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Emily Faithfull was a member of the activist Langham Place Group (or Circle), which advocated for the employment of women in Victorian Britain. In 1860 she founded a printing works in London, the Victoria Press, which employed women compositors. One of the earliest publications of the Press was "Victoria Regia", a compilation of a variety of literary works selected and edited by fellow Circle member Adelaide Anne Procter, and issued as a strategic attempt to attract Queen Victoria's attention and support. In 1862 the Victoria Press for the Employment of Women was appointed "Printer and Publisher in Ordinary to Her Majesty."
Women have made an amazing, creative, and prolific contribution to hymnody through the centuries of Christian worship. Excluded from liturgical commissions and denied other opportunities for involvement in the worship of the churches, women were able to express and influence spirituality in the writing of hymns. This influence spreads across the whole range of hymn-writing, including writing for children, which was at one time seen as women's natural place, but also the introduction of new voices through translations; engagement in social campaigns such as temperance and the abolition of slavery; mission and evangelism; and the general development of worshipping life. However, with the exception of the nineteenth century, the voices of women have been largely silenced or marginalized. The "Hymn Explosion" of the 1960s onward almost completely ignored women's writing, and there has only recently been something of a recovery. There is much more to Our Song than people think! This book opens up women's writing from the beginnings of Christianity, through the Middle Ages, the development of printing and the rise of popular hymnody to the present day. Living hymn-writers add their voices in a series of biographical "stories," which complete the overarching story of Our Song.
Feminism and Empire establishes the foundational impact that Britain's position as leading imperial power had on the origins of modern western feminism. Based on extensive new research, this study exposes the intimate links between debates on the 'woman question' and the constitution of 'colonial discourse' in order to highlight the centrality of empire to white middle-class women's activism in Britain. The book begins by exploring the relationship between the construction of new knowledge about colonised others and the framing of debates on the 'woman question' among advocates of women's rights and their evangelical opponents. Moving on to examine white middle-class women's activism on imperial issues in Britain, topics include the anti-slavery boycott of Caribbean sugar, the campaign against widow-burning in colonial India, and women’s role in the foreign missionary movement prior to direct employment by the major missionary societies. Finally, Clare Midgley highlights how the organised feminist movement which emerged in the late 1850s linked promotion of female emigration to Britain's white settler colonies to a new ideal of independent English womanhood. This original work throws fascinating new light on the roots of later 'imperial feminism' and contemporary debates concerning women's rights in an era of globalisation and neo-imperialism.
In Bright Particular Stars, David McKie examines the impact of 26 remarkable British eccentrics on 26 unremarkable British locations. From Broadway in the Cotswolds, where the Victorian bibliomaniac Sir Thomas Phillipps nurtured dreams of possessing every book in the world, to Kilwinning in Scotland, where in 1839 the Earl of Eglinton mounted a tournament that was Renaissance in its extravagance and disastrous in its execution, McKie leads us to places transformed, inspired, and sometimes scandalized by the obsessional endeavors of visionary mavericks. Some of McKie's eccentrics, such as Mary Macarthur, who helped the women chainmakers of Cradley Heath win the right to a fair wage in 1910, were good to the point of saintliness; others, including the composer Peter Heseltine, who in the 1920s set net curtains twitching by his hard drinking and naked motorbike riding, rather less so. But together their fascinating stories illuminate some of the most secret and most extraordinary byways of British history. Here, quiet, unassuming streetscapes become sites of eccentric and uproarious sites of action. The triumphs and failures of the visionaries who thus transformed them—recaptured here in vivid and beguiling fashion—have each, in their own way, helped shape the island's rich and checkered history.