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An excerpt, a poem based on chapter one of Isaiah // A bull, / I am, / Without thoughts of / My own copper bones, // A great animal, / I'm told, // Of the zodiac, / I am Taurus, // And / I am Marduk upon Babylon / Upon the Euphrates / Sea, // I am Apis of Memphis, / Mnevis of Heliopolos, // I am famous because I can / Transform a chariot into / Kindling, // I'm told, // Unlike my master who forgets / His, / I am a simple draft / Animal, / like the donkey / Who finds peace in its / Owner.
The book of Isaiah is one of the longest and strangest books of the Hebrew Bible, composed over several centuries and traversing the catastrophe that befell the two kingdoms of Israel and Judah in the 8th and 6th centuries BCE. Francis Landy's book tells the story of the poetic response to catastrophe, and the hope for a new and perfect world on the other side. The study traces two parallel developments: the displacement of the Davidic promise onto the Persian Empire, Israel, and the prophet himself; and the transition from exclusively male images of the deity to the matching of male and female prototypes, whereby YHWH takes the place of the warrior goddess. Poetry, Catastrophe, and Hope in the Book of Isaiah consists of close readings of individual passages in Isaiah, commencing with Chapter One and the problems of beginning, and ending with Deutero-Isaiah, composed subsequent to the Babylonian exile. The volume is arranged thematically as well as sequentially: the first chapter following the introduction concerns gender, the second death, the third the Oracles about the Nations. At the centre there is what Landy calls 'the constitutive enigma', Isaiah's commission in his vision to speak so that people will not understand. This renders the entire book potentially incomprehensible; the more we try to understand it, the greater the difficulty. For Landy, this creates a model of reading and writing, the challenge and the risk of going up blind alleys, of trying to make sense of a disastrous world. Isaiah's commission pervades the book. Throughout there is a promise of an age of clarity as well as social and political transformation, which is always deferred beyond the horizon. Hence it is a book without an ending, or with multiple endings. In the final chapters, the author turns to the central Chapter Thirty-Three, a mise-en-abyme of the book and a prayer for deliverance, and the issues of exile and the possibility of return. Like every poetic work, particularly in an era of cultural collapse, it is a critique of the past and a hope for a new humanity.
“Come, let us walk in the light of the Lord!” Isaiah’s words are deeply loved by many who attend Sunday services. But how many can say that they have actually read this book? This commentary invites you to read Isaiah from the era when it reached its sixty-six-chapter form and came to be part of Israel’s sacred writings. Three memories helped to give shape to the Isaiah scroll. The first memory is of the destruction of Jerusalem in 587 BCE. How could God have allowed that to happen? The opening section of the scroll addresses that question. The second memory involves the fall of Babylon after 562 BCE. People, nations, and even empires rise and fall. The second section of the scroll addresses war and the sorrows of war. The third memory is of Cyrus of Persia, who allowed the exiles to return home after 539 BCE. His actions are presupposed, not just in the joyful poetry of the latter chapters of the scroll, but also in the confidence in God’s love that runs through the entire scroll. God is the Lord of all nations and of all creation. Isaiah is a theological interpretation of past history. It is a passionate call for people to live with integrity, compassion, and hope.
This practical, "how-to" literary introduction to Isaiah as a poem is based upon the English text and focuses upon parallelism, figurative language, and the use of imagery.
This book presents a poetic translation of Isaiah's vision regarding Jerusalem, covering chapters 40 to the end. The verses convey the beauty and power of Isaiah's prophecy, and are sure to inspire and transport readers to ancient times. This masterpiece is a must-have for lovers of biblical poetry and literature alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In this third volume of his critically acclaimed Old Testament Theology John Goldingay explores the Old Testament vision of Israel's life before God. The first volume focused on the story of God's dealings with Israel, or Israel's gospel. The second volume investigated the beliefs of Israel, or Israel's faith. Now the spotlight falls on the Old Testament's perspective on the life that Israel should live in its present and future, including its worship, prayer and spirituality, as well as its practices, attitudes and ethics before God. Goldingay sees three spheres of life giving order to Israel's vision: its life in relation to God, its life in community and the life of the individual as a self. Within these frameworks he unfurls a tapesetry that is as broad and colorful as all of life, and yet detailed in its intricate attention to the text. With this final volume John Goldingay has given us the third pillar of an Old Testament theology that is monumental in scope and yet invites us to enter through multiple doors to explore its riches. Students will profit from a semester in its courts, and ministers of the Word will find their preaching and teaching deeply enriched by wandering its halls and meditating in its chambers.
The Oxford Handbook of Isaiah constitutes a collection of essays on one of the longest books in the Bible. They cover different aspects regarding the formation, interpretations, and reception of the book of Isaiah, as well as offers up-to-date information in an attractive and easily accessible format, accompanied by comprehensive recommendations for further reading.
All–in is the 2014 FCA camp theme. A sold-out athlete never wavers in competition. A sold-out athlete doesn’t look back. A sold-out athlete is consumed by a single goal. When an athlete is All-In in body, mind and spirit there are no limits on what he or she can accomplish! The FCA Power Bible is created for competitors on the junior high and youth levels. Featuring 32 pages of exclusive FCA content, this Bible is full of amazing tools to help equip, encourage, and empower young athletes ages 8-12 to study God's Word. Includes: Daily Meeting material, Camp Devotionals, and the More Than Winning Gospel presentation. “And whatever you do, in word or in deed, do everything in the name of the Lord Jesus, giving thanks to God the Father through Him.” – Colossians 3:17.