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Louis Marshall Gould takes us on a colourful and magical odyssey through Poetry, Prose & Song - and Photographs. With vivid illustrations by René Märtin. Louis Marshall Gould tar med oss på en färgstark och magisk odyssé genom Poesi, Prosa, Sång & Fotografier. Boken innehåller levande illustrationer av konstnären René Märtin.
Kathy is a virgin in her twenties trying to navigate the blurred lines between sex and love even as outside forces attempt to detach her from her sexual autonomy. At home, her adoptive mother’s eyes investigate her body for evidence of sexual promiscuity and, despite her protests, she is called a putana—a whore—for her perceived sexual debauchery. At work, meanwhile, she is sexually harassed by male managers who slap her butt, tell her they want Greek for lunch (wink, wink), and fill out recommendation forms about her sexy qualities. A young girl on the cusp of womanhood, she encounters a version of herself as men experience her: hypersexualized and objectified. As if this is not enough, Kathy enters the dating scene in search of love only to find herself fending off young men who want her just for sex. In each relationship, Kathy uncovers her own strength and conviction as she fights for the kind of sex she wants instead of the kind of empty sex boys seem to require of girls. The more demands they make, the more determined she is to hold out for love—even if it means losing a guy or going home single and alone. Raw and empowering, The Virgin Chronicles sends the message that love is worth waiting for and sex is better when it’s paired with self-actualization.
Rosie's two best friends encourage her to gain some real life experience through online dating sites and blind dates before she writes her romance novel.
A monk embarks on a dangerous quest to find a trio of missing travelers in this medieval mystery by an Edgar Award–winning author. The winter of 1139 will disrupt Brother Cadfael’s tranquil life in Shrewsbury with the most disturbing of events. Raging civil war has sent refugees fleeing north from Worcester. Among them are two orphans from a noble family, a boy of thirteen and an eighteen-year-old girl of great beauty, and their companion, a young Benedictine nun. The trio never reaches Shrewsbury, having disappeared somewhere in the wild countryside. Cadfael is afraid for these three lost lambs, but another call for help sends him to the church of Saint Mary. A wounded monk, found naked and bleeding by the roadside, will surely die without Cadfael’s healing arts. Why this holy man has been attacked and what his fevered ravings reveal soon give Brother Cadfael a clue to the fate of the missing travelers. Now Cadfael sets out on a dangerous quest to find them. The road will lead him to a chill and terrible murder and a tale of passion gone awry. And at journey’s end awaits a vision of what is best, and worst, in humankind.
When Nicole Hardy's eye-opening "Modern Love" column appeared in the New York Times, the response from readers was overwhelming. Hardy's essay, which exposed the conflict between being true to herself as a woman and remaining true to her Mormon faith, struck a chord with women coast-to-coast. Now in her funny, intimate, and thoughtful memoir, Nicole Hardy explores how she came, at the age of thirty-five, to a crossroads regarding her faith and her identity. As a member of the Church of Jesus Christ of Latter-day Saints, Nicole had held absolute conviction in her Mormon faith during her childhood and throughout her twenties. But as she aged out of the Church's "singles ward" and entered her thirties, she struggled to merge the life she envisioned for herself with the one the Church prescribed, wherein all women are called to be mothers and the role of homemaker is the emphatic ideal. Confessions of a Latter-day Virgin chronicles the extraordinary lengths Nicole went to in an attempt to reconcile her human needs with her spiritual life--flying across the country for dates with LDS men, taking up salsa dancing as a source for physical contact, even moving to Grand Cayman, where the ocean and scuba diving provided some solace. But neither secular pursuits nor LDS guidance could help Nicole prepare for the dilemma she would eventually face: a crisis of faith that caused her to question everything she'd grown up believing. In the tradition of the memoirs Devotion and Mennonite in a Little Black Dress, Confessions of a Latter-day Virgin is a mesmerizing and wholly relatable account of one woman's hard-won mission to find love, acceptance, and happiness--on her own terms.
In rich ethnographic detail, Robin Nagle chronicles the life of a poor Brazilian community in its relationship to the Catholic church and to the larger politics of Brazil. Centered in Recife, on the northeast coast, Nagle's work investigates how liberation theology attracted followers, and demonstrates why the movement never took hold as predicted.
I may be the villain of the story, but at least I get a leading role. Evil is a term thrown around history and literature as if it's something so easily definable. A concept to fight against. Evil doesn’t exist. Neither does ‘good.’ Vampires do, though. I just happen to be one. I’ve cruised through the centuries managing to avoid all the wars, supernatural and human, but still going to all the best parties. I would say I avoided bloodshed, but it’s kind of part of the whole ‘vampire’ thing. I’ve lived on the fringes of a society that considered cruelty and sadism favorable character traits for almost five hundred years. Now I'm in the middle of a war that might just put my nonbeating heart in a lot of danger. Battles, I can handle. The impossible attraction between me and the vampire slayer, not to mention the penetrating gaze of the king of our race, on the other hand? I might not get out undead.
When SALON magazine went on-line with their first annual VIRGIN FICTION contest announcement, hundreds upon hundreds of entries poured into their offices. The rules: entrants must be under 35 and previously unpublished. Now, the results are in. From Iowa to Brooklyn to Texas and back again, a chorus of new voices evokes a remarkable range of emotional landscapes in prose that is sometimes witty, often piercing, and, in every moment, utterly original.
Shy and sheltered as a young woman, Kathleen Norris wasn't prepared for the sex, drugs, and bohemianism of Bennington College in the late 1960s—and when she moved to New York City after graduation, it was a case of out of the frying pan and into the fire. In this chronicle, Norris remembers the education she received, both formal and fortuitous; the influence of her mentor Betty Kray, who shunned the spotlight while serving as a guiding force in the poetry world of the late 20th century; her encounters with such figures as James Merrill, Jim Carroll, Denise Levertov, Stanley Kunitz, Patti Smith, and Erica Jong; and her eventual decision to leave Manhattan for the less-crowded landscape she described so memorably in Dakota. This account of the making of a young writer will resonate with anyone who has stumbled bravely into a bigger world and found the poetry that lurks on rooftops and in railroad apartments—and with anyone who has enjoyed the blessings of inspiring teachers and great friends.
John C. Wright burst onto the SF scene with the Golden Age trilogy. His next project was the ambitious fantasy sequence, The Last Guardians of Everness. Wright's new fantasy is a tale about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The children begin to make sinister discoveries about themselves. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls where none had previously been; Colin is a psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe: and they should not be able to co-exist under the same laws of nature. Why is it that they can? The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings no more human than they are: pagan gods or fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger than this. The children must experiment with, and learn to control, their strange abilities in order to escape their captors. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.