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In this intellectual and literary history of American, British, and Continental novels of realism and naturalism from 1850 to 1950, Richard Lehan argues that literary naturalism is a narrative mode that creates its own reality. Employing this strategy allows and encourages intertextuality - one novel talking or responding to another.
This examination of American novels from 1900 to 1940 traces the literary treatment of the technological sublime, a simultaneous awe and fear of technology. The American technological sublime is a construct that can be useful in understanding the often conflicted and ambivalent reactions of enthusiasm and anxiety, exaltation and depression, associated with the patterns of development experienced in the US in this transitory period. The first four decades of the 20th century saw the culmination of the technological sublime in America: the loss of the innocently one-sided enthusiasm and technological republicanism of the 19th century to a fragmented, often paranoiac, and largely pessimistic vision of technology that became dominant of the literature after World War II. After an evaluation of earlier scholarship on the American technological sublime, the study examines four important decades in the development of the American technological sublime and some of the literary responses to it
This book explores a notable if unlikely undercurrent of interest in Mary as mythical Madonna that has persisted in American life and letters from fairly early in the nineteenth century into the later twentieth. This imaginative involvement with the Divine Woman -- verging at times on devotional homage -- is especially intriguing as manifested in the Protestant writers who are the focus of this study: Nathaniel Hawthorne, Margaret Fuller, Harriet Beecher Stowe, Harold Frederic, Henry Adams, and T.S. Eliot. John Gatta argues that flirtation with the Marian cultus offered Protestant writers symbolic compensation for what might be culturally diagnosed as a deficiency of psychic femininity, or anima, in America. He argues that the literary configurations of the mythical Madonna express a subsurface cultural resistance to the prevailing rationalism and pragmatism of the American mind in an age of entrepreneurial conquest.
Today we have greater wealth, health, opportunity, and choice than at any time in history. Yet a chorus of intellectuals and politicians laments our current condition -- as slaves to technology, coarsened by popular culture, and insecure in the face of economic change. The future, they tell us, is dangerously out of control, and unless we precisely govern the forces of change, we risk disaster. In The Future and Its Enemies, Virginia Postrel explodes the myths behind these claims. Using examples that range from medicine to fashion, she explores how progress truly occurs and demonstrates that human betterment depends not on conformity to one central vision but on creativity and decentralized, open-ended trial and error. She argues that these two opposing world-views -- "stasis" vs. "dynamism" -- are replacing "left" and "right" to define our cultural and political debate as we enter the next century. In this bold exploration of how civilizations learn, Postrel heralds a fundamental shift in the way we view politics, culture, technology, and society as we face an unknown -- and invigorating -- future.
In the wake of feminist and poststructuralist contributions to literary study, how can we read images of women in literature written by men? Is it possible to read anything other than appropriation or misrepresentation in these male portraits of women? Starting with these questions, Van Oostrum looks for openings in a debate that seems to be firmly locked into traditional gender roles. While contemporary literary theory works hard to dismantle oppressive binaries, questions about the representation of an other' often lead back to a dizzying number of rigid identities. Through an examination of Henry Adams's and Henry James's attempts to write about American women, Van Oostrum tries to have it both ways, at once holding on to gendered cultural identity and at the same time challenging a stable personality. Using the sentimental fiction written by women in the 1850s, James and Adams write about the new women' of the turn of the 20th century. Traversing multiple oceans, they increasingly entangle concepts of gender and nationality, othering' not only women but the culture of Europe and the South Seas as well. An analogous movement of a male translation of female American sentimental fiction intersected with national identities, the author argues, takes place in two Dutch novels of the late 19th century. By looking through a Dutch lens at American literature, this book on possible gender crossings shows cultural identities always to be on the move. Crossing from the male author to the female subject on such an international landscape, the author tries to navigate a place for women within and beyond literature written by men.
In 1991, the collapse of the USSR seemed to signal the death of the Russian football industry, as the money, the players and the fans left. But now the oligarchs who profited from the post-Soviet turmoil are supporting the nation's football clubs and their dreams of glory, resulting in unprecedented success. Along this journey into the heart of Russian football, Marc Bennetts meets the managers, oligarchs, players, pundits and fans that define the Russian Premier league, now the fastest-growing and most intriguing football league in the world. From Andrei Arshavin and the national team's adventures at Euro 2008 to the symbolism of a club from war-torn Chechnya lifting the Russian FA Cup, Football Dynamo uncovers shocking revelations about corruption, hooliganism and racism, but also the true beauty of the game and the country.