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The kidnapping is long past. Janie Johnson can never change what happened to her or to the families that love her. But finally life seems to be settling down for the Springs and the Johnsons. The worst part of this new life for Janie is that Reeve Shields is away at college. Janie misses him terribly, no matter how many e-mails they send each other. As for Reeve, he's finding life at college overwhelming. He goes to work at the school radio station, hoping a late-night gig will give him what he craves--popularity and fame. Reeve gets his chance to be the voice on the radio, and when he tells the most fascinating story he knows, his show becomes a sensation. Reeve is so sure that Janie will never discover what's making his broadcast such a hit that he doesn't stop himself. But what will be the price for Janie? As Janie knew, the facts about the little girl on the milk carton had to be uncovered, no matter how much pain they caused. Now the truth about what Reeve is doing must come out. Whose voice will help Janie when she must face not only her incredible past, but also her unknown future? With the page-turning suspense that made The Face on the Milk Carton and Whatever Happened to Janie? best-sellers, Caroline B. Cooney once again explores the meaning of betrayal, the power of words, and the intensity of love.
In the vein of psychological thrillers like We Were Liars and One of Us Is Lying, bestselling and Edgar Award nominated author Caroline Cooney’s JANIE series seamlessly blends mystery and suspense with issues of family, friendship and love to offer an emotionally evocative thrill ride of a read. No one ever really paid close attention to the faces of the missing children on the milk cartons. But as Janie Johnson glanced at the face of the ordinary little girl with her hair in tight pigtails, wearing a dress with a narrow white collar—a three-year-old who had been kidnapped twelve years before from a shopping mall in New Jersey—she felt overcome with shock. She recognized that little girl—it was she. How could it possibly be true? Janie can't believe that her loving parents kidnapped her, but as she begins to piece things together, nothing makes sense. Something is terribly wrong. Are Mr. and Mrs. Johnson really her parents? And if not, who is Janie Johnson, and what really happened?
The iconic radio personality looks back on his life and career, from his first job at a smalltown Indiana station to his time at NPR and Sirius XM Radio. The host of The Bob Edwards Show and Bob Edwards Weekend on Sirius XM Radio, Bob Edwards became the first radio personality with a large national audience to take his chances in the new field of satellite radio. The programs’ mix of long-form interviews and news documentaries has won many prestigious awards. For thirty years, Louisville native Edwards was the voice of National Public Radio’s daily newsmagazine programs, co-hosting All Things Considered before launching Morning Edition in 1979. These programs built NPR’s national audience while also bringing Edwards to national prominence. In 2004, however, NPR announced that it would be finding a replacement for Edwards, inciting protests from tens of thousands of his fans and controversy among his listeners and fellow broadcasters. Today, Edwards continues to inform the American public with a voice known for its sincerity, intelligence, and wit. In A Voice in the Box: My Life in Radio, Edwards recounts his career as one of the most important figures in modern broadcasting. He describes his road to success on the radio waves, from his early days knocking on station doors during college and working for American Forces Korea Network to his work at NPR and induction into the National Radio Hall of Fame in 2004. Edwards tells the story of his exit from NPR and the launch of his new radio ventures on the XM Satellite Radio network. Throughout the book, his sharp observations about the people he interviewed and covered and the colleagues with whom he worked offer a window on forty years of American news and on the evolution of public journalism. A Voice in the Box is an insider’s account of the world of American media and a fascinating, personal narrative from one of the most iconic personalities in radio history. Praise for A Voice in the Box “Edwards knows how to tell a story . . . . On the whole, there is much to learn and enjoy. Edwards shares fascinating details about beginning a career at a tiny station; becoming part of the energetic, excited startup team at NPR; conducting interviews and producing shows; and building a career as a beloved host. He’s forthright about his disappointments, too, including a divorce and the shock of being fired . . . . [A] solidly entertaining book.” —Publishers Weekly “At last, Bob Edwards has told his story. With all the wit, candor, and courage that made his journalism on NPR a favorite of millions across the country and a role model for all of us in public media. This “voice in the box” is good news.” —Bill Moyers “A Voice in the Box is a delight. Bob Edwards has told his story from inside the world of radio that has something for everybody?from the kid’s dream to be on radio to settling some adult’s scores with NPR and being happy now on Sirius XM Radio with many more hours on the radio still to come.” —Jim Lehrer
A practical manual for voice users of all kinds, The Voice Book is written by one of the world's leading voice teachers. Michael McCallion has spent over 35 years training various professionals, from performers to auctioneers, how to use their voice. Used throughout the world in actor training and as suggested reading for lawyers, the earlier edition of The Voice Book became the classic work on using one's voice. It has now been revised to make use of the feedback from numerous readers of the earlier edition. Clearly written and easy to use, McCallion covers everything from Body Use and Breathing, to Tuning and Voice Energy. Whether you are a professional or amateur actor, a classical or popular singer, a teacher, or need to present for business, The Voice Book will help you discover how to use your voice freely, powerfully and with pleasure.
