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Elizabeth Jenkins was one of the pioneers of the 'reportage' novel and the only surviving founding member of the Jane Austen Society. She recounts in this text, the story of its beginnings and describes her life in literary London.
Between the two World Wars, there was an unprecedented need for new houses in Britain which resulted in a building boom. While only a small percentage of this building took the form of Modernism, there was still a significant number of semis and terraces built for the workers and middle-class families in the 1920s and 1930s built in this style. This book examines these modest Modernist houses within the broader context of the Modern Movement in Europe, as well as the inter-war building boom in suburban Britain. Illustrated with line drawings and photographs of more than 30 examples from around the country, and based on little-known contemporary material such as catalogues, advertisements, radio broadcasts and letters, it shows how these houses speak of a time of political, social and artistic unrest, and a world where the avant-garde architects sought to capture the spirit of modern technology in their designs for the average home owner. While the Modernist houses never became popular with the general public, the fact that so many are still standing and now sought after by twenty-first century families speak for their endurance and special appeal.
John Fowles gained international recognition in 1963 with his first published novel, The Collector, but his labor on what may be his greatest literary undertaking, his journals, commenced over a decade earlier. Fowles, whose works include The Maggot, The French Lieutenant's Woman, and The Ebony Tower, is among the most inventive and influential English novelists of the twentieth century. The first volume begins in 1949 with Fowles' final year at Oxford. It reveals his intellectual maturation, chronicling his experiences as a university lecturer in France and as a schoolteacher on the Greek island of Spetsai. Simultaneously candid and eloquent, Fowles' journals also expose the deep connection between his personal and scholarly lives as Fowles struggled to win literary acclaim. From his affair with Elizabeth, the married woman who would become his first wife, to his passion for film, ornithology, travel, and book collecting, the journals present a portrait of a man eager to experience life. The second and final volume opens in 1966, as Fowles, already an international success, navigates his newfound fame and wealth. With absolute honesty, his journals map his inner turmoil over his growing celebrity and his hesitance to take on the role of a public figure. Fowles recounts his move from London to a secluded house on England's Dorset coast, where discontented with society's voracious materialism he led an increasingly isolated life. Great works in their own right, Fowles' journals elucidate the private thoughts that gave rise to some of the greatest writing of our time.
In 1963, John Fowles won international recognition with The Collector, his first published novel. In the years following—with the publication of The Magus, The French Lieutenant’s Woman, The Ebony Tower, and his other critically acclaimed works of fiction, nonfiction, and poetry—Fowles took his place among the most innovative and important English novelists of our time. Now, with this first volume of his journals, which covers the years from 1949 to 1965, we see revealed not only the creative development of a great writer but also the deep connection between Fowles’s autobiographical experience and his literary inspiration. Commencing in Fowles’s final year at Oxford, the journals in this volume chronicle the years he spent as a university lecturer in France; his experiences teaching school on the Greek island of Spetsai (which would inspire The Magus) and his love affair there with the married woman who would later become his first wife; and his return to England and his ongoing struggle to achieve literary success. It is an account of a life lived in total engagement with the world; although Fowles the novelist takes center stage, we see as well Fowles the nascent poet and critic, ornithologist and gardener, passionate naturalist and traveler, cinephile and collector of old books. Soon after he fell in love with his first wife, Elizabeth, Fowles wrote in his journal, “She has asked me not to write about her in here. But I could not not write, loving her as I do. . . . What else I betrayed, I could not betray this diary.” It is that determined, unsparing honesty and forthrightness that imbues these journals with all the emotional power and narrative complexity of his novels. They are a revelation of both the man and the artist.
Considering a range of neglected material, this book provides a richer view of how crime and criminality were understood between the wars.
Contains "verbatim reports of Debates at the East-India house, taken in shorthand for these pages". -- cf. v. 1, p. iii.