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As the East India Company extended its sway across India in the late eighteenth century, many remarkable artworks were commissioned by Company officials from Indian painters who had previously worked for the Mughals. Published to coincide with the first UK exhibition of these masterworks at The Wallace Collection, this book celebrates the work of a series of extraordinary Indian artists, each with their own style and tastes and agency, all of whom worked for British patrons between the 1770s and the bloody end of the Mughal rule in 1857. Edited by writer and historian William Dalrymple, these hybrid paintings explore both the beauty of the Indian natural world and the social realities of the time in one hundred masterpieces, often of astonishing brilliance and originality. They shed light on a forgotten moment in Anglo-Indian history during which Indian artists responded to European influences while keeping intact their own artistic visions and styles. These artists represent the last phase of Indian artistic genius before the onset of the twin assaults - photography and the influence of western colonial art schools - ended an unbroken tradition of painting going back two thousand years. As these masterworks show, the greatest of these painters deserve to be remembered as among the most remarkable Indian artists of all time.
?The 4th Marquess of Hertford and Sir Richard Wallace were both passionate collectors of miniatures, exquisite small paintings in watercolor or enamel, generally made for private contemplation and one of the most popular mediums of portraiture in an age before the advent of photography. This book presents one of the major British collections of miniatures, a group of over 330 works which formed part of the generous bequest to the British nation made by Lady Wallace in 1897.
The Wallace Collection is both a national museum and the finest private collection of art ever assembled by one family. It was bequeathed to the nation in 1897 by Lady Wallace, widow of Sir Richard Wallace, the illegitimate son of the fourth Marquess of
One of the most famous and influential artists of the eighteenth century, Jean-Antoine Watteau (c. 1684-1721) fundamentally changed the course of French painting. With masterpieces such as Les charmes de la vie, Lady at her Toilet and Les Champs lis es, the Wallace Collection preserves one of the three outstanding collections of his paintings worldwide (together with Paris and Berlin) but it has never before been the subject of a special exhibition or a separate study. Continuing the series of monographs highlighting important works by masters in the Wallace Collection, this book discusses in depth all eight paintings by Watteau in the Collection and two of his lesser-known works at the Soane Museum and in York. Each of the paintings, which together span his entire career and represent many aspects of his work, will form the starting point for a chapter of the book. Among the topics discussed will be: Watteau and Theater, Watteau and the Art Market, The Artist at Work, Watteau - the Academician, The Erotic and the Indecent in Watteau's Work, and Watteau in London.
* An insightful introduction to The Wallace Collection's abundant treasures and the fascinating history of its Founders, the first four Marquesses of Hertford and Sir Richard Wallace* The seminal collection encompasses paintings by artists such as Titian, Rembrandt, Hals (The Laughing Cavalier) and Velázquez* Beautifully illustrated in full color throughoutThe Wallace Collection owns one of the finest collections of fine and decorative arts in the world. This splendid book provides a marvelous introduction to the museum's treasures and the fascinating history of its Founders, the first four Marquesses of Hertford and Sir Richard Wallace. The Collection is best known for its paintings by artists such as Titian, Rembrandt, Hals (The Laughing Cavalier) and Velázquez and for its outstanding collection of eighteenth-century French paintings, porcelain, furniture and gold boxes, probably the best to be found anywhere outside of France. But visitors can also enjoy superb medieval and Renaissance objects, including Limoges enamels, maiolica, glass and bronzes, as well as the finest array of princely arms and armor in Britain, comprising both European and Oriental objects. With commentaries on more than 400 works of art, all of them beautifully illustrated, this book highlights every aspect of this great museum's extraordinary riches, providing both an excellent overview of the Collection and an enduring reference to many key themes in European art.
First published to accompany the exhibition held at The Wallace Collection, London, March 12 - June 7, 2015.
Essential general survey for enthusiasts and specialist alike. Superb colour illustrations. Will provide many insights to the neglected area of art history
Accompanying a major international exhibition at the Wallace Collection (May - September 2012), this book celebrates the artistic and cultural importance of the sword, as a symbol of power and prestige, as a flamboyant fashion statement and as an icon of the Age of Discovery. It will feature weapons and related works of art from the Wallace Collection as well as other great collections of arms and armor; never-before-seen illustrated works on fencing drawn from the library of the 8th Lord Howard de Walden; and portraits, prints, and drawings that will help place the Renaissance civilian sword in its social and artistic context. It will also explore the ancient origins of the modern sport of fencing, one of only nine original Olympic events practiced since the first Olympiad of the modern era of 1896, revealing a place in history where art and sport converged.
"With its selection of masterpieces of European arms and armour, this book provides both an overview of some of the treasures of the collection and a wonderful survey of European arms and armour. I hope it will whet the appetite of readers to want to move on to our new Complete Digital Catalogue of European Arms and Armour in the Wallace Collection, with its more than 7000 stunning photographs and full texts of all the previous catalogues."--"Director's foreword", p. 7.