Frank Sinatra was the best-known entertainer of the twentieth century—infinitely charismatic, lionized and notorious in equal measure. But despite his mammoth fame, Sinatra the man has remained an enigma. Now James Kaplan brings deeper insight than ever before to the complex psyche and turbulent life behind that incomparable voice, from Sinatra’s humble beginning in Hoboken to his fall from grace and Oscar-winning return in From Here to Eternity. Here at last is the biographer who makes the reader feel what it was really like to be Frank Sinatra—as man, as musician, as tortured genius.
Looks at African Americans in the radio industry and at stations focusing on the African American market.
Ray 'Rabbits' Warren is the legendary voice of Australian sports commentary. People tell him he must have drunk a bottle of scotch and smoked a packet of cigarettes every day to have the voice that he has. That's not the case – at least, not anymore . . . The son of a railway worker, Ray placed his first bet on a horse called Playboy at the age of just six, and won. A lifelong love of the track – and the punt – was born. During his remarkable broadcasting career, which has now spanned almost five decades, Ray has called three Melbourne Cups, Commonwealth and Olympic Games swimming, and countless rugby league matches alongside his mates Fatty, Sterlo and Gus. Here, for the first time, Ray reveals the man behind the microphone. He speaks of the great highs and devastating lows of his career and life in the same way he calls every sporting event: with great passion, colour and candour. Shortlisted, 2015 Australian Book Industry Awards ‘When it comes to rugby league commentary, there is little dispute that Ray Warren is the best in the business ... I know you’ll enjoy his story.’ —Alan Jones AO ‘It’s not the vision that sells this game. It’s not just the amazing feats of these mighty players. It’s the way Ray Warren calls the action. The sense of theatre he brings to the call. Ray makes the game better. He brings it to life in lounge rooms all over the country. Ray Warren is the voice of rugby league.’ —Phil Gould ‘I loved rugby league growing up in Sydney ... and you can’t talk rugby league without talking Ray Warren. They are synonymous.’ —Hugh Jackman ‘There are enough well-rehearsed yarns about the footy, boozing, betting, “colourful” identities, misadventures and bending rules in the workplace to keep a reader turning pages.’ —Weekend Australian Ray ‘Rabbits’ Warren is one of the most experienced sports broadcasters in Australia. Andrew Webster is the Chief Sports Writer for the Sydney Morning Herald.
Beginning in the early 1980s Aboriginal Australians found in music, radio, and filmic media a means to make themselves heard across the country and to insert themselves into the center of Australian political life. In The Voice and Its Doubles Daniel Fisher analyzes the great success of this endeavor, asking what is at stake in the sounds of such media for Aboriginal Australians. Drawing on long-term ethnographic research in northern Australia, Fisher describes the close proximity of musical media, shifting forms of governmental intervention, and those public expressions of intimacy and kinship that suffuse Aboriginal Australian social life. Today’s Aboriginal media include genres of country music and hip-hop; radio requests and broadcast speech; visual graphs of a digital audio timeline; as well as the statistical media of audience research and the discursive and numerical figures of state audits and cultural policy formation. In each of these diverse instances the mediatized voice has become a site for overlapping and at times discordant forms of political, expressive, and institutional creativity.
The 1934 strike of southern textile workers, involving nearly 400,000 mill hands, remains perhaps the largest collective mobilization of workers in U.S. history. How these workers came together in the face of the powerful and coercive opposition of management and the state is the remarkable story at the center of this book.The Voice of Southern Labor chronicles the lives and experiences of southern textile workers and provides a unique perspective on the social, cultural, and historical forces that came into play when the group struck, first in 1929, and then on a massive scale in 1934. The workers' grievances, solidarity, and native radicalism of the time were often reflected in the music they listened to and sang, and Vincent J. Roscigno and William F. Danaher offer an in-depth context for understanding this intersection of labor, politics, and culture.The authors show how the message of the southern mill hands spread throughout the region with the advent of radio and the rise of ex-mill worker musicians, and how their sense of opportunity was further bolstered by Franklin D. Roosevelt's radio speeches and policies.Vincent J. Roscigno is associate professor of sociology at Ohio State University. William F. Danaher is associate professor in the Department of Sociology and Anthropology at the College of Charleston.
The Voice of America is the nation's largest publicly funded broadcasting network, reaching more than 90 million people worldwide in over forty languages. Since it first went on the air as a regional wartime enterprise in February 1942, VOA has undergo