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“The only Vietnam plays to appear on Broadway while the war was raging” from the Tony Award–winning playwright of Hurlyburly (Observer). David Rabe has been a major voice and crucial force in American drama since 1971 when, in the midst of the Vietnam War, he startled the nation with The Basic Training of Pavlo Hummel. The story of a native recruit’s initiation into war, it is by turns brutal and hilarious. It won the young playwright an Obie and was hailed by The New York Times as “rich humor, irony, and insight.” More than four decades later, Rabe continues to be one of our most compelling dramatists. In this, the first of two volumes of The Vietnam Plays, Pavlo Hummel is paired with the equally intense Sticks and Bones, in which a blinded Vietnam veteran returns home numbed by the war and is astonished by his family’s inability to comprehend their country’s politics and his rage. “Pavlo won Al Pacino a Tony, and Sticks and Bones won one for its Harriet, Elizabeth Wilson—plus a nomination for its Oz, Tom Aldredge. It also won the Best Play Tony” (Observer). “Defies a million slogans to become a contemporary masterpiece.” —The Harvard Crimson on The Basic Training of Pavlo Hummel “Sticks and Bones is still a searing critique of America’s willful ignorance in the face of an ultra-violent international war machine operating in our name.” —TheaterMania “This scalding work scores direct hits on the stubborn obliviousness of the folks back home to the realities of that dirtiest of 20th century wars.” —The Hollywood Reporter on Sticks and Bones
Shortlisted for the EuroSEAS Humanities Book Prize 2022 Quyền Văn Minh (b. 1954) is not only a jazz saxophonist and lecturer at the prestigious Vietnam National Academy of Music, but he is also one of the most preeminent jazz musicians in Vietnam. Considered a pioneer in the country, Minh is often publicly recognized as the “godfather of Vietnamese jazz.” Playing Jazz in Socialist Vietnam tells the story of the music as it intertwined with Minh’s own narrative. Stan BH Tan-Tangbau details Minh’s life story, telling how Minh pioneered jazz as an original genre even while navigating the trials and tribulations of a fervent socialist revolution, of the ideological battle that was the Cold War, of Vietnam’s war against the United States, and of the political changes during the Đổi Mới period between the mid-1980s and the 1990s. Minh worked tirelessly and delivered two breakthrough solo recitals in 1988 and 1989, marking the first time jazz was performed in the public sphere in the socialist state. To gain jazz acceptance as a mainstream musical art form, Minh founded Minh Jazz Club. With the release of his debut album of original compositions in 2000, Minh shaped the nascent genre of Vietnamese jazz. Minh’s endeavors kickstarted the momentum, from his performing jazz in public, teaching jazz both formally and informally, and contributing to the shaping of an original Vietnamese voice to stand out among the many styles in the jazz world. Most importantly, Minh generated a public space for musicians to play and for the Vietnamese to listen. His work eventually helped to gain jazz the credibility necessary at the national conservatoire to offer instruction in a professional music education program.
THE STORY: A composite or collage of interrelated scenes, the play follows the lives of a group of grunts as they move from basic training, on to combat in Vietnam, and finally to the shattering realization that their lives will be forever affect
Veterans' issues are front and center now, after Iraq and Afghanistan, as they were not after Vietnam. This is a good time to put before the public the texts of these two plays, which were started during the author's tour of duty in Vietnam and finished soon after. A soldier returns from a long war, expecting a welcome, and no one recognizes him. In his own house he is treated like a beggar. This is the ancient story of Ulysses, but it also expresses how many veterans feel today. How can any civilian understand what soldiers have seen and done? How can civilians take back into their arms veterans who have blood on their hands? In Ithaca in Black and White we see a modern Ulysses as he discovers that he has no place in the home he has dreamed about, but he finds promise in a fresh courtship of his former wife and a journey onward. The play won an award in Austin, Texas, as the best new script of 1983. Geoffroy's Jerusalem tells the tale of a crusade that began with a noble cause and ended with the tawdry sack of a great city, Byzantium. The chief of staff of the army tries to persuade God, in scene after scene, that the corruption of the war was not his fault. War easily gets out of hand, and the violence generals plan so easily goes beyond their intentions. We in the audience sympathize with Geoffroy, but, like him, we are horrified by what he had brought about.
Miss Saigon (PVG) presents 12 songs from Boublil & Schonberg’s hit musical, Miss Saigon. Each song has been freshly engraved for piano and voice, with accompanying lyrics, allowing you to relive the beauty and drama of the show. With beautiful and faithful transciptions, alongside full-colour photography, this book is an essential purchase for any fan. Songlist: - The Heat Is On In Saigon - The Movie In My Mind - Why God Why? - Sun And Moon - The Last Night Of The World - I Still Believe - I’d Give My Life For You - Bui-doi - What A Waste - Too Much For One Heart - Maybe - The American Dream
"... a thoughtful and important treatment of the international tensions of the period as they were embodied in theatre practice. It is the only book of its kind on the subject, and a valuable source of production information." -- Theatre Journal "... an excellent discussion of the aesthetics of theater." -- Choice The escalation of the war in Vietnam in the mid-1960s unleashed worldwide protest. Playwrights grappled with the complexities of post-imperialist politics and with the problems of creating effective political theatre in the television age. The ephemeral theatre these writers created, today little-known and rarely studied, provides an important window on a complex moment in culture and history.
“The only Vietnam plays to appear on Broadway while the war was raging” from the Tony Award–winning playwright of Hurlyburly (Observer). David Rabe has been a major voice and crucial force in American drama since 1971 when, in the midst of the Vietnam War, he startled the nation with The Basic Training of Pavlo Hummel. The story of a native recruit’s initiation into war, it is by turns brutal and hilarious. It won the young playwright an Obie and was hailed by The New York Times as “rich humor, irony, and insight.” More than four decades later, Rabe continues to be one of our most compelling dramatists. In this, the first of two volumes of The Vietnam Plays, Pavlo Hummel is paired with the equally intense Sticks and Bones, in which a blinded Vietnam veteran returns home numbed by the war and is astonished by his family’s inability to comprehend their country’s politics and his rage. “Pavlo won Al Pacino a Tony, and Sticks and Bones won one for its Harriet, Elizabeth Wilson—plus a nomination for its Oz, Tom Aldredge. It also won the Best Play Tony” (Observer). “Defies a million slogans to become a contemporary masterpiece.” —The Harvard Crimson on The Basic Training of Pavlo Hummel “Sticks and Bones is still a searing critique of America’s willful ignorance in the face of an ultra-violent international war machine operating in our name.” —TheaterMania “This scalding work scores direct hits on the stubborn obliviousness of the folks back home to the realities of that dirtiest of 20th century wars.” —The Hollywood Reporter on Sticks and Bones
A discussion of the literature of the war and a study of literary consciousness relative to the larger process of cultural myth-making.
Learn how the United States ended up fighting for twenty years in a remote country on the other side of the world. The Vietnam War was as much a part of the tumultuous Sixties as Flower Power and the Civil Rights Movement. Five US presidents were convinced that American troops could end a war in the small, divided country of Vietnam and stop Communism from spreading in Southeast Asia. But they were wrong, and the result was the death of 58,000 American troops. Presenting all sides of a complicated and tragic chapter in recent history, Jim O'Connor explains why the US got involved, what the human cost was, and how defeat in Vietnam left a lasting scar on America.