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NATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE WINNER • With music pulsing on every page, this startling, exhilarating novel of self-destruction and redemption “features characters about whom you come to care deeply as you watch them doing things they shouldn't, acting gloriously, infuriatingly human” (The Chicago Tribune). One of the New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. “Pitch perfect.... Darkly, rippingly funny.... Egan possesses a satirist’s eye and a romance novelist’s heart.” —The New York Times Book Review
Claire Zachanassian, the richest woman in the world, returns to her poverty-stricken home town. The townspeople are ready to grovel for favours and select as their representative Anton Schell, for Claire and Anton had once been deeply in love. Claire arrives with a sinister menage. She soon announces that she has come for revenge on her onetime sweetheart, offering a million marks for his life. In the nightmarish climax Schell's friends sacrifice him to their greed.
Presents a guide in two parts that offers advice on being a gracious host as well as being a considerate guest, with specific suggestions for visits involving children, young adults, and elderly people.
Abigail's reluctance to stay with great-aunt Lavinia fades as she plays with her great-grandmother's clothes, toys, and books.
A NEW YORK TIMES BESTSELLER ONE of the TOP 10 BOOKS OF THE YEAR by THE NEW YORK TIMES * ENTERTAINMENT WEEKLY * SLATE* THE PHILADELPHIA INQUIRER * Also named one of the BEST BOOKS OF THE YEAR by Vanity Fair, Time, NPR, The Guardian, Oprah Daily, Self, Vogue, The New Yorker, BBC, Vulture, and many more! OLIVIA WILDE to direct A24's TV adaptation of THE CANDY HOUSE and A VISIT FROM THE GOON SQUAD! From one of the most celebrated writers of our time comes an “inventive, effervescent” (Oprah Daily) novel about the memory and quest for authenticity and human connection. The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is “one of those tech demi-gods with whom we’re all on a first name basis.” Bix is forty, with four kids, restless, and desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or “externalizing” memory. Within a decade, Bix’s new technology, “Own Your Unconscious”—which allows you access to every memory you’ve ever had, and to share your memories in exchange for access to the memories of others—has seduced multitudes. In the world of Egan’s spectacular imagination, there are “counters” who track and exploit desires and there are “eluders,” those who understand the price of taking a bite of the Candy House. Egan introduces these characters in an astonishing array of narrative styles—from omniscient to first person plural to a duet of voices, an epistolary chapter, and a chapter of tweets. Intellectually dazzling, The Candy House is also a moving testament to the tenacity and transcendence of human longing for connection, family, privacy, and love. “A beautiful exploration of loss, memory, and history” (San Francisco Chronicle), “this is minimalist maximalism. It’s as if Egan compressed a big 19th-century novel onto a flash drive” (The New York Times).
Jennifer Egan described her Pulitzer Prize–winning novel A Visit from the Goon Squad as a combination of Proust and The Sopranos. In rereading the book, Ivan Kreilkamp takes Egan up on her comparison, showing how it blends a concern with the status of the novel in the twenty-first century with an elegiac meditation on how we experience the passage of time. Kreilkamp, a former music critic, examines how Egan’s characters turn to rock and especially punk in search of community and meaning. He considers what the novel’s portrayal of music says about the role of art in contemporary culture as digitization makes older technologies obsolete. Combining personal and critical reflection, he reveals how A Visit from the Goon Squad articulates and responds to the sense of loss many feel as cherished physical objects are replaced with immaterial data. For Kreilkamp, Egan’s novel compellingly combines the psychological realism of the nineteenth-century novel with more recent and transient forms such as the celebrity magazine profile or a PowerPoint presentation to provide a self-reflective diagnosis of the decay and endurance of literature. Arranged like Egan’s novel into A and B sides, this book highlights not only how A Visit from the Goon Squad speaks to our mass-media and digital present but also its page-turning pleasure.
A collection of poems describing the curious menagerie of guests and residents, human and animal, at William Blake's inn.
The Art of the Visit is an invaluable resource for the socially minded. During tough economic periods people tend to visit with family and friends for a mini-vacation instead of taking more expensive trips. This practical and humorous guide establishes the ground rules for successfully spending time with those people who are most dear to us. Full of anecdotes from the author's experiences, The Art of the Visit illustrates the dos and don'ts of extended visiting from start to finish so that the reader can become the perfect host and/or the perfect guest.
The first in a new chapter book series from New York Times bestselling author Jonathan Auxier, illustrated in full-color—now in paperback! Auggie is the caretaker at the Fabled Stables, a home for one-of-a-kind creatures. Auggie is one-of-a-kind, too. He’s the only boy on the island, which can get a little lonely. Luckily, he’s got Fen, his trusty stick-in-the-mud. But, being a stick-in-the-mud, Fen can get more-than-a-little grumpy. Soon enough, Auggie learns that his job is not only to care for creatures at the Stables, but also to save creatures in the Wide World from danger. In this first adventure, Willa the Wisp is being chased by the Rooks, an evil group of hunters keen on using one-of-a-kind creatures for their own dark ends. It’s up to Auggie to help Willa escape the Rooks and find refuge at the Stables, before it’s too late!