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In Da Vinci's Ghost, critically acclaimed historian Toby Lester tells the story of the world’s most iconic image, the Vitruvian Man, and sheds surprising new light on the artistry and scholarship of Leonardo da Vinci, one of history’s most fascinating figures. Deftly weaving together art, architecture, history, theology, and much else, Da Vinci's Ghost is a first-rate intellectual enchantment.”—Charles Mann, author of 1493 Da Vinci didn’t summon Vitruvian Man out of thin air. He was inspired by the idea originally formulated by the Roman architect Vitruvius, who suggested that the human body could be made to fit inside a circle, long associated with the divine, and a square, related to the earthly and secular. To place a man inside those shapes was to imply that the human body could indeed be a blueprint for the workings of the universe. Da Vinci elevated Vitruvius’ idea to exhilarating heights when he set out to do something unprecedented, if the human body truly reflected the cosmos, he reasoned, then studying its anatomy more thoroughly than had ever been attempted before—peering deep into body and soul—might grant him an almost godlike perspective on the makeup of the world. Written with the same narrative flair and intellectual sweep as Lester’s award-winning first book, the “almost unbearably thrilling” (Simon Winchester) Fourth Part of the World, and beautifully illustrated with Da Vinci's drawings, Da Vinci’s Ghost follows Da Vinci on his journey to understanding the secrets of the Vitruvian man. It captures a pivotal time in Western history when the Middle Ages were giving way to the Renaissance, when art, science, and philosophy were rapidly converging, and when it seemed possible that a single human being might embody—and even understand—the nature of the universe.
A FLAME TREE SKETCHBOOK. Beautiful and luxurious the sketchbooks combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for artists, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. THE ARTIST. Painter, draughtsman, architect, military engineer, musician, scientific researcher, designer: Leonardo da Vinci was all these and more, and through his drawings we find the most direct access to his genius. This example is based on 'The Vitruvian Man', c. 1492 and printed on silver. THE FINAL WORD. As William Morris said,"Have nothing in your houses that you do not know to be useful, or believe to be beautiful."
Featuring da Vinci's world-famous Vitruvian Man illustration on the cover, this pocket-sized notebook features 64 blank pages and makes a great place to store phone numbers, appointments, and more. It's also a wonderfully portable sketchbook.
Completed in 1173, The Book of Divine Works (Liber Divinorum Operum) is the culmination of the Visionary’s Doctor’s theological project, offered here for the first time in a complete and scholarly English translation. The first part explores the intricate physical and spiritual relationships between the cosmos and the human person, with the famous image of the universal Man standing astride the cosmic spheres. The second part examines the rewards for virtue and the punishments for vice, mapped onto a geography of purgatory, hellmouth, and the road to the heavenly city. At the end of each Hildegard writes extensive commentaries on the Prologue to John’s Gospel (Part 1) and the first chapter of Genesis (Part 2)—the only premodern woman to have done so. Finally, the third part tells the history of salvation, imagined as the City of God standing next to the mountain of God’s foreknowledge, with Divine Love reigning over all.
A short look at the life of a genius.
Leonardo da Vinci was a Renaissance Master and is widely considered one of the greatest painters of all time. In addition to his paintings Leonardo da Vinci was famous for his highly detailed notebooks and manuscripts where he wrote and sketched his ideas on his studies of science, invention, anatomy and nature. The notebooks of Leonardo da Vinci provide a rare glimpse into the mind of a universal genius. These notebooks are carefully crafted with that in mind, to inspire the modern day artist and inventor in the tradition of this Renaissance genius. The Vitruvian Man note book makes a great personal journal, diary and sketchbook or a perfect birthday gift or Christmas gift for the renaissance man or woman in your life. Be sure to check our other Leonardo da Vinci Notebooks designs on the Leonardo da Vinci's Notebooks page.Graph Paper / Grid Lines pages - Leonardo da Vinci's Notebook, Journal, Sketchbook, Diary (Leonardo da Vinci Notebooks)Leonardo da Vinci Notebooks - The Vitruvian Man - Features: Beautiful Glossy cover.150 Graph Paper pages perfect for writing, journaling, drawing, sketching, or taking notes.5"x8" in size
"First published in hardback 2012 by Royal Collection Trust".-Title page verso.
If you can make a mark on a piece of paper you can draw! If you can write your name... you can draw! Millions of people watch Shoo Rayner's Drawing Tutorials on his award-winning YouTube channel - ShooRaynerDrawing. learn to draw with Shoo Rayner too! In this book, Shoo shows you how, with a little practice, you can learn the basic shapes and techniques of drawing and soon be creating your own, fabulous works of art. Everyone can draw. That means you too!
Leonardo Da Vinci's Elements of the Science of Man describes how Da Vinci integrates his mechanical observations and experiments in mechanics into underlying principles. This book is composed of 17 chapters that highlight the principles underlying Da Vinci's research in anatomical studies. Considerable chapters deal with Leonardo's scientific methods and the mathematics of his pyramidal law, as well as his observations on the human and animal movements. Other chapters describe the artist's anatomical approach to the mechanism of the human body, specifically the physiology of vision, voice, music, senses, soul, and the nervous system. The remaining chapters examine the mechanism of the bones, joints, respiration, heart, digestion, and urinary and reproductive systems.