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The sixth-century voyage of St Brendan from Ireland to America, is one of the most fascinating of all sea legends. Could the myth of the Irish monk and his crew sailing the Atlantic in a boat made of leather, nearly a thousand years before Columbus, have been reality? In 1976, Tim Severin and a crew of four men, set out to recreate the Brendan legend. Using the exact same methods in constructing their sailing vessel, they set out on their hazardous voyage, making it one of the most inspiring expeditions in the history of exploration.
"Children will be astonished to learn that Ireland's Saint Brendan may have sailed to North America almost a thousand years before Columbus, in just a small open boat with a handful of brave monks -- a trip that's been duplicated and proved possible in modern times."--
A new verse translation from the Latin of the fabulous voyage of Saint Brendan the Navigator. This story tells of Saint Brendan's incredible 6th century voyage in search of Paradise and the wonders he found along the way. The adventures of this Irish Odysseus have been brought into English for the first time in language worthy of this wonderful story.
The route they chose was the 'Stepping Stone' route (Hebrides, Faroes, Iceland and along the coast of Greenland). It is also a story of historical and archaeological interest which proves that it could be possible for the mediaeval account of the legendary voyage of the Irish monk, St. Brendan, to have been a fairly factural record of a voyage to North America centuries before the Vikings.
In The Voyage of St Brendan, A.B. Jackson tells the tale of the legendary seafaring Irish abbot. After burning a book of fantastical stories, Brendan is compelled to sail the ocean with a crew of six monks in a leather-skinned currach; his task, to prove the existence of wonders in the world and create a new book of marvels. Discoveries include Jasconius the island-whale, a troop of Arctic ghosts, a hellmouth of tortured souls, a rock-bound Judas, and the magical castle of the boar-headed Walserands.Although the roots of this legend lie in early Irish immrama and the Latin Navigatio Sancti Brendani Abbatis of the ninth century, Jackson has taken the fourteenth-century Middle Dutch version of Brendan's voyage as the template for this engaging and spirited interpretation, making it recommended reading for scholars of medieval literature and lovers of fantasy adventure alike. The book includes a series of black and white linocuts by the American artist Kathleen Neeley.
In an extraordinary attempt to recreate St Brendan's journey to America, Tim Severin and his crew embarked on an epic voyage across the vast North Atlantic. Brilliantly written, this is their story.
Recounts St. Brendan's life and voyage to North America long before the Vikings arrived.
St Brendan the Navigator was born in Fenit, County Kerry, in 484. In fact and in legend he was one of the greatest saints in an era that gave us some of our most outstanding educators and missionaries - Finnian, Corngall, Kieran, Canice, Kevin, Columba, Carthagem Cormas, Jarlath, and Enda. All but Columba have been ignored, by and large. This short book seeks to set the record straight. It tells the remarkable story of Brendan from the best historical perspective and from available manuscript sources. It also shows why so many of our great saints and educators have been ignored. Included are translations of two manuscripts, the Irish Life (written first about 750) and the Navigatio (or voyage) of Brendan (written about 850). Included also are some extracts from the Latin Life of Brendan.
The Legend of St Brendan is a study of two accounts of a voyage undertaken by Brendan, a sixth-century Irish saint. The immense popularity of the Latin version encouraged many vernacular translations, including a twelfth-century Anglo-Norman reworking of the narrative which excises much of the devotional material seen in the ninth-century Navigatio Sancti Brendani abbatis and changes the emphasis, leaving a recognisably secular narrative. The vernacular version focuses on marvellous imagery and the trials and tribulations of a long sea-voyage. Together the two versions demonstrate a movement away from hagiography towards adventure. Studies of the two versions rarely discuss the elements of the fantastic. Following a summary of authorship, audiences and sources, this comparative study adopts a structural approach to the two versions of the Brendan narrative. It considers what the fantastic imagery achieves and addresses issues raised with respect to theological parallels.