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Blank journal with a work of art on the cover! Life is art, and what better way to chronicle the goings-on in your life than in our Art of Life Journal showcasing William-Adolphe Bouguereau's work of art, "The Virgin Jesus and Saint John Baptist - 1875". There are 150 pages for journal entries. Each page is printed on 60# stock, and is lightly lined and embellished. The cover is printed on 10pt stock, and is laminated for increased durability.
Blank journal with a work of art on the cover! Life is art, and what better way to chronicle the goings-on in your life than in our Art of Life Journal showcasing William-Adolphe Bouguereau's work of art, "The Virgin Jesus and Saint John Baptist - 1881". There are 150 pages for journal entries. Each page is printed on 60# stock, and is lightly lined and embellished. The cover is printed on 10pt stock, and is laminated for increased durability.
William Bouguereau Notebooks. The Virgin, Jesus and Saint John Baptist. Journal - Artist Gift - Paper notebook - Composition book. This 120 Page Lined Notebook/Journal, is perfect to give it as a gift to artists and art lovers Size 5 x 8 inches. (12.7 x 20.32 centimeters).
Take a two-income, quasi-New Age, newlywed couple with two Greyhounds and the resolve never to have children or to embrace any form of organized religion. Add ten years of hunger for "something more." What do you get? A large Catholic family, of course. And one in which in which the second youngest, while watching Pope Benedict depart the Vatican, solemnly declares, "Now I'll be pope: Pope Awesome the First, with my Swiss Guard army. And if my army men don't give me any new video games, I'll punch them in the face." In words often as sassy as those of her little Pope Awesome, Catholic homeschooler Cari Donaldson here relates how her friend's newborn baby, a portrait of the Virgin Mary, and the words of the Miraculous Medal called her forth from a selfish, small way of life into the welcoming arms of the Church. Six children in ten years have banished all her hopes for a tidy secular life, and, in her upscale town, where "Cats, not kids" bumper stickers are seen, have raised countess eyebrows along the way. Undaunted, Cari declares that "If we're to be a traveling carnival freak-show by New England standards, then we're going to be a carnival freak-show for Jesus," although her husband has stopped her from airbrushing onto her van a mural of Our Lady of Guadalupe riding a unicorn over a sparkling river. Above all, Cari tells of the awakening of her love for the Eucharist, the deepening of her love for her husband and her children, and the humility and faith these experiences have nurtured in her. To Jesus she confesses, "You taught me to be open to the lives You wanted to bring into the world through me. I rose above myself just enough to let You bring the blessings of these children into my life. I was sometimes scared and sometimes angry, and always at a loss about how I was going to mother these children, but I knew that it would be Your grace, and not my shortcomings, that would triumph." Through Cari's remarkable tale of her conversion and the peace she's found as a Catholic, you'll be reminded of the many profound, lifelong blessings God gives you through your Faith, and, yes, even through your daily small troubles and unexpected joys . . . like little Pope Awesome punching his Swiss Guards in the face! Cari's tale will lead you to share her conviction that we never know what God has planned for us tomorrow, but, for sure, "it will be better than anything we ourselves could have planned, even in our wildest dreams."
Vols. for 19-- -1949/50 include: Art news annual (title varies slightly). issued as a separate section of a regular number; 195--1959 issued as a separate volume.
This beautifully illustrated work brings together more than one hundred objects from the J. Paul Getty Museum’s collection of European decorative arts. Included here is a generous selection of French and Italian furniture from the mid-sixteenth to the early nineteenth century. Masterpieces by André-Charles Boulle, Bernard (II) van Risenburgh, and others reveal the virtuoso craftsmanship that makes these objects such compelling examples of the furniture maker’s art. Many of the Museum’s finest pieces of porcelain, glass, and tin-glazed earthenware are also represented. Tapestries from Gobelins and Beauvais, bronze firedogs from Fontainebleau, and a lathe-turned ivory goblet of astonishing complexity from Saxony are among the other highlights of this handsome volume.