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Two Dead Women. Will Kimo's Niece be Next? The latest Honolulu homicides in the long-running Mahu Investigations series are perplexing, even to a seasoned detective like Kimo Kanapa’aka. The two female victims, a young art college student and a seasoned HR executive, seem to have nothing in common. Yet as Kimo and his partner Ray Donne delve deeper into the investigation, they sense a connection between the two. Navigating the murky waters of teen dating, fashion influencers, an experimental power company, and a group of frustrated young men, Kimo is determined to find the truth. But when his own family is threatened, the stakes become personal, and Kimo is forced to race against time to bring the killer to justice.
Two Dead Women. Will Kimo's Niece be Next? The latest Honolulu homicides in the long-running Mahu Investigations series are perplexing, even to a seasoned detective like Kimo Kanapa’aka. The two female victims, a young art college student and a seasoned HR executive, seem to have nothing in common. Yet as Kimo and his partner Ray Donne delve deeper into the investigation, they sense a connection between the two. Navigating the murky waters of teen dating, fashion influencers, an experimental power company, and a group of frustrated young men, Kimo is determined to find the truth. But when his own family is threatened, the stakes become personal, and Kimo is forced to race against time to bring the killer to justice.
First published in 1993, The Virgin Suicides announced the arrival of a major new American novelist. In a quiet suburb of Detroit, the five Lisbon sisters—beautiful, eccentric, and obsessively watched by the neighborhood boys—commit suicide one by one over the course of a single year. As the boys observe them from afar, transfixed, they piece together the mystery of the family’s fatal melancholy, in this hypnotic and unforgettable novel of adolescent love, disquiet, and death. Jeffrey Eugenides evokes the emotions of youth with haunting sensitivity and dark humor and creates a coming-of-age story unlike any of our time. Adapted into a critically acclaimed film by Sofia Coppola, The Virgin Suicides is a modern classic, a lyrical and timeless tale of sex and suicide that transforms and mythologizes suburban middle-American life.
Two Dead Women. Will Kimo's Niece be Next? The latest Honolulu homicides in the long-running Mahu Investigations series are perplexing, even to a seasoned detective like Kimo Kanapa'aka. The two female victims, a young art college student and a seasoned HR executive, seem to have nothing in common. Yet as Kimo and his partner Ray Donne delve deeper into the investigation, they sense a connection between the two. Navigating the murky waters of teen dating, fashion influencers, an experimental power company, and a group of frustrated young men, Kimo is determined to find the truth. But when his own family is threatened, the stakes become personal, and Kimo is forced to race against time to bring the killer to justice.
Channeling the Virgin Mary, a middle-aged rejected novitiate crosses the country from Oregon to Pennsylvania to complete a nine-month novena of double murders in Love Nests, International!, believing the novena will cleanse the world of sexual sinning. She leaves a small statue of the Madonna at each crime. When the female sheriff at the final crime uncovers the other eight crimes, the killer kidnaps the sheriff's young son to lure her to her death at a cabin deep in the woods. An armed standoff involves a priest, the sheriff, the boy's father, an intrepid reporter and the whole county force. Will the sheriff save her son? Or will they both become the final deaths in the killer's murderous novena?
New York Times Book Review: Editor’s Choice Philadelphia Inquirer: Best Book of the Month World Literature Today: Notable Translation of the Year CrimeReads: Best International Crime Novel of the Year Ms. Magazine: Most Anticipated Book of the Year Washington Independent Review of Books: Favorite Book of the Year Parasite meets The Good Son in this piercing psychological portrait of three women haunted by a brutal, unsolved crime. In the summer of 2002, when Korea is abuzz over hosting the FIFA World Cup, eighteen-year-old Kim Hae-on is killed in what becomes known as the High School Beauty Murder. Two suspects quickly emerge: rich kid Shin Jeongjun, whose car Hae-on was last seen in, and delivery boy Han Manu, who witnessed her there just a few hours before her death. But when Jeongjun’s alibi checks out, and no evidence can be pinned on Manu, the case goes cold. Seventeen years pass without any resolution for those close to Hae-on, and the grief and uncertainty take a cruel toll on her younger sister, Da-on, in particular. Unable to move on with her life, Da-on tries in her own twisted way to recover some of what she’s lost, ultimately setting out to find the truth of what happened. Shifting between the perspectives of Da-on and two of Hae-on’s classmates struck in different ways by her otherworldly beauty, Lemon ostensibly takes the shape of a crime novel. But identifying the perpetrator is not the main objective here: Kwon Yeo-sun uses this well-worn form to craft a searing, timely exploration of privilege, jealousy, trauma, and how we live with the wrongs we have endured and inflicted in turn.
In American Homicide, Randolph Roth charts changes in the character and incidence of homicide in the U.S. from colonial times to the present. Roth argues that the United States is distinctive in its level of violence among unrelated adults—friends, acquaintances, and strangers. America was extraordinarily homicidal in the mid-seventeenth century, but it became relatively non-homicidal by the mid-eighteenth century, even in the slave South; and by the early nineteenth century, rates in the North and the mountain South were extremely low. But the homicide rate rose substantially among unrelated adults in the slave South after the American Revolution; and it skyrocketed across the United States from the late 1840s through the mid-1870s, while rates in most other Western nations held steady or fell. That surge—and all subsequent increases in the homicide rate—correlated closely with four distinct phenomena: political instability; a loss of government legitimacy; a loss of fellow-feeling among members of society caused by racial, religious, or political antagonism; and a loss of faith in the social hierarchy. Those four factors, Roth argues, best explain why homicide rates have gone up and down in the United States and in other Western nations over the past four centuries, and why the United States is today the most homicidal affluent nation.
The Global Study on Homicide 2013 is based on comprehensive data from more than 200 countries/territories, and examines and analyses patterns and trends in homicide at the global, regional, national and sub-national levels. Such analysis is fundamental to understanding the various factors and dynamics that drive homicide, so that measures can be developed to reduce violent crime. The Study provides a typology of homicide, including homicide related to crime, coexistence-related homicide, and socio-political homicide. The nature of crime in several countries emerging from conflict, the role of various mechanisms in killing, and the response of the criminal justice system to homicide are also analyzed. A further chapter examines homicide at the sub-national level, and includes analysis at the city-level for selected global cities.
This edited volume provides cutting edge research in an easily accesible format.