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This is a reassessment of the phenomenon of church architecture in the 19th century. It presents a range of interpretations that approach Victorian churches as products of institutional needs, socio-cultural developments, and economic forces.
In early Victorian England there was intense interest in understanding the early Church as an inspiration for contemporary sanctity. This was manifested in a surge in archaeological inquiry and also in the construction of new churches using medieval models. Some Anglicans began to use a much more complicated form of ritual involving vestments, candles, and incense. This "Anglo-Catholic" movement was vehemently opposed by evangelicals and dissenters, who saw this as the vanguard of full-blown "popery." The disputed buildings, objects, and art works were regarded by one side as idolatrous and by the other as sacred and beautiful expressions of devotion. Dominic Janes seeks to understand the fierce passions that were unleashed by the contended practices and artifacts - passions that found expression in litigation, in rowdy demonstrations, and even in physical violence. During this period, Janes observes, the wider culture was preoccupied with the idea of pollution caused by improper sexuality. The Anglo-Catholics had formulated a spiritual ethic that linked goodness and beauty. Their opponents saw this visual worship as dangerously sensual. In effect, this sacred material culture was seen as a sexual fetish. The origins of this understanding, Janes shows, lay in radical circles, often in the context of the production of anti-Catholic pornography which titillated with the contemplation of images of licentious priests, nuns, and monks.
'Stephen Cottrell writes about Christ as if he were here now. As if redemption were possible for all of us, as if the void that threatens to engulf us all could be filled by a personal relationship with Christ in the present. He is a compelling writer.' - Russell Brand Inspired by a conversation with a barista who asked him why he became a priest, this is the Archbishop of York Stephen Cottrell's extended answer to that question - as well as the letter he'd like to write to a divided country that no longer sees the relevance or value of the Christian narrative. Archbishop Stephen is a much-admired voice within the church, but in this book he writes for a more general audience, and those who might call themselves spiritual seekers - as well as anyone who is concerned about the life and unity of the UK. A short, beautiful book, this is at once both contemplative and deeply practical, which will speak to both Christians and those on the edges of faith. 'A deeply thoughtful exposition of faith's transformative power, Dear England gave me hope, not only for the future of Christianity, but for a changed world too.' - David Lammy MP
A fascinating book which provides a guide to the illustrative material available in art galleries, libraries, and archives in York and elsewhere for the study of the city's medieval parish churches. Includes prints, drawings and paintings of the churches, architects' plans and elevations, sketches of fittings and brass and stone rubbings. Essays on the development of topographical art in York, the techniques used by artists and printers and the history of York's parish churches in general are included, as well as introductory notes for each church.
Contrary to its popular image as dull and stodgy, the Victorian period was one of revolutionary change. In its politics, its art, its economic aff airs, its class relationships, and in its religion, change was constant. A half-century after Queen Victoria's death, it was said that she was born in one world and died in another. Th e most interesting and valuable studies of the period take the long view, as does Schlossberg, in his fascinating analysis of religious life in this period. For the Victorians, religion was not cordoned off from the push and shove of real life. Th e early evangelicals got off to a shaky start, beset by hostility, but the movement spread within the churches despite the suspicion in which it was held. Evangelicals, frequently called Puritans by those who opposed them, called for fundamental reforms in both the Church and the society; a social ethic was part of their program of religious renewal. Th eir moral sense explains the social activism of both Church of England Evangelicals and Dissenters, including the half-century crusade for the abolition of slavery. Schlossberg shows how religion in England dealt with such issues as science and the eff ect of German scholarship on religious thinking. Church history cannot simply be explained by its response to external forces as much as by the internal responses to those challenges. Th e nature of the religious enterprise itself, its theologians, clergy, lay people--like all people and all institutions--all responded with alternatives. Schlossberg helps us understand the Victorian period, as well as the increasing secularity of English life today.
Theology Shaped by Society argues that theology can be seen as a 'socially constructed reality' that is sometimes dangerously related to power but, at other times, is a positively engaged discipline taking the risk of being shaped by particular societies and cultures. From this second perspective theology is seen properly as a thoroughly relational discipline, as itself a social system. Gill examines mission shaped by society and maps this in practical terms by examining recent religious trends in York. He also shows how music can imaginatively shape theology and reveal unexpected resonances.
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Unlocking the Church is the story of a revolution. The Victorians transformed how churches were understood, experienced, and built. Initially controversial, this revolution was so successful that it has now been forgotten. Yet it still shapes our experience of church buildings and also helps make sense of what we should do with them now.