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Selected from fifteen years of radio-show archives and re-edited by the author, this eclectic collection gives a glimpse into the thoughful mind at work behind The Vinyl Cafe.
If you ask them, Dave and Morley's friends will tell you that no matter how long you've known people, they can still surprise you. After all, no one expects to see a grown man dive into the trunk of his car to chase a rat. And despite what they may claim, few people are actually prepared to have their backyard, never mind their 12-year-old son, shoot to stardom on YouTube's most watched videos. And yes, the sight of a 87-year-old bungeejumping off a cruise ship is... unusual. But well-wishers at the Vinyl Cafe will advise you to be philosophical about such things. No matter who sends a volley of nails through your truck window, which mannequin is disrobed, or how green your skin turns when your mom leaves town, life marches on. In "Extreme Vinyl Cafe" bestselling author Stuart McLean regales us with the wild impulses and extreme behaviours of Canada's favourite characters at the Vinyl Cafe.
One of Michiko Kakutani's (New York Times) top ten books of 2016 A funny thing happened on the way to the digital utopia. We've begun to fall back in love with the very analog goods and ideas the tech gurus insisted that we no longer needed. Businesses that once looked outdated, from film photography to brick-and-mortar retail, are now springing with new life. Notebooks, records, and stationery have become cool again. Behold the Revenge of Analog. David Sax has uncovered story after story of entrepreneurs, small business owners, and even big corporations who've found a market selling not apps or virtual solutions but real, tangible things. As e-books are supposedly remaking reading, independent bookstores have sprouted up across the country. As music allegedly migrates to the cloud, vinyl record sales have grown more than ten times over the past decade. Even the offices of tech giants like Google and Facebook increasingly rely on pen and paper to drive their brightest ideas. Sax's work reveals a deep truth about how humans shop, interact, and even think. Blending psychology and observant wit with first-rate reportage, Sax shows the limited appeal of the purely digital life-and the robust future of the real world outside it.
The Daily 5, Second Edition retains the core literacy components that made the first edition one of the most widely read books in education and enhances these practices based on years of further experience in classrooms and compelling new brain research. The Daily 5 provides a way for any teacher to structure literacy (and now math) time to increase student independence and allow for individualized attention in small groups and one-on-one. Teachers and schools implementing the Daily 5 will do the following: Spend less time on classroom management and more time teaching Help students develop independence, stamina, and accountability Provide students with abundant time for practicing reading, writing, and math Increase the time teachers spend with students one-on-one and in small groups Improve schoolwide achievement and success in literacy and math. The Daily 5, Second Edition gives teachers everything they need to launch and sustain the Daily 5, including materials and setup, model behaviors, detailed lesson plans, specific tips for implementing each component, and solutions to common challenges. By following this simple and proven structure, teachers can move from a harried classroom toward one that hums with productive and engaged learners. What's new in the second edition: Detailed launch plans for the first three weeks Full color photos, figures, and charts Increased flexibility regarding when and how to introduce each Daily 5 choice New chapter on differentiating instruction by age and stamina Ideas about how to integrate the Daily 5 with the CAFE assessment system New chapter on the Math Daily 3 structure
Fill the 64 blank pages of this inexpensive notebook with phone numbers, important dates, bright ideas, appointments, or anything else you want to keep handy. Or use it as a mini-sketchbook that will fit in your pocket.
NEW YORK TIMES BESTSELLER The definitive anthology of Jim Morrison's writings with rare photographs and numerous handwritten excerpts of unpublished and published poetry and lyrics from his 28 privately held notebooks. You can also hear Jim Morrison’s final poetry recording, now available for the first time, on the CD or digital audio edition of this book, at the Village Recorder in West Los Angeles on his twenty-seventh birthday, December 8, 1970. The audio book also includes performances by Patti Smith, Oliver Ray, Liz Phair, Tom Robbins, and others reading Morrison’s work. Created in collaboration with Jim Morrison’s estate and inspired by a posthumously discovered list entitled “Plan for Book,” The Collected Works of Jim Morrison is an almost 600-page anthology of the writings of the late poet and iconic Doors’ front man. This landmark publication is the definitive opus of Morrison’s creative output—and the book he intended to publish. Throughout, a compelling mix of 160 visual components accompanies the text, which includes numerous excerpts from his 28 privately held notebooks—all written in his own hand and published here for the first time—as well as an array of personal images and commentary on the work by Morrison himself. This oversized, beautifully produced collectible volume contains a wealth of new material—poetry, writings, lyrics, and audio transcripts of Morrison reading his work. Not only the most comprehensive book of Morrison’s work ever published, it is immersive, giving readers insight to the creative process of and offering access to the musings and observations of an artist whom the poet Michael McClure called “one of the finest, clearest spirits of our times.” This remarkable collector’s item includes: Foreword by Tom Robbins; introduction and notes by editor Frank Lisciandro that provide insight to the work; prologue by Anne Morrison Chewning Published and unpublished work and a vast selection of notebook writings The transcript, the only photographs in existence, and production notes of Morrison’s last poetry recording on his twenty-seventh birthday The Paris notebook, possibly Morrison’s final journal, reproduced at full reading size Excerpts from notebooks kept during his 1970 Miami trial The shooting script and gorgeous color stills from the never-released film HWY Complete published and unpublished song lyrics accompanied by numerous drafts in Morrison’s hand Epilogue: “As I Look Back”: a compelling autobiography in poem form Family photographs as well as images of Morrison during his years as a performer
In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. Its rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World Is a Problem Benjamin Piekut tells the band’s story—from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later—and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group’s pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow’s story resonates far beyond its inimitable music; it speaks to the avant-garde’s unpredictable potential to transform the world.
"Mars black, lemon yellow, use muddy white. Don't forget the young blonde in La Dolce Vita. Scenes in country cafe and post orgy on the beach. She is the one Benno calls the 'Purity symbol.' Orange green grey." This and other reflections make up Brice Marden: Notebook Sept. 1964-Sept. 1967 and Brice Marden: Notebook Feb. 1968-, facsimiles of American artist Brice Marden's (born 1938) personal journals. On every page, a patchwork of clippings, drawings, renderings and handwritten notes reveal the painter's thought process and document the political and cultural events of the era. A prolific notetaker, Marden filled his journals with subject matter as familiar as references to Italian film director Federico Fellini and as esoteric as "looking at an object in nature and running lines around it." The constant throughout is the work--deliberate, studied rectangles of graphite and ballpoint pen allude to the monochrome paintings that earned the artist fame and are a precursor to the panel paintings to come. Each journal is a unique guide to Marden's artistic output from that period as well as a distinct reference to the city--at that time bustling with artists such as Robert Rauschenberg and Jasper Johns--where he painted.
For ten years, listeners of The Vinyl Cafe have shared their personal stories with Stuart McLean on The Vinyl Cafe Story Exchange. To celebrate the tenth anniversary of the segment, Stuart and his long-time radio producer, Jess Milton, have collected their favourites. The result is a wise, wonderful anthology of stories about rituals and romance, road trips and guitar licks, Saturday-night hockey games and Sunday morning pancakes. A story about an exploding outhouse sits right beside one about a lost love because that's just what happens in life. Sad things are all tangled up with funny things and sweet things, too.
Welcome to the Vinyl Cafe. Motto: 'We May Not Be Big, But We're Small'