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A study of Britain's great nineteenth-century houses examines their architects, and the social, technological, and economic conditions that made the massive structures possible
The English country house reached its apotheosis in the nineteenth century. Designed by the most eminent architects of the age, the houses were bigger, more elaborate and more lavishly furnished than ever before, becoming a byword throughout the world for luxury, technological innovation and convenience of plan. Michael Hall's new survey draws on the Country Life archive to present the most complete visual record yet published of the Victorian country house. Chronologically arranged to span the decades from the 1830s to the 1890s, the houses range from the High Gothic of Tyntesfield to Ferdinand Rothschild's flamboyantly French Waddesdon Manor and Philip Webb's Arts and Crafts interiors at Standen. Victorian houses have suffered more from sales and demolitions than houses from any other period. The Country Life images are the only record of great houses such as Wrest Park, Thoresby Hall and Hewell Grange in their heyday. Houses that have survived with their interiors intact but are little known to the public are also featured, such as Flintham Hall and the Earl of Harrowby's Sandon Hall. Here, too, are spectacular colour photographs of some of the most celebrated houses of the period, from A. W. N. Pugin's Scarisbrick Hall to J. D. Crace's astonishing interiors at Longleat. With over 150 superb photographs and a commentary by one of the world's leading authorities on the subject, this book provides an excellent overview of a major period in British architectural history. Michael Hall is an architectural historian and the Editor of Apollo magazine. A former Architectural Editor and Deputy Editor of Country Life, he is a Fellow of the Society of Antiquaries, a trustee of Emery Walker's Arts and Crafts house and Chairman of the Victorian Society's activities committee. His books include The English Country House: From the Archives of Country Life, also published by Aurum.
Based on the author's Slade lectures given at Oxford University in 1975-76.
This magnificent book describes the great country houses built with American industrial fortunes from the end of the Civil War until 1940. The American Country House draws on the rich and often amusing writings of contemporaries to evoke the lives the buildings served as well as architectural shapes they took. 275 illustrations.
This guide combines historical information with design ideas and advice on how to decorate, renovate and maintain a vintage home.
This fascinating book presents a series of 44 designs for vacation homes of varying styles and sizes, created over a century ago by a select group of New York and New Jersey architects. Many of them are two-story, and most were intended to be built on low-to-medium budgets. All of them reflect the ideals of comfort and charm and state-of-the-art technology of the Victorian period. The original publishers compiled a splendid variety of designs, presented them as "seaside and country houses" and included designs for a Victorian club house, pavilion, school house, and a "small seaside chapel." A total of 200 illustrations — including perspective views, front and side elevations, and first- and second-story floor plans — depict these appealing designs. Occasionally the architects have specified construction materials and finishing details such as paint, color, and trim, and in all cases they have included the overall anticipated costs, which range from about $500 to about $9,000. The Victorians, of course, loved architectural embellishments of every kind, and it is no small part of the charm of this book to study the profusion of gables, porches, portholes, dormers, porticoes, chimneys, pinnacles, and more, lavished on even the most modest designs. Above all, the houses and cottages appear to be both comfortable and reassuring, appealing reminders of a gracious age long gone. Those studying and working in the fields of architecture, history, and sociology will find in this wonderful book exuberant examples of a rich and charming architectural style. Those who wish to join the growing number of home builders and restorers re-creating Victorian homes will find inspiration in each of these thoughtful designs.
Country houses formed a distinct community and power base within the broader Victorian countryside. This book shows how landed families' day-to-day existence depended on the skills of the indoor servants who provided their meals and ministered to their general comfort, and the outdoor staff who contributed to their leisure and sporting pursuits. It considers the relationship - and the divisions - between those living 'above stairs' and and the carefully considered hierarchy of domestics who met their needs 'below stairs'. Also considered are the wider social activities of the two groups who, while living under the same roof, experienced a very different daily round. That applied to preparations for the holding of house parties and the running of sporting events, as well as the important social influence exerted by the London 'Season'.
The fascinating story of the evolution of the country house in Britain, from its Roman precursors to the present The Story of the Country House is an authoritative and vivid account of the British country house, exploring how they have evolved with the changing political and economic landscape. Clive Aslet reveals the captivating stories behind individual houses, their architects, and occupants, and paints a vivid picture of the wider context in which the country house in Britain flourished and subsequently fell into decline before enjoying a renaissance in the twenty-first century. The genesis, style, and purpose of architectural masterpieces such as Hardwick Hall, Hatfield House, and Chatsworth are explored, alongside the numerous country houses lost to war and economic decline. We also meet a cavalcade of characters, owners with all their dynastic obsessions and diverse sources of wealth, and architects such as Inigo Jones, Sir John Vanbrugh, Robert Adam, Sir John Soane and A.W.N. Pugin, who dazzled or in some cases outraged their contemporaries. The Story of the Country House takes a fresh look at this enduringly popular building type, exploring why it continues to hold such fascination for us today.
