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Chronicles the Catholic women's movement in eight countries of Western Europe -- its struggles, hopes, and promise of a new "springtime" of the Faith -- for women, men, and the institutional Church at large.
THE STORY: Although the plot is contrived with the artful ingenuity, which is to be expected in any van Druten play, the interest here centers largely upon a most attractive and charming young man and an equally attractive young woman who, by gradu
There are probably two basic questions Jews have recycled and asked for literally centuries: Is it good for the Jews? And, when (and under what circumstances) is Mashiach coming? In this scarcely known text by the Gaon of Vilna's grand-nephew and disciple, Rabbi Hillel Shaklover, probably the best and most detailed answer extant to the second question is given. And yes, of course, the implication is that it will be good for the Jews-though the passage to Mashichut and Geulah requires difficult preliminary steps, including great battles (both metaphysical and physical) and extraordinary deeds and Mitzvot.
Aelred (1110–1167) served Rievaulx Abbey, the second Cistercian monastery in England, for twenty years as abbot. During his abbacy he wrote thirteen treatises, some offering spiritual guidance and others seeking to advise King Henry II. He also wrote thirty-one sermons as a commentary on Isaiah 13–16 and 182 surviving liturgical sermons, mostly addressed to his monks. This volume contains the second half of Aelred's ninety-eight liturgical sermons from the Reading-Cluny collection, Sermons 134 through 182, as well as Aelred's sermon for the translation of Saint Edward the Confessor in 1163, from the critical edition by Peter Jackson first published in Cistercian Studies Quarterly. For the most part, the collection follows the liturgical year; this volume begins with a sermon for the birth of John the Baptist and ends with three sermons for the feast of All Saints. It contains sixteen Marian sermons as well as a sermon for the birth of Saint Katherine and a sermon for nuns.
The year is 1597. For nearly a decade, the island of Britain has been under the rule of King Philip in the name of Spain. The citizenry live under an enforced curfew—and in fear of the Inquisition’s agents, who put heretics to the torch in public displays. And with Queen Elizabeth imprisoned in the Tower of London, the British have no symbol to unite them against the enemy who occupies their land. William Shakespeare has no interest in politics. His passion is writing for the theatre, where his words bring laughter and tears to a populace afraid to speak out against the tyranny of the Spanish crown. But now Shakespeare is given an opportunity to pen his greatest work—a drama that will incite the people of Britain to rise against their persecutors—and change the course of history.