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The Chinese Catholic Church traces its living roots back to the late sixteenth century and its historical roots back even further, to the Yuan dynasty. This book explores paintings and sculptures of the Virgin Mary and the communities that produced them over several centuries. It argues for the emergence of distinctly Chinese Catholic identities as artistic representations of the Virgin Mary, at different times and in different places, absorbed and in turn influenced representations of Chinese figures from Guanyin to the Empress Dowager. At other times indigenous styles have been diluted by Western influences—following the influx of European missionaries in the nineteenth century, for example, or with globalization in recent years. The book engages with history, theology and art, and draws on imagery and archival photographs that have been largely neglected. As a study of the social and cultural histories of communities that have survived over many centuries, this book offers a new view of Catholicism in China—one that sees its history as more than simply a cycle of persecution and resistance. Fr. Jeremy Clarke, SJ, is an Australian Province Jesuit teaching as an assistant professor in the History Department of Boston College. He is also a school visitor in the Australian Center for China in the World at the Australian National University, Canberra.
Since the Second Vatican Council the place of Mary in theology and generally in the life of the Church has been at times muted. This is perhaps understandable given the debates concerning Mary's "place" in the documents of Vatican II. In an ecumenical age, it was argued, the church needed a less triumphalist Mariology and piety with a greater focus on Mary as model disciple. In certain respects this has led to a dichotomy between the continued Marian piety of many faithful (and, truth be told, the piety of the post-conciliar popes) and a theological timidity concerning Mary. This collection of chapters seeks to address the current situation of Mariology. Taken as a whole these chapters represent a welcome call for renewal and reawakening in Mariology. The collection is also delightfully eclectic, both in terms of topics covered and in terms of the denominational and academic backgrounds of the authors.
The relationship between East and West remains a topic of burning timeliness, particularly in its political dimension. Yet, we can gain a complete understanding of the current tensions only if we consider them within a broader historical framework, spanning from art to diplomacy, from religion to ethnography. The present volume tackles precisely this complex task, offering its reader a rich mosaic of case studies and scholarly research, relating to the mutual approaches between the Euro-American ‘West’, and the Sino-Japanese ‘East’. In the first part of the book, art historian Marco Musillo uses the depictions of Tartars in fourteenth-century Italian frescoes as the starting point of a trajectory leading to eighteenth-century European literature on China. In the second part, the reader is introduced to two cases of diplomatic encounter, one in sixteenth-century Italy between Japanese subjects and local courts, and the other one between Qing China and twentieth-century United States, in the space of the universal exhibition in St. Louis. Finally, the last section proposes three interconnected art historical explorations: the screen design of Chinese origin in colonial Mexico, Medieval Christian tombstones in China, and early-modern Filipino sacred sculpture.
The ‘spatial turn’ of missionary places Situated at the crossroads of missionary history, imperial history and colonial architecture, this volume examines the architectural staging and spatial implications of the worldwide expansion of Christianity in the nineteenth and twentieth centuries. By focusing on specific architectural fragments, analysing the intersection of Christian edifices in colonial and traditional urban settings or unravelling the social understanding of missionary places, each chapter strives to understand the agency of missionary spaces. Bringing together scholars from different disciplines and fields, this book aims to centre those missionary spaces by approaching them not merely as décor around and within which the missionary encounter was acted, but by making them part and parcel of it. Through its approach, Missionary Spaces provides a new paradigm for scrutinising the ‘spatial turn’ for missionary histories and contributes to the increased attention across the humanities to space, place, and location since the late 1990s. Space does not occur as an historical given, but as a social construction to be analysed, while at the same time having explanatory value of its own. This book focuses on Africa and the Chinese Region with contributions on Burundi, China, Congo, Egypt, Ghana, Kenya, and Taiwan.
