the south of the Yangtze River”) refers to the water network region along the lower reaches of the Changjiang River (formerly known as Yangtze River), where Jiangsu Province Chinese gardens were primarily constructed during the 16th and 17th centuries of the later Ming and early Qing dynasties. The Jiangnan garden, an architectural space where artificial and natural elements are combined, represents the elite of classical Chinese gardens and serves as a prime exemplar for its northern counterpart, the Ming and Qing imperial gardens. The book pursues an interdisciplinary approach, combining historical information with case studies and other methods. Charts and pictures are used to supplement and reinforce the conclusions drawn from the macro narrative, enhancing the authenticity and readability of the historical monographs. It represents the first study of the classical art of landscape design in China, offering readers an insightful introduction.