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Reprint of the original, first published in 1871.
A fascinating case study of the complex psychic relationship between religion and madness in early seventeenth-century England, the narrative presented here is a rare, detailed autobiographical account of one woman's experience of mental disorder. The writer, Dionys Fitzherbert, recounts the course of her affliction and recovery and describes various delusions and confusions, concerned with (among other things) her family and her place within it; her relation to religion; and the status of the body, death and immortality. Women, Madness and Sin in Early Modern England presents in modern typography an annotated edition of the author's manuscript of this unusual and compelling text. Also included are prefaces to the narrative written by Fitzherbert and others, and letters written shortly after her mental crisis, which develop her account of the episode. The edition will also give a modernized version of the original text. Katharine Hodgkin supplies a substantial introduction that places this autobiography in the context of current scholarship on early modern women, addressing the overarching issues in the field that this text touches upon. In an appendix to the volume, Hodgkin compares the two versions of the text, considering the grounds for the occasional exclusion or substitution of specific words or passages. Women, Madness and Sin in Early Modern England adds an important new dimension to the field of early modern women studies.
Dorchester-on-Thames and its abbey have been subjects of antiquarian interest for more than 450 years, and during that time much has been written about them. They are, however, still far from being comprehensively studied and recorded. Indeed, the most substantial architectural description of the medieval church was written as long ago as 1845, and a thoroughgoing reappraisal has long been overdue. In this major new study on the origins, history and architecture of Dorchester Abbey, Warwick Rodwell assembles a huge amount of material from observations during repair and conservation and information derived from archaeological excavation, as well as the unexpected discovery of previously unstudied and unpublished topographical and architectural material, housed in several archives. The volume is divided into two parts: the first contains an account of the archaeology of the site and the architectural development of the abbey, while the second comprises a series of detailed notes and observations on the present structure, its fittings and furnishings.