As China struggled to redefine itself at the turn of the twentieth century, nationalism, religion, and material culture intertwined in revealing ways. This phenomenon is evident in the twin biographies of North China’s leading Catholic bishop of the time, Alphonse Favier (1837–1905), and the Beitang cathedral, epicenter of the Roman Catholic mission in China through incarnations that began in 1701. After its relocation and reconstruction under Favier’s supervision, the cathedral—and Favier—miraculously survived a two-month siege in 1900 during the Boxer Rebellion. Featuring a French Gothic Revival design augmented by Chinese dragon–shaped gargoyles, marble balustrades in the style of Daoist and Buddhist temples, and other Chinese aesthetic flourishes, Beitang remains an icon of Sino-Western interaction. Anthony Clark draws on archival materials from the Vatican and collections in France, Italy, China, Poland, and the United States to trace the prominent role of French architecture in introducing Western culture and Catholicism to China. A principal device was the aesthetic imagined by the Gothic Revival movement of the eighteenth and nineteenth centuries, the premier example of this in China being the Beitang cathedral. Bishop Favier’s biography is a lens through which to examine Western missionaries’ role in colonial endeavors and their complex relationship with the Chinese communities in which they lived and worked.
The present volume is a result of an international symposium on the encounters between Jesuits and Protestants in Asia and the Americas, which was organized by Boston College’s Institute for Advanced Jesuit Studies at Boston College in June 2017. In Asia, Protestants encountered a mixed Jesuit legacy: in South Asia, they benefited from pioneering Jesuit ethnographers while contesting their conversions; in Japan, all Christian missionaries who returned after 1853 faced the equation of Japanese nationalism with anti-Jesuit persecution; and in China, Protestants scrambled to catch up to the cultural legacy bequeathed by the earlier Jesuit mission. In the Americas, Protestants presented Jesuits as enemies of liberal modernity, supporters of medieval absolutism yet master manipulators of modern self-fashioning and the printing press. The evidence suggests a far more complicated relationship of both Protestants and Jesuits as co-creators of the bright and dark sides of modernity, including the public sphere, public education, plantation slavery, and colonialism.
A bold and original study of German missionaries in China, who catalyzed a revolution in thinking among European Christians about the nature of Christianity itself In this accessibly written and empirically based study, Albert Wu documents how German missionaries—chastened by their failure to convert Chinese people to Christianity—reconsidered their attitudes toward Chinese culture and Confucianism. In time, their increased openness catalyzed a revolution in thinking among European Christians about the nature of Christianity itself. At a moment when Europe’s Christian population is falling behind those of South America and Africa, Wu’s provocative analysis sheds light on the roots of Christianity’s global shift.
Shanghai, a dynamic world metropolis, is home to a multitude of religions, from Buddhism and Islam, to Christianity and Baha’ism, to Hinduism and Daoism, and many more. In this city of 24 million inhabitants, new religious groups and older faiths together claim and reclaim spiritual space. Shanghai Sacred explores the spaces, rituals, and daily practices that make up the religious landscape of the city, offering a new paradigm for the study of Chinese spirituality that reflects the global trends shaping Chinese culture and civil society. Based on years of fieldwork, incorporating both comparative and methodological perspectives, Shanghai Sacred demonstrates how religions are lived, constructed, and thus inscribed into the social imaginary of the metropolis. Evocative photographs by Liz Hingley enrich and interact with the narrative, making the book an innovative contribution to religious visual ethnography.
The Church of Almighty God, also known as Eastern Lightning, teaches that Jesus Christ has returned to earth as a Chinese woman to judge humankind. The Chinese government has banned it and similar groups, and targeted them in its campaign against “cults” such as Falun Gong. Based on the Church’s own texts and exogenous reports, Emily Dunn offers the first comprehensive account of what the Church of Almighty God teaches, how Chinese Christians and the government have responded to new religious movements related to Protestantism, and how it all fits with global Christianity and the history of Chinese religion.
This edited volume explores the complex roles that Christian ideas and institutions played in the construction of modern womanhood in East Asia. While contributing to gender dynamics that disprivileged women in China, Japan, and Korea, Christianity was also instrumental in women’s efforts to empower themselves and participate in the public sphere. Many literate East Asian women mobilized Christian beliefs, knowledge, institutions, and networks to raise the profile of “The Woman Question,” frame the contours of the related debate, and craft original responses. These chapters examine East Asian women who were markedly influenced by Christianity as students, trainees, educators, professionals, and activists. Using their increased visibility and resources, they addressed the dilemmas and promises of modernity for women in their countries.