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DigiCat Publishing presents to you this special edition of "Magic, Stage Illusions and Scientific Diversions, Including Trick Photography" by Albert A. Hopkins. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Read the follow-up to the action-packed adventure that Dan Santat called "An-edge-of-your-seat thriller!" It's been a peaceful three months since Hannah Morgan and Ever Barnes saved their beloved Oskars, and activated the powers of their city's Megantic. Ever now lives with the Morgan family and the two children watch over and learn more about Oskar (the Megantic) every day. But their conflict-free days come to an abrupt end when Mr. Morgan is captured while on a family trip to nearby Alexios, and the kids get into a spat with a group of street magicians who con Hannah out of her pocket money. Chifa and Tanan were never planning to make friends while performing their tricks, but when Hannah and Ever learn of their connection to Vash, they realize there's much more at stake than a few coins. If Hannah and Ever want to find out what Vash is hiding and save both Oskars and Alexios before time runs out, they'll have to learn to trust Chifa and Tanan, and most importantly, find a way to work together.
In recent years, the rise of fundamentalism and a related turn to religion in the humanities have led to a powerful resurgence of interest in the problem of political theology. In a critique of this contemporary fascination with the theological underpinnings of modern politics, Victoria Kahn proposes a return to secularism—whose origins she locates in the art, literature, and political theory of the early modern period—and argues in defense of literature and art as a force for secular liberal culture. Kahn draws on theorists such as Carl Schmitt, Leo Strauss, Walter Benjamin, and Hannah Arendt and their readings of Shakespeare, Hobbes, Machiavelli, and Spinoza to illustrate that the dialogue between these modern and early modern figures can help us rethink the contemporary problem of political theology. Twentieth-century critics, she shows, saw the early modern period as a break from the older form of political theology that entailed the theological legitimization of the state. Rather, the period signaled a new emphasis on a secular notion of human agency and a new preoccupation with the ways art and fiction intersected the terrain of religion.
The late Victorian period witnessed the remarkable revival of magical practice and belief. Butler examines the individuals, institutions and literature associated with this revival and demonstrates how Victorian occultism provided an alternative to the tightening camps of science and religion in a social environment that nurtured magical beliefs.
First published in 1976. This title brings the Victorian era to life with stories of its spectacular leading magicians, conjurers, illusionists, escapologists, scientific experimenters and tricksters. Geoffrey Lamb describes the kind of people they were and the kind of things they did, whilst keeping intact the mystery surrounding their feats. This skilful reconstruction of this branch of nineteenth-century entertainment gives us a fascinating insight into Victorians and how they liked to be amused. This title will be of interest to students of history.
Read the graphic novel that Caldecott medal-winning illustrator, Dan Santat, calls, "An edge-of-your-seat thriller!" Ever Barnes is a shy orphan guarding a secret in an amazing puzzle box of a building. Most of the young women who work at the building's Switchboard Operating Facility, which connects the whole city of Oskar, look the other way as Ever roams around in the shadows. But one of them, Lisa, keeps an eye on the boy. So does the head of the Switchboard, Madame Alexander . . . a rather sharp eye. Enter Hannah, the spunky daughter of the building's owner. She thinks Ever needs a friend, even if he doesn't know it yet. Good thing she does! Lisa and Madame Alexander are each clearly up to something. Ever is beset by a menacing band of rogues looking to unlock the secret he holds--at any cost. And whatever is hidden deep in the Switchboard building will determine all of their futures. On a journey that twists and turns as much as the mechanical building Ever Barnes calls home, he and his new friend Hannah have to find out what's really going on in this mysterious city of secrets . . . or else!
'I cried, "Come, tell me how you live!" And thumped him on the head.' Conjuring wily walruses, dancing lobsters, a Jabberwock and a Bandersnatch, Carroll's fantastical verse gave new words to the English language.
'A spectacular treasury of treats. Page after page of utter joy: I can't tear my eyes away' - Derren Brown In The Spectacle of Illusion, professional magician-turned experimental psychologist Dr. Matthew L. Tompkins investigates the arts of deception as practised and popularised by mesmerists, magicians and psychics since the early 18th century. Organised thematically within a broadly chronological trajectory, this compelling book explores how illusions perpetuated by magicians and fraudulent mystics can not only deceive our senses but also teach us about the inner workings of our minds. Indeed, modern scientists are increasingly turning to magic tricks to develop new techniques to examine human perception, memory and belief. Beginning by discussing mesmerism and spiritualism, the book moves on to consider how professional magicians such as John Nevil Maskelyne and Harry Houdini engaged with these movements - particularly how they set out to challenge and debunk paranormal claims. It also relates the interactions between magicians, mystics and scientists over the past 200 years, and reveals how the researchers who attempted to investigate magical and paranormal phenomena were themselves deceived, and what this can teach us about deception. Highly illustrated throughout with entertaining and bizarre drawings, double-exposure spirit photographs and photographs of spoon-bending from hitherto inaccessible and un-mined archives, including the Wellcome Collection, the Harry Price Library, the Society for Physical Research, and last but not least, the Magic Circle's closely guarded collection, the book also features newly commissioned photography of planchettes, rapping boards, tilting tables, ectoplasm, automata and illusion boxes. Concluding with a modern-day analysis of the science of magic and illusion, analysing surprisingly weird phenomena such as ideomotor action, sleep paralysis, choice blindness and the psychology of misdirection, this unnerving volume highlights how unreliable our minds can be, and how complicit they can be in the perpetuation of illusions.
With this book you can enter a realm of dazzlingly deceptive designs that offer wonderful opportunities for imaginative and inventive coloring. You'll find a host of ingeniously contrived constructions, strange, interlocking shapes and mind-boggling arrangements that defy reality and challenge the imagination to grasp their form and structure. Optical illusions are always fun to look at; coloring these masterly mind-bending illusions will add an extra dimension of enjoyment and foster a new appreciation of mysterious pictorial puzzles that make us wonder if seeing is truly believing.