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The complete cycle of thirty-two plays.
Sixteen hours of thirty-two rhymed playlets compressed into two two-hour dramas.
The Wakefield or Towneley Mystery Plays are a series of thirty-two mystery plays based on the Bible most likely performed around Corpus Christi day in (again, most likely) the town of Wakefield, England during the late Middle Ages until 1576. It is one of only four surviving English mystery play cycles.The unique manuscript, now housed at the Huntington Library, San Marino, California, originated in the mid-fifteenth century. The manuscript came into the possession of the Towneley family in 1814, who lent their name it. Although almost the entire manuscript is in a fifteenth-century hand, the cycle was performed as early as the fourteenth century in an earlier form.The Wakefield Cycle is most renowned for the inclusion of "The Second Shepherds' Play," one of the jewels of medieval theatre.
A lively account of the modern staging of the medieval mystery plays, richly illustrated with stills and other photographs. The turn of the last millennium saw a sudden flourishing in the revival of the medieval mystery plays, with a number of different productions being staged across the country and further afield. But why were they staged? What features of the plays attracted the modern-day director? What can the mystery plays offer today's producers, directors, participants and audiences? This book seeks to answer these questions. Beginning with an exploration of the original staging conditions, the study goes on to examine the reasons why the plays are produced today, and through a series of case studies looks at how notions of community, identity and space are articulated within contemporary stagings: it considers productions at Chester, Chichester, Leeds, Lichfield, Lincoln, Toronto, Worsbrough, and York, as well as productions by the Royal National Theatre, Royal Shakespeare Company, and the Belgrade Theatre, Coventry. Importantly, the author uses evidence gleaned from interviews with directors and producers, and observation of rehearsals, and performances, to bring a fresh and modern perspective to bear. Richly illustrated. KATIENORMINGTON is Professor of Drama at Royal Holloway, University of London.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.