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From the feminist author of The Great Cosmic Goddess and The Blue Rental, here is poetry that looks without wincing, chronicles without hesitating, and that reveals "the psycho-political terrestrial reality we all now inhabit." Extraordinarily allusive and learned, drenched in the imagery of degradation and loss while boundless in poetic concept, and dead-serious throughout: Work of genius, vision, honesty, ruthlessness-and, more than perhaps, a bit of hope.
The year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he lives in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, SHOUT AT THE DEVIL, Motley Crue's seminal paean to hair-band excess. And so Klosterman's twisted odyssey begins, a journey spent worshipping at the heavy metal altar of Poison, Lita Ford and Guns N' Roses. In the hilarious, young-man-growing-up-with-a-soundtrack-tradition, FARGO ROCK CITY chronicles Klosterman's formative years through the lens of heavy metal, the irony-deficient genre that, for better or worse, dominated the pop charts throughout the 1980s. For readers of Dave Eggers, Lester Bangs, and Nick Hornby, Klosterman delivers all the goods: from his first dance (with a girl) and his eye-opening trip to Mandan with the debate team; to his list of 'essential' albums; and his thoughtful analysis of the similarities between Guns 'n' Roses' 'Lies' and the gospels of the New Testament.
Physically frail, badly educated girls, brought up to lead useless lives as idle gentlewomen, married to dominant husbands, and relegated to "separate spheres" of life—these phrases have often been used to describe Victorian upper-middle-class women. M. Jeanne Peterson rejects such formulations and the received wisdom they embody in favor of a careful examination of Victorian ladies and their lives. Focusing on a network of urban professional families over three generations, this book examines the scope and quality of gentlewomen's education, their physical lives, their relationship to money, their experience of family illness and death, and their relationships to men (brothers and friends as well as fathers and husbands). Peterson also examines the prominent place of work in the lives of these "leisured" Victorian ladies, both single and married. Far from idle, the mothers, wives, and daughters of Victorian clergymen, doctors, lawyers, university dons, and others were accomplished and productive members of society who made substantial public and private contributions to virtually every sphere of Victorian life.
The first book to look at rock rebellion through the lens of gender, The Sex Revolts captures the paradox at rock's dark heart--the music is often most thrilling when it is most misogynistic and macho. And, looking at music made by female artists, the authors ask: must it always be this way?
With Chinese Sexual Astrology, you and your partner can learn how to fuse your spiritual, mental and physical energies to achieve complete satisfaction.
By and large, Sweden's place in film history is secure and prominent. Swedish films are associated with Ingmar Bergman's successful and high-quality works. However, another breed of Swedish film is notorious for its laissez-faire attitude towards nudity and relaxed sexuality. Produced in the back yard of the Swedish film industry, these sexually daring films join countless sensational movies that deal with shocking or taboo subjects - street punks, space aliens, hard drugs and drunken Vikings. Ekeroth delves into Swedish culture and returns with an overview of 'Sensationsfilms'.