During the golden age of English country house entertaining, from the death of Prince Albert in 1861 to the outbreak of World War I, invitations passed back and forth among members of the aristocracy. Barstow brings to life the personalities and lifestyles of a vanished age in this carefully researched and illustrated study. International royalty and the political figures of the day also feature, none more memorably than the Shah of Persia, who offered to buy the Marchioness of Londonderry and advised the Prince of Wales to execute the Duke of Sutherland when he became king. The text reveals the social and political importance of the house party and also describes the role of the country house in its local and national setting. The decline of country house living after World War I and the beginnings of the National Trust and other efforts to save for the nation these former playgrounds of the elite form the concluding chapters.
At the heart of this stirring tale and visual delight is a group of ten extraordinary houses and castles that have survived the vicissitudes of Scotland's history with almost all of the original families who built them still in residence today. Their histories are peopled with strongwilled men and women--from the notorious General Tam Dalyell of the House of the Binns, who served not only the Stuart kings but the czar of Russia, to the first Duke of Queensberry, who built one of the most sensational castles in Britain, to a love match worthy of the "auld alliance" between the Earl of Stair and his French-born countess. Each house also represents a landmark in Scotland's architectural history, ranging from the early seventeenth to the early twentieth century. The cutting-edge classicism of William Bruce at Balcaskie, the sensational French chateau-inspired Drumlanrig, the splendor of William Adam's baroque at Arniston, and the sublime Palladianism of his sons, the Adam brothers, at Dumfries House, are a roll call of architectural genius. The Victorian passion for all things Scottish is displayed in Lochinch Castle, a bravura example of the Baronial style, bristling with turrets, bartizans, and stepped roofs. And Robert Lorimer's beautifully crafted reconstruction at Monzie at the turn of the twentieth century reveals him as a major talent who synthesized European and purely Scottish styles, expressing, like his fellow architects in this book, a uniquely Scottish sensibility. The architectural revelation is matched by the houses' sensational settings, which merge the historically designed gardens and landscape with the unparalleled wildness and vistas of Scotland. But, as author James Knox writes in his lively, insightful text, "The glory of Scottish country houses is not just their architecture but their contents, which add layers of personality to the interiors." As Knox guides the reader on an intimate tour of the houses, he recounts their fascinating histories and profi les the colorful, often eccentric, lairds, lady lairds, clan chiefs, and nobles who have called them home. And James Fennell's masterly photographs, which rely solely on natural light for effect, capture the distinctive atmosphere of each residence. The Duchess of Buccleuch's boudoir at Bowhill is a frenzy of chinoiserie, needlepoint, and silk tassels. At Ballindalloch, the Macpherson-Grant tartan carpets the entrance hall and Victorian paintings of the family's prized Aberdeen Angus herd--the oldest in Scotland--adorn many a room. The motto of the Munro clan, "Dread God," is emblazoned throughout Foulis Castle--on china, wall plaques, not to mention the clan chief 's bonnet. All of these cherished houses are chockablock with memories of the past, from swagger portraits to sporrans, from vintage photographs to ancient weaponry, from curling stones to fading chintz. Some are also treasure houses, not least Dumfries House, saved from the auction block by a consortium headed by the Prince of Wales, which boasts an unrivaled collection of documented Chippendale and Scottish rococo furniture. "The Scottish Country House" will enthrall anyone with an interest in Scotland, history, architecture, or interior decoration--all wrapped in a compelling narrative of past lives and taste. Praise for "The Scottish Country House" "If you like historic homes, this book is for you. It's filled with beautiful photos of historic Scottish castles and grand estates." -"Design*Sponge" "Who can resist a beautiful chateau set in the lush green countryside of Scotland? I, for one, cannot. In James Knox's new book, he focuses on ten standout examples of Scottish country living. With each house, he details the history of the establishment, and follows through to how it stands today." --"Home Design with Kevin Sharkey" "This book, filled with lavish photography by James Fennell, profiles ten outstanding Scottish castles and mansions, from sprawling Walter Scott