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This is a reassessment of the phenomenon of church architecture in the 19th century. It presents a range of interpretations that approach Victorian churches as products of institutional needs, socio-cultural developments, and economic forces.
Greatly to be welcomed. This meticulously researched and richly documented account provides fresh insights into theological controversy and social prejudice and should be read by all serious students of the Victorian Church.Greatly to be welcomed. Richard Sharp The Rev. Dr John Hunt (1827-1907) was not a typical clergyman in the Victorian Church of England. He was Scottish, of lowly birth, and lacking both social connections and private means. He was also a witty and fluent intellectual, whose publications stood alongside the most eminent of his peers during a period when theology was being redefined in the light of Darwin’s Origin of Species and other radical scientific advances. Hunt attracted notoriety and conflict as well as admiration and respect: he was the subject of articles in Punch and in the wider press concerning his clandestine dissection of a foetus in the crypt of a City church, while his Essay on Pantheism was proscribed by the Roman Catholic Church. He had many skirmishes with incumbents, both evangelical and catholic, and was dismissed from several of his curacies. This book analyses his career in London and St Ives (Cambs.) through the lens of his autobiographical narrative, Clergymen Made Scarce (1867). David Yeandle has examined a little-known copy of the text that includes manuscript annotations by Eliza Hunt, the wife of the author, which offer unique insight into the many anonymous and pseudonymous references in the text. A Victorian Curate: A Study of the Life and Career of the Rev. Dr John Hunt is an absorbing personal account of the corruption and turmoil in the Church of England at this time. It will appeal to anyone interested in this history, the relationship between science and religion in the nineteenth century, or the role of the curate in Victorian England.
2024 Nautilus Book Awards Silver Winner in "Religion / Spirituality of Western Thought" CategoryWinner of the Living Now Book Award, Church of the Wild reminds us that once upon a time, humans lived in an intimate relationship with nature. Whether disillusioned by the dominant church or unfulfilled by traditional expressions of faith, many of us long for a deeper spirituality. Victoria Loorz certainly did. Coping with an unraveling vocation, identity, and planet, Loorz turned to the wanderings of spiritual leaders and the sanctuary of the natural world, eventually cofounding the Wild Church Network and Seminary of the Wild. With an ecospiritual lens on biblical narratives and a fresh look at a community larger than our own species, Church of the Wild uncovers the wild roots of faith and helps us deepen our commitment to a suffering earth by falling in love with it--and calling it church. Through mystical encounters with wild deer, whispers from a scrubby oak tree, wordless conversation with a cougar, and more, Loorz helps us connect to a love that literally holds the world together--a love that calls us into communion with all creatures.
In early Victorian England there was intense interest in understanding the early Church as an inspiration for contemporary sanctity. This was manifested in a surge in archaeological inquiry and also in the construction of new churches using medieval models. Some Anglicans began to use a much more complicated form of ritual involving vestments, candles, and incense. This "Anglo-Catholic" movement was vehemently opposed by evangelicals and dissenters, who saw this as the vanguard of full-blown "popery." The disputed buildings, objects, and art works were regarded by one side as idolatrous and by the other as sacred and beautiful expressions of devotion. Dominic Janes seeks to understand the fierce passions that were unleashed by the contended practices and artifacts - passions that found expression in litigation, in rowdy demonstrations, and even in physical violence. During this period, Janes observes, the wider culture was preoccupied with the idea of pollution caused by improper sexuality. The Anglo-Catholics had formulated a spiritual ethic that linked goodness and beauty. Their opponents saw this visual worship as dangerously sensual. In effect, this sacred material culture was seen as a sexual fetish. The origins of this understanding, Janes shows, lay in radical circles, often in the context of the production of anti-Catholic pornography which titillated with the contemplation of images of licentious priests, nuns, and monks.
Concerned here broadly with the period 1829-59, Professor Chadwick writes of the church's precarious position at the start of the period, and the problems of dissent; the Whig reform of the Church by the ministries of Peel and Melbourne; the Oxford Movement, the influence of Newman and the development of ritual; the relations of church and government under Lord John Russell; the growth of the seven principal dissenting bodies; the theory and practice of Church and State at mid-century, and the troubles that arose over eucharistic worship; and finally the unsettlement of faith and the several attempts at restatement at the close of the period. The history is completed in The Victorian Church, Part II 1860-1901.