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Riveting stories by refugees who fled Vietnam.
A lyrical novel of love and betrayal in the aftermath of the fall of Saigon—from the author of Monkey Bridge A singular work of witness, inspiration, and courage, The Lotus and the Storm marks the welcome return of Lan Cao’s pitch-perfect voice, telling the story only she can tell. Four decades after the war, Vietnam’s flavors of clove and cinnamon have been re-created by a close-knit refugee community in a Virginia suburb. But the lives of Minh and Mai, father and daughter, are haunted by ghosts, secrets, and the loss of their country. During the disastrous last days in Saigon, in a whirl of military signals and helicopter evacuations, Mai never had a chance to say goodbye to so many people who meant so much to her. What happened to them? How will Mai cope with the trauma of war—and will the thay phap, a Vietnamese spirit exorcist, be able to heal her?
In Racial Melancholia, Racial Dissociation critic David L. Eng and psychotherapist Shinhee Han draw on case histories from the mid-1990s to the present to explore the social and psychic predicaments of Asian American young adults from Generation X to Generation Y. Combining critical race theory with several strands of psychoanalytic thought, they develop the concepts of racial melancholia and racial dissociation to investigate changing processes of loss associated with immigration, displacement, diaspora, and assimilation. These case studies of first- and second-generation Asian Americans deal with a range of difficulties, from depression, suicide, and the politics of coming out to broader issues of the model minority stereotype, transnational adoption, parachute children, colorblind discourses in the United States, and the rise of Asia under globalization. Throughout, Eng and Han link psychoanalysis to larger structural and historical phenomena, illuminating how the study of psychic processes of individuals can inform investigations of race, sexuality, and immigration while creating a more sustained conversation about the social lives of Asian Americans and Asians in the diaspora.
Introduction: a generation goes to war -- Memorial days -- Dong Ap Bia: becoming Hamburger Hill -- Passing the torch to a new generation -- Receiving the torch -- Not their father's way of war -- The American war in Vietnam -- Getting out of this place -- Duck and cover -- Enduring Vietnam: a story that has no end
National bestseller 2017 National Book Critics Circle (NBCC) Finalist ABA Indies Introduce Winter / Spring 2017 Selection Barnes & Noble Discover Great New Writers Spring 2017 Selection ALA 2018 Notable Books Selection An intimate and poignant graphic novel portraying one family’s journey from war-torn Vietnam, from debut author Thi Bui. This beautifully illustrated and emotional story is an evocative memoir about the search for a better future and a longing for the past. Exploring the anguish of immigration and the lasting effects that displacement has on a child and her family, Bui documents the story of her family’s daring escape after the fall of South Vietnam in the 1970s, and the difficulties they faced building new lives for themselves. At the heart of Bui’s story is a universal struggle: While adjusting to life as a first-time mother, she ultimately discovers what it means to be a parent—the endless sacrifices, the unnoticed gestures, and the depths of unspoken love. Despite how impossible it seems to take on the simultaneous roles of both parent and child, Bui pushes through. With haunting, poetic writing and breathtaking art, she examines the strength of family, the importance of identity, and the meaning of home. In what Pulitzer Prize–winning novelist Viet Thanh Nguyen calls “a book to break your heart and heal it,” The Best We Could Do brings to life Thi Bui’s journey of understanding, and provides inspiration to all of those who search for a better future while longing for a simpler past.
A superb new graphic memoir in which an inspired artist/storyteller reveals the road that brought his family to where they are today: Vietnamerica GB Tran is a young Vietnamese American artist who grew up distant from (and largely indifferent to) his family’s history. Born and raised in South Carolina as a son of immigrants, he knew that his parents had fled Vietnam during the fall of Saigon. But even as they struggled to adapt to life in America, they preferred to forget the past—and to focus on their children’s future. It was only in his late twenties that GB began to learn their extraordinary story. When his last surviving grandparents die within months of each other, GB visits Vietnam for the first time and begins to learn the tragic history of his family, and of the homeland they left behind. In this family saga played out in the shadow of history, GB uncovers the root of his father’s remoteness and why his mother had remained in an often fractious marriage; why his grandfather had abandoned his own family to fight for the Viet Cong; why his grandmother had had an affair with a French soldier. GB learns that his parents had taken harrowing flight from Saigon during the final hours of the war not because they thought America was better but because they were afraid of what would happen if they stayed. They entered America—a foreign land they couldn’t even imagine—where family connections dissolved and shared history was lost within a span of a single generation. In telling his family’s story, GB finds his own place in this saga of hardship and heroism. Vietnamerica is a visually stunning portrait of survival, escape, and reinvention—and of the gift of the American immigrants’ dream, passed on to their children. Vietnamerica is an unforgettable story of family revelation and reconnection—and a new graphic-memoir classic.
This study looks at the cultural legacy of the sixties through ten creative figures who came of age during the Vietnam War.
The Nguyen of Kim Bai (a village in the Red River delta in Vietnam) traces its ancestry back to at least the 15th century. The region is also considered to be the birthplace of the Vietnamese race (the epic revolt of the Trung sisters against the Chinese occupiers occurred here). The Nguyen family chronicle since 1600, preserved through war and exile, was written (in Chinese script) by the author's grandfather. This document (kept in Nguyen's ancestors' altar) is quoted liberally. A clear and unique picture of Vietnamese personality and culture is provided.
With rich description and insightful interviews, Russell Jeung uncovers why and how Chinese and Japanese American Christians are building new, pan-Asian organizations. Detailed surveys of over fifty Chinese and Japanese American congregations in the San Francisco Bay area show how symbolic racial identities structure Asian American congregations. Evangelical ministers differ from mainline Christian ministers in their construction of Asian American identity. Mobilizing around these distinct identities, evangelicals and mainline Christians have developed unique pan-Asian styles of worship, ministries, and church activities. Portraits of two churches further illustrate how symbolic racial identities affect congregational life and ministries. The book concludes with a look at Asian American-led multiethnic churches.