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The Latin vocabulary of intellectual life in the Middle Ages has been the focus of the CIVICIMA-series: nine volumes of conference-proceedings, monographs and collective works. The series has proved convincingly that analyses of the verbal expressions of medieval intellectual life and their precise meanings is a worthwhile and rewarding task, which sharpens and deepens our understanding of education and learning in the medieval world. With this tenth volume the series has been brought to a conclusion. It serves as a handbook, a practical tool for finding information and material about a considerable number of key terms, which have been classified in four categories of technical vocabulary--terms that developed specialized meanings in the context of medieval education and learning. The first category consists of the vocabulary of schools and universities (for instance, schola, magister, universitas, etc.); the second the vocabulary of the book and book production (for instance, armarium, pecia, scriptorium, etc.); the third treats the vocabulary of teaching-methods, instruments and products of intellectual life (for instance, concordantia, disputatio, glossa, etc.); the fourth the names of the disciplines, their teachers and students (for instance, artes liberales, canonista, decretista, theologia, etc.). Terms from these four categories are treated, either individually or in groups coherent with respect to content, in short and uniform articles. Their medieval meanings are described, together with their origins, their classical meanings, their semantic development, and the historical or regional differences in meaning.
The variety of experience available to medieval scholars and the vitality of medieval thought are both reflected in this collection of original essays by distinguished historians. Intellectual Life in the Middle Ages is presented to Margaret Gibson, whose own work has ranged from Boethius to Lanfranc and to the study of the Bible in the middle ages.
This work presents a connected account of western European thought from the Patristic age to the mid-fourteenth century. Dales aims to keep his reader close to the sense of the texts, which he translates, frequently at some length, or summarizes in his exposition. He attempts to include important matters which are generally omitted in broad treatments — the chapter on the tenth century is the longest in the book — but the author's choice of topics is fully justified by his special intimacy with what he elects to discuss, particularly the hexameral tradition (ancient and medieval), the scientific tradition, twelfth-century treatises on nature and cosmology, discussions of the eternity of the world, and the thought of Robert Grosseteste. This adds a personal and distinctive character to the word. Dales stresses throughout the diversity and vigor of medieval thought, qualities which he illustrates widely from Latin and vernacular poetry and literature of various kinds as well as from philosophical and theological texts.
A connected account of European thought from the Patristic age through the mid-fourteenth century, and emphasizing educational systems, the interaction between the popular and elite cultures, and medieval humanism; with excellent interpretive chapters on science and philosophy.
The Sense of Sound is a radical recontextualization of French song, 1260-1330. Situating musical sound against sonorities of the city, madness, charivari, and prayer, it argues that the effect of verbal confusion popular in music abounds with audible associations, and that there was meaning in what is often heard as nonsensical.
This is the first of two volumes on theological quodlibeta, records of special disputations held before Christmas and Easter ca. 1230-1330, mostly at the University of Paris, in which audience members asked the great masters of theology the questions for debate, questions de quolibet, "about anything." The variety of the material and the authors’ stature make the genre uniquely fascinating. In Volume I, chapters by acknowledged experts introduce the genre, cover the quodlibeta of Thomas Aquinas, Henry of Ghent, Giles of Rome, Godfrey of Fontaines, and 13th-century Franciscans, and demonstrate how the masters used quodlibeta to construct and express their authority on issues from politics and economics to two-headed monsters. For all those interested in medieval studies, especially intellectual history.
Imagining the Woman Reader in the Age of Dante brings to light a new character in medieval literature: that of the woman reader and interlocutor. It does so by establishing a dialogue between literary studies, gender studies, the history of literacy, and the material culture of the book in medieval times. From Guittone d'Arezzo's piercing critic, the 'villainous woman', to the mysterious Lady who bids Guido Cavalcanti to write his grand philosophical song, to Dante's female co-editors in the Vita Nova and his great characters of female readers, such as Francesca and Beatrice in the Comedy, all the way to Boccaccio's overtly female audience, this particular interlocutor appears to be central to the construct of textuality and the construction of literary authority. This volume explores the figure of the woman reader by contextualizing her within the history of female literacy, the material culture of the book, and the ways in which writers and poets of earlier traditions imagined her. It argues that these figures are not mere veneers between a male author and a 'real' male readership, but that, although fictional, they bring several advantages to their vernacular authors, such as orality, the mother tongue, the recollection of the delights of early education, literality, freedom in interpretation, absence of teleology, the beauties of ornamentation and amplification, a reduced preoccupation with the fixity of the text, the pleasure of making mistakes, dialogue with the other, the extension of desire, original simplicity, and new and more flexible forms of authority.
Winner of The Polish Institute of Arts and Sciences of America's 2018 Oskar Halecki Award and Winner of the Early Slavic Studies Association 2016 Book Prize The first fully developed history of the University of Cracow in this period in over a century, “A Pearl of Powerful Learning.” The University of Cracow in the Fifteenth Century places the school in the context of late medieval universities, traces the process of its foundation, analyzes its institutional growth, its setting in the Polish royal capital, its role in national life, and provides a social and geographical profile of students and faculty. The book includes extended treatment of the content of intellectual life and accomplishments of the school with reference to the works of its most important scholars in the medieval arts curriculum, medicine, law, and theology. The emergence of early Renaissance humanist interests at the university is also discussed. Winner of the Early Slavic Studies Association 2016 Book Prize for most outstanding recent scholarly monograph on pre-modern Slavdom. The work was described by the prize committee as: "A thoughtful, highly-informed, and nuanced history of the University of Cracow, an important institution in a pivotal period of Poland’s history. Knoll's treatment of such important issues as the role of the University in national life and the controversial and highly technical matter of the impact of Humanism are dealt with tactfully and thoughtfully. The book will become the definitive work on this topic, and will ensure that the material will rapidly be absorbed into general histories of education and of universities in the Renaissance." Winner of The Polish Institute of Arts and Sciences of America's 2018 Oskar Halecki Award. This award recognizes a book of particular value and significance dealing with the Polish experience and is named after the distinguished 20th century Polish medieval historian, Oskar Halecki, who was one of the founders of PIASA. Professor Knoll will be recognized for this award during the 77th Annual Meeting of PIASA in Gdansk, Poland in June 2019.
Reintroduces this significant thinker in his context, as a man, as a mendicant, as a mystic, as a saint.