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This beautifully crafted reproduction of a pattern book was probably issued by W. & C. Wynn of Birmingham about 1820. It contains 83 plates of tools, including 9 fold out plates, all at full size. The plates depict hundreds of tools, household goods including tools for the kitchen, corkscrews, garden tools, watch and clock tools, coopers' tools, shoemakers' tools, gun tools and personal accessories like key rings and fingernail clippers. The illustrated introduction is by Jane Rees and Elton W. Hall. As a bonus, each book has a back pocket containing a reprint of an 1810 W. & C. Wynn price list that closely matches the pattern book. This publication is the first of its kind that has been reprinted at full size and is a unique resource for those interested in tools and household goods. It is also the first publication supported by the Mark Rees Publication Fund.
'Victorian Houses' presents the architectural detailing of the time in the context of the era - providing a comprehensive understanding of its architecture and design. Pattern books played a vital role in the dissemination of taste between architect, builder and client in the nineteenth and early twentieth century. By focusing on the contribution of the pattern book to the architecture of the Victorian and Edwardian eras, the various trends of the time are documented. The types of publications and other sources of taste available at different points over this period reflected social and economic factors, such as the changing demand or changes in organisation of manufacturing and retail.
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Describes the forms and uses of winders, bobbins, hoops, frames, bodkins, and other sewing implements used in various world cultures
"Part of the appeal of vernacular furniture - a relatively recent field of serious study - is that to understand it we must look closely at social history, and engage with lifestyles that range from self-sufficient to sophisticated." "Bernard Cotton investigated museums and libraries; but whenever possible he and his wife Gerry made it a priority to discover pieces in their contexts, to meet the people who used them, and to understand how they were made. The story of their quest is itself an adventure. Some of the objects they photographed - on, for instance, the deserted northern island of Stroma - represent the life and death of a community, the vital evidence of a vanished culture."--BOOK JACKET.